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Arkansas in Ink Cover

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Arkansas in Ink

Gunslingers, Ghosts, and Other Graphic Tales

In 1837 Representative Joseph J. Anthony stabs the speaker of the house to death during a debate about wolf pelts. In 1899 Hot Springs police shoot it out with the county sheriffs over control of illegal gambling. In 1974 President Richard Nixon resigns in part due to the outspokenness of Pine Bluff native Martha Mitchell. In this special print project of the online Encyclopedia of Arkansas History & Culture, legendary cartoonist Ron Wolfe brings these and many other stories to life. Accompanied by selected entries from the encyclopedia, Wolfe’s cartoons highlight the oddities and absurdities of our state’s history. Seriously, you couldn’t make up this stuff.

Arkansas in Modern America, 1930–1999 Cover

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Arkansas in Modern America, 1930–1999

Ben F. Johnson, III

This elegantly written narrative traces Arkansas's evolution from a primarily rural society in the early 1900s to its expanding manufacturing economy and its growing prosperity and parity with the rest of the nation. Ben Johnson explores the influence of federal-state relations, beginning with the New Deal programs of President Franklin Roosevelt and continuing through the administrations of native son Bill Clinton. With particular sensitivity, he examines organized labor in the timber industry and in row crop agriculture; school desegregation, "white flight," and the private academy movement in the delta region; the growth of Wal-Mart and the poultry industry in the northwest section of the state; and the expansion of outdoor recreation and tourism as lakes were constructed and game populations rejuvenated. This book is particularly impressive for the breadth of its scope. Johnson offers detailed information on women, music and literature, organized religion, environmental trends, and other important cultural influences. Third in the popular Histories of Arkansas series, Arkansas in Modern America extends the narrative into the contemporary era with a format aimed at students and general readers. This important book will set the standard, for years to come, for analysis and interpretation of Arkansas's place in the twentieth century.

Artisan Workers in the Upper South Cover

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Artisan Workers in the Upper South

Petersburg, Virginia, 1820-1865

Diane Barnes

Though deeply entrenched in antebellum life, the artisans who lived and worked in Petersburg, Virginia, in the 1800s—including carpenters, blacksmiths, coach makers, bakers, and other skilled craftsmen—helped transform their planter-centered agricultural community into one of the most industrialized cities in the Upper South. These mechanics, as the artisans called themselves, successfully lobbied for new railroad lines and other amenities they needed to open their factories and shops, and turned a town whose livelihood once depended almost entirely on tobacco exports into a bustling modern city. In Artisan Workers in the Upper South, L. Diane Barnes closely examines the relationships between Petersburg's skilled white, free black, and slave mechanics and the roles they played in southern Virginia's emerging market economy. Barnes demonstrates that, despite studies that emphasize the backwardness of southern development, modern industry and the institution of slavery proved quite compatible in the Upper South. Petersburg joined the industrialized world in part because of the town's proximity to northern cities and resources, but it succeeded because its citizens capitalized on their uniquely southern resource: slaves. Petersburg artisans realized quickly that owning slaves could increase the profitability of their businesses, and these artisans—including some free African Americans—entered the master class when they could. Slave-owning mechanics, both white and black, gained wealth and status in society, and they soon joined an emerging middle class. Not all mechanics could afford slaves, however, and those who could not struggled to survive in the new economy. Forced to work as journeymen and face the unpleasant reality of permanent wage labor, the poorer mechanics often resented their inability to prosper like their fellow artisans. These differing levels of success, Barnes shows, created a sharp class divide that rivaled the racial divide in the artisan community. Unlike their northern counterparts, who united as a political force and organized strikes to effect change, artisans in the Upper South did not rise up in protest against the prevailing social order. Skilled white mechanics championed free manual labor—a common refrain of northern artisans—but they carefully limited the term "free" to whites and simultaneously sought alliances with slaveholding planters. Even those artisans who didn't own slaves, Barnes explains, rarely criticized the wealthy planters, who not only employed and traded with artisans, but also controlled both state and local politics. Planters, too, guarded against disparaging free labor too loudly, and their silence, together with that of the mechanics, helped maintain the precariously balanced social structure. Artisan Workers in the Upper South rejects the notion of the antebellum South as a semifeudal planter-centered political economy and provides abundant evidence that some areas of the South embraced industrial capitalism and economic modernity as readily as communities in the North.

Assassins, Eccentrics, Politicians, and Other Persons of Interest Cover

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Assassins, Eccentrics, Politicians, and Other Persons of Interest

Fifty Pieces from the Road

by Curtis Wilkie; foreword by Hank Klibanoff

Writing as a newspaper reporter for nearly forty years, Curtis Wilkie covered eight presidential campaigns, spent years in the Middle East, and traveled to a number of conflicts abroad. However, his memory keeps turning home and many of his most treasured stories transpire in the Deep South. He called his native Mississippi, “the gift that keeps on giving.” For Wilkie, it represented a trove of rogues and racists, colorful personalities and outlandish politicians who managed to thrive among people otherwise kind and generous.

Assassins, Eccentrics, Politicians, and Other Persons of Interest collects news dispatches and feature stories from the author during a journalism career that began in 1963 and lasted until 2000. As a young reporter for the Clarksdale Press Register, he wrote many articles that dealt with the civil rights movement, which dominated the news in the Mississippi Delta during the 1960s.Wilkie spent twenty-six years as a national and foreign correspondent for the Boston Globe. One of the original “Boys on the Bus” (the title of a best-selling book about journalists covering the 1972 presidential campaign), he later wrote extensively about the winning races of two southern Presidents, Jimmy Carter and Bill Clinton.

Wilkie is known for stories reported deeply, rife with anecdotes, physical descriptions, and important background details. He writes about the notorious, such as the late Hunter S. Thompson, as well as more anonymous subjects whose stories, in his hands, have enduring interest. The anthology collects pieces about several notable southerners: Ross Barnett; Byron De La Beckwith and Sam Bowers; Billy Carter; Edwin Edwards and David Duke; Trent Lott; and Charles Evers. Wilkie brings a perceptive eye to people and events, and his eloquent storytelling represents some of the best journalistic writing.

Atlanta and Environs Cover

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Atlanta and Environs

A Chronicle of Its People and Events, 1820s-1870s

Franklin M. Garrett

Atlanta and Environs is, in every way, an exhaustive history of the Atlanta Area from the time of its settlement in the 1820s through the 1970s. Volumes I and II, together more than two thousand pages in length, represent a quarter century of research by their author, Franklin M. Garrett a man called "a walking encyclopedia on Atlanta history" by the Atlanta Journal-Constitution. With the publication of Volume III, by Harold H. Martin, this chronicle of the South's most vibrant city incorporates the spectacular growth and enterprise that have characterized Atlanta in recent decades.<p/>

The work is arranged chronologically, with a section devoted to each decade, a chapter to each year. Volume I covers the history of Atlanta and its people up to 1880 ranging from the city's founding as "Terminus" through its Civil War destruction and subsequent phoenixlike rebirth. Volume II details Atlanta's development from 1880 through the 1930s including occurrences of such diversity as the development of the Coca-Cola Company and the Atlanta premiere of Gone with the Wind. Taking up the city's fortunes in the 1940s, Volume III spans the years of Atlanta's greatest growth. Tracing the rise of new building on the downtown skyline and the construction of Hartsfield International Airport on the city's perimeter, covering the politics at City Hall and the box scores of Atlanta's new baseball team, recounting the changing terms of race relations and the city's growing support of the arts, the last volume of Atlanta and Environs documents the maturation of the South's preeminent city.<p/>

Atlanta and Environs Cover

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Atlanta and Environs

A Chronicle of Its People and Events, 1880s-1930s

Franklin M. Garrett

Atlanta and Environs is, in every way, an exhaustive history of the Atlanta Area from the time of its settlement in the 1820s through the 1970s. Volumes I and II, together more than two thousand pages in length, represent a quarter century of research by their author, Franklin M. Garrett a man called "a walking encyclopedia on Atlanta history" by the Atlanta Journal-Constitution. With the publication of Volume III, by Harold H. Martin, this chronicle of the South's most vibrant city incorporates the spectacular growth and enterprise that have characterized Atlanta in recent decades.<p/>

The work is arranged chronologically, with a section devoted to each decade, a chapter to each year. Volume I covers the history of Atlanta and its people up to 1880 ranging from the city's founding as "Terminus" through its Civil War destruction and subsequent phoenixlike rebirth. Volume II details Atlanta's development from 1880 through the 1930s including occurrences of such diversity as the development of the Coca-Cola Company and the Atlanta premiere of Gone with the Wind. Taking up the city's fortunes in the 1940s, Volume III spans the years of Atlanta's greatest growth. Tracing the rise of new building on the downtown skyline and the construction of Hartsfield International Airport on the city's perimeter, covering the politics at City Hall and the box scores of Atlanta's new baseball team, recounting the changing terms of race relations and the city's growing support of the arts, the last volume of Atlanta and Environs documents the maturation of the South's preeminent city.<p/>

Atlanta and Environs Cover

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Atlanta and Environs

A Chronicle of Its People and Events, 1940s-1970s

Harold H. Martin

Atlanta and Environs is, in every way, an exhaustive history of the Atlanta Area from the time of its settlement in the 1820s through the 1970s. Volumes I and II, together more than two thousand pages in length, represent a quarter century of research by their author, Franklin M. Garrett a man called "a walking encyclopedia on Atlanta history" by the Atlanta Journal-Constitution. With the publication of Volume III, by Harold H. Martin, this chronicle of the South's most vibrant city incorporates the spectacular growth and enterprise that have characterized Atlanta in recent decades.<p/>

The work is arranged chronologically, with a section devoted to each decade, a chapter to each year. Volume I covers the history of Atlanta and its people up to 1880 ranging from the city's founding as "Terminus" through its Civil War destruction and subsequent phoenixlike rebirth. Volume II details Atlanta's development from 1880 through the 1930s including occurrences of such diversity as the development of the Coca-Cola Company and the Atlanta premiere of Gone with the Wind. Taking up the city's fortunes in the 1940s, Volume III spans the years of Atlanta's greatest growth. Tracing the rise of new building on the downtown skyline and the construction of Hartsfield International Airport on the city's perimeter, covering the politics at City Hall and the box scores of Atlanta's new baseball team, recounting the changing terms of race relations and the city's growing support of the arts, the last volume of Atlanta and Environs documents the maturation of the South's preeminent city.<p/>

Atomic Testing in Mississippi Cover

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Atomic Testing in Mississippi

Project Dribble and the Quest for Nuclear Weapons Treaty Verification in the Cold War Era

In Atomic Testing in Mississippi, David Allen Burke illuminates the nearly forgotten history of America’s only nuclear detonations east of the Mississippi River. The atomic tests, conducted in the mid-1960s nearly 3,000 feet below ground in Mississippi’s Tatum Salt Dome, posed a potential risk for those living within 150 miles of the site, which included residents of Hattiesburg, Jackson, Gulfport, Biloxi, Mobile, and New Orleans. While the detonations provided the United States with verification methods that helped limit the world’s nuclear arsenals, they sparked widespread public concern. In 1964 and 1966 the Atomic Energy Commission conducted experiments at the salt dome—code-named Dribble—surrounded by a greater population density than any other test site in the United States. Although the detonations were not weapons tests, they fostered a conflict between regional politicians interested in government-funded science projects and a population leery of nuclear testing near their homes. Even today, residents near the salt dome are still fearful of long-term negative health consequences. Despite its controversy, Project Dribble provided the technology needed to detect and assess the performance of distant underground atomic explosions and thus verify international weapons treaty compliance. This technology led to advanced seismological systems that now provide tsunami warnings and detect atomic activity in other nuclear nations, such as Pakistan and North Korea.

Back Home Cover

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Back Home

Journeys through Mobile

After twenty years in New York City, a prize-winning writer takes
a "long look back" at his hometown of Mobile, Alabama.

In Back Home: Journeys through Mobile, Roy Hoffman
tells stories--through essays, feature articles, and memoir--of one of
the South's oldest and most colorful port cities. Many of the pieces here
grew out of Hoffman's work as Writer-in-Residence for his hometown newspaper,
the Mobile Register, a position he took after working in New York
City for twenty years as a journalist, fiction writer, book critic, teacher,
and speech writer. Other pieces were first published in the New York
Times
, Southern Living, Preservation, and other publications.
Together, this collection comprises a long, second look at the Mobile of
Hoffman's childhood and the city it has since become.
 

Like a photo album, Back Home presents close-up
portraits of everyday places and ordinary people. There are meditations
on downtown Mobile, where Hoffman's grandparents arrived as immigrants
a century ago; the waterfront where longshoremen labor and shrimpers work
their nets; the back roads leading to obscure but intriguing destinations.
Hoffman records local people telling their own tales of race relations,
sports, agriculture, and Mardi Gras celebrations. Fishermen, baseball players,
bakers, authors, political figures--a strikingly diverse population walks
across the stage of Back Home.

 

Throughout, Hoffman is concerned with stories and their
enduring nature. As he writes, "When buildings are leveled, when land is
developed, when money is spent, when our loved ones pass on, when we take
our places a little farther back every year on the historical time-line,
what we have still are stories."
 

Backwater Blues Cover

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Backwater Blues

The Mississippi Flood of 1927 in the African American Imagination

Richard M. Mizelle Jr.

The Mississippi River flood of 1927 was the most destructive river flood in U.S. history, reshaping the social and cultural landscape as well as the physical environment. Often remembered as an event that altered flood control policy and elevated the stature of powerful politicians, Richard M. Mizelle Jr. examines the place of the flood within African American cultural memory and the profound ways it influenced migration patterns in the United States.

In Backwater Blues, Mizelle analyzes the disaster through the lenses of race and charity, blues music, and mobility and labor. The book’s title comes from Bessie Smith’s “Backwater Blues,” perhaps the best-known song about the flood. Mizelle notes that the devastation produced the richest groundswell of blues recordings following any environmental catastrophe in U.S. history, with more than fifty songs by countless singers evoking the disruptive force of the flood and the precariousness of the levees originally constructed to protect citizens. Backwater Blues reveals larger relationships between social and environmental history. According to Mizelle, musicians, Harlem Renaissance artists, fraternal organizations, and Creole migrants all shared a sense of vulnerability in the face of both the Mississippi River and a white supremacist society. As a result, the Mississippi flood of 1927 was not just an environmental crisis but a racial event.

Challenging long-standing ideas of African American environmental complacency, Mizelle offers insights into the broader dynamics of human interactions with nature as well as ways in which nature is mediated through the social and political dynamics of race.Includes discography.

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