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A French-Indian Community in Nineteenth-Century Oregon, 1812-1859
Hanford and the American West
Takes readers behind the headlines into the Manhattan Project at Hanford and the communities that surround it and offers perspectives on today’s controversies in an area now famous for the monumental effort to clean up decades of nuclear waste.
The Paradox of Prohibition on a Canada-U.S. Borderland
A Critical Edition
This critical edition of Winthrop’s work, the first in over half a century, offers readers the original text with a narrative overview of the nature and culture of the Pacific Northwest and reflections on the ecological and racial turmoil that gripped the region at the time. It also provides a fresh perspective on the aesthetic, historical, cultural, anthropological, social, and environmental contexts in which Winthrop wrote his sometimes disturbing, sometimes enlightening, and always riveting account. Whether offering portraits of Native American culture—in particular, commenting on the Chinook Jargon—making keen and often prescient observations on nature, or deploying transcendental, animist, or Hudson River School aesthetics (likely learned from his friend Frederick Church), Winthrop develops a clear and compelling picture of a time and place still resonant and relevant today.
In Claiming the Oriental Gateway, Shelley Sang-Hee Lee explores the various intersections of urbanization, ethnic identity, and internationalism in the experience of Japanese Americans in early twentieth-century Seattle. She examines the development and self-image of the city by documenting how U.S. expansion, Asian trans-Pacific migration, and internationalism were manifested locally—and how these forces affected residents’ relationships with one another and their surroundings.
Lee details the significant role Japanese Americans—both immigrants and U.S. born citizens—played in the social and civic life of the city as a means of becoming American. Seattle embraced the idea of cosmopolitanism and boosted its role as a cultural and commercial "Gateway to the Orient" at the same time as it limited the ways in which Asian Americans could participate in the public schools, local art production, civic celebrations, and sports. She also looks at how Japan encouraged the notion of the "gateway" in its participation in the Alaska-Yukon-Pacific Exposition and International Potlach.
Claiming the Oriental Gateway thus offers an illuminating study of the "Pacific Era" and trans-Pacific relations in the first four decades of the twentieth century.