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This book explores the life and works of the pioneering opera composer Robert Ashley, one of the leading American composers of the post-Cage generation. Ashley's innovations began in the 1960s when he, along with Alvin Lucier, Gordon Mumma, and David Behrman, formed the Sonic Arts Union, a group that turned conceptualism toward electronics. He was also instrumental in the influential ONCE Group, a theatrical ensemble that toured extensively in the 1960s. During his tenure as its director, the ONCE Festival in Ann Arbor presented most of the decade's pioneers of the performing arts. Particularly known for his development of television operas beginning with Perfect Lives, Ashley spun a long series of similar text/music works, sometimes termed "performance novels." These massive pieces have been compared with Wagner's Ring Cycle for the vastness of their vision, though the materials are completely different, often incorporating noise backgrounds, vernacular music, and highly structured, even serialized, musical structures. _x000B__x000B_Drawing on extensive research into Ashley's early years in Ann Arbor and interviews with Ashley and his collaborators, Kyle Gann chronicles the life and work of this musical innovator and provides an overview of the avant-garde milieu of the 1960s and 1970s to which he was so central. Gann examines all nine of Ashley's major operas to date in detail, along with many minor works, revealing the fanatical structures that underlie Ashley's music as well as private references hidden in his opera librettos._x000B_
Evangelical Performance in Twenty-First-Century America
In Sensational Devotion, Jill Stevenson examines a range of evangelical performances, including contemporary Passion plays, biblical theme parks, Holy Land re-creations, creationist museums, and megachurches, to understand how they serve their evangelical audiences while shaping larger cultural and national dialogues. Such performative media support specific theologies and core beliefs by creating sensual, live experiences for believers, but the accessible, familiar forms they take and the pop culture motifs they employ also attract nonbelievers willing to “try out” these genres, even if only for curiosity’s sake. This familiarity not only helps these performances achieve their goals, but it also enables them to contribute to public dialogue about the role of religious faith in America. Stevenson shows how these genres are significant and influential cultural products that utilize sophisticated tactics in order to reach large audiences comprised of firm believers, extreme skeptics, and those in between. Using historical research coupled with personal visits to these various venues, the author not only critically examines these spaces and events within their specific religious, cultural, and national contexts, but also places them within a longer devotional tradition in order to suggest how they cultivate religious belief by generating vivid, sensual, affectively oriented, and individualized experiences.
The Black Panthers Take a Stand in New Orleans
Through interviews with many individuals involved with the Black Panther Party in New Orleans in 1970, including Robert H. King, one of the Angola 3, Showdown in Desire tells the story of a year that included a shootout with the police on Piety Street, the creation of survival programs, and the daylong standoff between the panthers and the police in the Desire housing development.
The Presidency of George W. Bush
National Security Policy after 9/11
In Unending Crisis, Thomas Graham Jr. examines the second Bush administration's misguided management of foreign policy, the legacy of which has been seven major - and almost irresolvable - national security crises involving North Korea, Iran, Afghanistan, Pakistan, Iraq, the Arab-Israeli conflict in Palestine, and nuclear proliferation. Unending Crisis considers these issues individually and together, emphasizing their interrelationship and delineating the role that the neoconservative agenda played in redefining the way America is perceived in the world today.
Saving Journalism in the Information Age
"This remains a superb story. Bruce C. Smith has a wonderful eye for detail and a compelling perspective and voice. We care about this place and the people who live here." -- James H. Madison, author of Wendell Willkie: Hoosier Internationalist and A Lynching in the Heartland: Race and Memory in America
The War Comes to Plum Street brings to life the Second World War through the eyes of a small group of neighbors from a Midwestern town. Bruce C. Smith presents their stories just as they happened, without explanation or interpretation. To experience the war as they did, insofar as it is possible, we must understand how they perceived everyday events and recognize the incompleteness of their knowledge of what was taking place in Europe and the Pacific. The inhabitants of Plum Street in New Castle, Indiana, resemble many other average Americans of their day. As we discover how they experienced those fateful years, these Americans may have something to teach us about how we live in our own turbulent time.