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The Making of Portland, Maine
Situated on a peninsula jutting into picturesque Casco Bay, Portland has long been admired for its geographical setting—the “beautiful city by the sea,” as native son Henry Wadsworth Longfellow called it. At the same time, Portland’s deep, ice-free port has made it an ideal site for the development of coastal commerce and industry. Much of the city’s history, John F. Bauman shows, has been defined by the effort to reconcile the competing interests generated by these attributes—to balance the imperatives of economic growth with a desire to preserve Portland’s natural beauty. Caught in the crossfire of British and French imperial ambitions throughout the colonial era, Portland emerged as a prosperous shipbuilding center and locus of trade in the decades following the American Revolution. During the nineteenth century it became a busy railroad hub and winter port for Canadian grain until a devastating fire in 1866 reduced much of the city to ruins. Civic leaders responded by reinventing Portland as a tourist destination, building new hotels, parks, and promenades, and proclaiming it the “Gateway to Vacationland.” After losing its grain trade in the 1920s and suffering through the Great Depression, Portland withered in the years following World War II as it wrestled with the problems of deindustrialization, suburbanization, and an aging downtown. Efforts at urban renewal met with limited success until the 1980s, when a concerted plan of historic preservation and the restoration of the Old Port not only revived the tourist trade but eventually established Portland as one of America’s “most livable cities.”
A highly original and much-needed collection that explores the impact of Asian and Indian Ocean trade on the art and aesthetic sensibilities of New England port towns in the late eighteenth and early nineteenth centuries. This diverse, interdisciplinary volume adds to our understanding of visual representations of economic and cultural changes in New England as the region emerged as a global trading center, entering the highly prized East Indies trades. Examining a wide variety of commodities and forms including ceramics, textiles, engravings, paintings, architecture, and gardens, the contributors highlight New Englanders’ imperial ambitions in a wider world.
This book will appeal to a broad audience of historians and students of American visual art, as well as scholars and students of fine and decorative arts.
Private Lives in the Big City
History is right under our feet; we just need to dig a little to find it. Though not the most popular construction project, Boston’s Big Dig has contributed more to our understanding and appreciation of the city’s archaeological history than any other recent event. Joseph M. Bagley, city archaeologist of Boston, uncovers a fascinating hodgepodge of history—from ancient fishing grounds to Jazz Age red-light districts—that will surprise and delight even longtime residents. Each artifact is shown in full color and accompanied by description of the item’s significance to its site location and the larger history of the city. From cannonballs to drinking cups and from ancient spears to chinaware, A History of Boston in 50 Artifacts offers a unique and accessible introduction to Boston’s history and physical culture while revealing the ways objects can offer a tantalizing entrée into our past.
Packed with vivid descriptions and art, this lively history of Boston will appeal to all manner of readers, locals and visitors alike.
Violence Comes to One Small Town
On the afternoon of August 19, 1997, John Harrigan—owner and publisher of the News and Sentinel newspaper in Colebrook, New Hampshire—arrived at his building to find the woman he loved lying dead in the parking lot. Lawyer Vickie Bunnell had been shot and killed by an itinerant carpenter wielding an assault rifle. By then, three more people were already dead or dying. More mayhem was to ensue in an afternoon of plot twists too improbable for a novel. The roots of the incident stretch back twenty-five years, with tendrils deep in the history of New England’s North Country.
These bloody events shocked America and made headlines across the world. Hundreds of local citizens became unwilling players in the drama—friends and colleagues of the dead, men and women who were themselves real or potential targets, along with their neighbors in law enforcement—but the town and its inhabitants were never passive victims. From the first shot fired that day, they remained courageously determined to survive. This is the story of that town, those people, and that day. In the Evil Day is a moving portrait of small-town life and familiar characters forever changed by sudden violence.
One Town's Tragic Response to the Great Epidemic of 1918
The influenza epidemic of 1918 was one of the worst medical disasters in human history, taking close to thirty million lives worldwide in less than a year, including more than 500,000 in the United States. What made this pandemic even more frightening was the fact that it occurred when death rates for most common infectious diseases were diminishing. Still, an epidemic is not merely a medical crisis; it has sociological, psychological, and political dimensions as well. In Influenza and Inequality, Patricia J. Fanning examines these other dimensions and brings to life this terrible episode of epidemic disease by tracing its path through the town of Norwood, Massachusetts. By 1918, Norwood was a small, ethnically diverse, industrialized, and stratified community. Ink, printing, and tanning factories were owned by wealthy families who lived privileged lives. These industries attracted immigrant laborers who made their homes in several ethnic neighborhoods and endured prejudice and discrimination at the hands of native residents. When the epidemic struck, the immigrant neighborhoods were most affected; a fact that played a significant role in the town’s response—with tragic results. This close analysis of one town’s struggle illuminates how even well-intentioned elite groups may adopt and implement strategies that can exacerbate rather than relieve a medical crisis. It is a cautionary tale that demonstrates how social behavior can be a fundamental predictor of the epidemic curve, a community’s response to crisis, and the consequences of those actions.
Since 1969, Ethan Allen has been the subject of three biographical studies, all of which indulge in sustaining and revitalizing the image of Allen as a physically imposing Vermont yeoman, a defender of the rights of Americans, an eloquent military hero, and a master of many guises, from rough frontiersman to gentleman philosopher.
Seeking the authentic Ethan Allen, the authors of this volume ask: How did that Ethan Allen secure his place in popular culture? As they observe, this spectacular persona leaves little room for a more accurate assessment of Allen as a self-interested land speculator, rebellious mob leader, inexperienced militia officer, and truth-challenged man who would steer Vermont into the British Empire.
Drawing extensively from the correspondence in Ethan Allen and his Kin and a wide range of historical, political, and cultural sources, Duffy and Muller analyze the factors that led to Ethan Allen’s two-hundred-year-old status as the most famous figure in Vermont’s past. Placing facts against myths, the authors reveal how Allen acquired and retained his iconic image, how the much-repeated legends composed after his death coincide with his life, why recollections of him are synonymous with the story of Vermont, and why some Vermonters still assign to Allen their own cherished and idealized values.
Presented here for the first time is the history of Boston’s evolution as a center of American money management from early settlement to the twenty-first century. Within a few decades after the Revolution, Bostonians built up an impressive mercantile and industrial economy, and used wealth accrued from the China trade, New England mills, and other ventures to establish the most important stock exchange in America. They also created the “Boston trustee,” a unique professional who managed private fortunes over generations. During the late nineteenth century, Boston financial institutions were renowned as bastions of stability and conservatism in an era of recurrent economic panics and frequent failures. It was not until the twentieth century that Boston became better known for its role in investment management. In 1924, local financiers created the first mutual fund, an innovation almost a century in the making. After World War II, Boston originated venture capital with the founding of American Research & Development. This was soon followed by the development of private equity, the growth of the mutual fund industry, the pension “revolution” that changed and strengthened money management, the evolution in management of institutional endowments, and the rise of new family offices and hedge funds. The contributions of fiduciaries and investment managers have played an important part in the rise of the “New Boston” and made the city one of the most vibrant financial capitals in the world. Investment Management in Boston is published in association with Massachusetts Historical Society.
New York City's Unseen Scene
How do we speak about jazz? In this provocative study based on the author's deep immersion in the New York City jazz scene, Tom Greenland turns from the usual emphasis on artists and their music to focus on non-performing participants, describing them as active performers in their own right who witness and thus collaborate in a happening made one-of-a-kind by improvisation, mood, and moment. Jazzing shines a spotlight on the constituency of proprietors, booking agents, photographers, critics, publicists, painters, amateur musicians, fans, friends, and tourists that makes up New York City's contemporary jazz scene. Drawn from deep ethnographic research, interviews, and long term participant observation, Jazzing charts the ways New York's distinctive physical and social-cultural environment affects and is affected by jazz. Throughout, Greenland offers a passionate argument in favor of a radically inclusive conception of music-making, one in which individuals collectively improvise across social contexts to co-create community and musical meaning. An odyssey through the clubs and other performance spaces on and off the beaten track, Jazzing is an insider's view of a vibrant urban art world.
Jonathan Edwards has long epitomized the Puritan preacher as fiery scold, fixated on the inner struggle of the soul and the eternal flames of hell. In this book, Ronald Story offers a fundamentally different view of Edwards, revealing a profoundly social minister who preached a gospel of charity and community bound by love. The first chapters trace Edwards’s life and impact, examine his reputation as an intellectual, Calvinist, and revivalist, and highlight the importance for him of the gentler, more compassionate concepts of light, harmony, beauty, and sweetness. Story then explains what Edwards means by the “Gospel of Love”—a Christian faith that is less individual than interpersonal, and whose central feature is the practice of charity to the poor and the quest for loving community in this world, the chief signs of true salvation. As Edwards preached in his sermon “Heaven Is a World of Love,” the afterlife itself is social in nature because love is social. Drawing on Edwards’s own sermons and notebooks, Story reveals the minister’s belief that divine love expressed in the human family should take us beyond tribalism, sectarianism, provincialism, and nationality. Edwards offers hope, in the manner of Walter Rauschenbusch, Karl Barth, Martin Luther King Jr., and other great “improvers,” for the coming of a world without want and war. Gracefully and compellingly written, this book represents a new departure in Edwards studies, revising the long-standing yet misleading stereotype of a man whose lessons of charity, community, and love we need now more than ever.