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For more than fifty years mountain-born Earl Palmer traveled the Southern Appalachians with his camera, recording his personal vision of the mountain people and their heritage. Over these year he created, in several thousand photographs, a distinctive body of work that affirms a traditional image of Appalachia -- a region of great natural beauty inhabited by a self-sufficient people whose lives are notable for simplicity and harmony.
For this book, Jean Haskell Speer has selected more than 120 representative photographs from Palmer's collection and has written a biographical and critical commentary based on extensive interviews with the photographer. Palmer's photographs, Speer argues, are significant cultural statements that depict not so much a geographical region as a particular idea of Appalachia.
The Diary of Olive Dame Campbell
In 1908 and 1909, noted social reformer and "songcatcher" Olive Dame Campbell traveled with her husband, John C. Campbell, through the Southern Highlands region of Appalachia to survey the social and economic conditions in mountain communities. Throughout the journey, Olive kept a detailed diary offering a vivid, entertaining, and personal account of the places the couple visited, the people they met, and the mountain cultures they encountered.
Although John C. Campbell's book, The Southern Highlander and His Homeland, is cited by nearly every scholar writing about the region, little has been published about the Campbells themselves and their role in the sociological, educational, and cultural history of Appalachia. In this critical edition, Elizabeth McCutchen Williams makes Olive's diary widely accessible to scholars and students for the first time. Appalachian Travels only offers an invaluable account of mountain society at the turn of the twentieth century.
Empire, Culture, and the Cold War
Combining literary, cultural, and political history, and based on extensive archival research, including previously unseen FBI and CIA documents, Archives of Authority argues that cultural politics--specifically America's often covert patronage of the arts--played a highly important role in the transfer of imperial authority from Britain to the United States during a critical period after World War II. Andrew Rubin argues that this transfer reshaped the postwar literary space and he shows how, during this time, new and efficient modes of cultural transmission, replication, and travel--such as radio and rapidly and globally circulated journals--completely transformed the position occupied by the postwar writer and the role of world literature.
Rubin demonstrates that the nearly instantaneous translation of texts by George Orwell, Thomas Mann, W. H. Auden, Richard Wright, Mary McCarthy, and Albert Camus, among others, into interrelated journals that were sponsored by organizations such as the CIA's Congress for Cultural Freedom and circulated around the world effectively reshaped writers, critics, and intellectuals into easily recognizable, transnational figures. Their work formed a new canon of world literature that was celebrated in the United States and supposedly represented the best of contemporary thought, while less politically attractive authors were ignored or even demonized. This championing and demonizing of writers occurred in the name of anti-Communism--the new, transatlantic "civilizing mission" through which postwar cultural and literary authority emerged.
Franco Lobbyists, Roosevelt's Foreign Policy, and the Spanish Civil War
The struggle to define U.S. national identity through a political struggle in Spain
In 1938 the United States was embroiled in a vicious debate between supporters of the two sides of the Spanish Civil War, who sought either to lift or to retain the U.S. arms embargo on Spain. The embargo, which favored Gen. Francisco Franco’s Nationalist regime over the ousted Republican government of the Loyalists, received heavy criticism for enabling a supposedly fascist-backed takeover during a time when the Nazi party in Germany was threatening the annexation of countries across Europe. Supporters of General Franco, however, saw the resistance of the Loyalists as being spurred on by the Soviet Union, which sought to establish a communist government abroad.
Since World War II, American historians have traditionally sided with the Loyalist supporters, validating their arguments that the pro-Nationalists were un-American for backing an unpalatable dictator. In Arguing Americanism, author Michael E. Chapman examines the long-overlooked pro-Nationalist argument. Employing new archival sources, Chapman documents a small yet effective network of lobbyists—including engineer turned writer John Eoghan Kelly, publisher Ellery Sedgwick, homemaker Clare Dawes, muralist Hildreth Meière, and philanthropist Anne Morgan—who fought to promote General Franco’s Nationalist Spain and keep the embargo in place.
Arguing Americanism also goes beyond the embargo debate to examine the underlying issues that gripped 1930s America. Chapman posits that the Spanish embargo argument was never really about Spain but rather about the soul of Americanism, the definition of democracy, and who should do the defining. Pro-Loyalists wanted the pure democracy of the ballot box; pro-Nationalists favored the checks and balances of indirect democracy. By pointing to what was happening in Spain, each side tried to defend its version of Americanism against the foreign forces that threatened it. For Franco supporters, it was the spread of international Marxism, toward which they felt Roosevelt and his New Deal were too sympathetic. The pro-Nationalists intensified an argument that became a precursor to a fundamental change in American national identity—a change that would usher in the Cold War era.
Arguing Americanism will appeal to political scientists, cultural historians, and students of U.S. foreign relations.
Mobilization, Supply, and the American War Effort in World War II
The Civil Rights Struggle Before the NAACP
"An Army of Lions is a stunning and heroic work of research about one of the great 'origins' stories of American history. With remarkable originality, Alexander illuminates the grassroots civil rights organizations, leadership, and strategies in the nineteenth century, well before we typically think about those efforts. In the hands of this very talented historian, we see that T. Thomas Fortune and others struggled with the same questions that occupied the later generations of Du Bois and King. This is a scholarly achievement of the first order, with wide social and political implications today."--David W. Blight, author of American Oracle: The Civil War in the Civil Rights Era "With impressive detail, An Army of Lions documents a complex era in African American politics during the late nineteenth and early twentieth centuries. Alexander offers readers invaluable insights into how African American activists responded to the rising violence, disfranchisement, and segregation that characterized the Jim Crow era. Most importantly, he helps us to see how a broad range of early civil rights organizations were vying with one another for national leadership, political access, and mass support."--Martha S. Jones, University of Michigan In January 1890, journalist T. Thomas Fortune stood before a delegation of African American activists in Chicago and declared, "We know our rights and have the courage to defend them," as together they formed the Afro-American League, the nation's first national civil rights organization. Over the next two decades, Fortune and his fellow activists organized, agitated, and, in the process, created the foundation for the modern civil rights movement. An Army of Lions: The Civil Rights Struggle Before the NAACP traces the history of this first generation of activists and the organizations they formed to give the most comprehensive account of black America's struggle for civil rights from the end of Reconstruction to the formation of the National Association for the Advancement of Colored People in 1909. Here a host of leaders neglected by posterity--Bishop Alexander Walters, Mary Church Terrell, Jesse Lawson, Lewis G. Jordan, Kelly Miller, George H. White, Frederick McGhee, Archibald Grimké--worked alongside the more familiar figures of Ida B. Wells-Barnett, W. E. B. Du Bois, and Booker T. Washington, who are viewed through a fresh lens. As Jim Crow curtailed modes of political protest and legal redress, members of the Afro-American League and the organizations that formed in its wake--including the Afro-American Council, the Niagara Movement, the Constitution League, and the Committee of Twelve--used propaganda, moral suasion, boycotts, lobbying, electoral office, and the courts, as well as the call for self-defense, to end disfranchisement, segregation, and racial violence. In the process, the League and the organizations it spawned provided the ideological and strategic blueprint of the NAACP and the struggle for civil rights in the twentieth century, demonstrating that there was significant and effective agitation during "the age of accommodation." Shawn Leigh Alexander teaches African and African American studies at the University of Kansas.
The NAACP's Cultural Campaign for Civil Rights
The National Association for the Advancement of Colored People (NAACP) is the nation's oldest civil rights organization, having dedicated itself to the fight for racial equality since 1909. While the group helped achieve substantial victories in the courtroom, the struggle for civil rights extended beyond gaining political support. It also required changing social attitudes. The NAACP thus worked to alter existing prejudices through the production of art that countered racist depictions of African Americans, focusing its efforts not only on changing the attitudes of the white middle class but also on encouraging racial pride and a sense of identity in the black community.
Art for Equality explores an important and little-studied side of the NAACP's activism in the cultural realm. In openly supporting African American artists, writers, and musicians in their creative endeavors, the organization aimed to change the way the public viewed the black community. By overcoming stereotypes and the belief of the majority that African Americans were physically, intellectually, and morally inferior to whites, the NAACP believed it could begin to defeat racism.
Illuminating important protests, from the fight against the 1915 film The Birth of a Nation to the production of anti-lynching art during the Harlem Renaissance, this insightful volume examines the successes and failures of the NAACP's cultural campaign from 1910 to the 1960s. Exploring the roles of gender and class in shaping the association's patronage of the arts, Art for Equality offers an in-depth analysis of the social and cultural climate during a time of radical change in America.
Education and Reform in Depression Era Appalachia
The first of many homestead communities designed during the rollout of the New Deal, Arthurdale, West Virginia, was a bold experiment in progressive social planning. At the center of the settlement was the school, which was established to improve the curriculum offered to Appalachian students. Offering displaced and unemployed coal miners and their families new opportunities, the school also helped those in need to develop a sense of dignity during the Great Depression.
The first book-length study of the well-known educational experiment, The Arthurdale Community School illuminates the institution's history, influence, and impact. Founded on American philosopher and reformer John Dewey's idea that learning should be based not on competition but on community, and informed by First Lady Eleanor Roosevelt's guidance, the Arthurdale project sought to enable both children and adults to regain a sense of identity and place by studying the history and culture of Appalachia. Its goal was not to produce workers for global capitalism but to provide citizens with the tools to participate in a democracy.
Author Sam F. Stack Jr. examines both the successes and failures of this famous progressive experiment, providing an in-depth analysis of the Arthurdale School's legacy. A fascinating study of innovation and reform in Appalachia, Stack's book also investigates how this project's community model may offer insights into the challenges facing schools today.
Forming New Communities, Expanding Boundaries
The last half century witnessed a dramatic change in the geographic, ethnographic, and socioeconomic structure of Asian American communities. While traditional enclaves were strengthened by waves of recent immigrants, native-born Asian Americans also created new urban and suburban areas. Asian America is the first comprehensive look at post-1960s Asian American communities in the United States and Canada. Contributors from an array of academic fields focus on global views of Asian American communities as well as on territorial and cultural boundaries.
Fifty Pieces from the Road
Writing as a newspaper reporter for nearly forty years, Curtis Wilkie covered eight presidential campaigns, spent years in the Middle East, and traveled to a number of conflicts abroad. However, his memory keeps turning home and many of his most treasured stories transpire in the Deep South. He called his native Mississippi, “the gift that keeps on giving.” For Wilkie, it represented a trove of rogues and racists, colorful personalities and outlandish politicians who managed to thrive among people otherwise kind and generous.
Assassins, Eccentrics, Politicians, and Other Persons of Interest collects news dispatches and feature stories from the author during a journalism career that began in 1963 and lasted until 2000. As a young reporter for the Clarksdale Press Register, he wrote many articles that dealt with the civil rights movement, which dominated the news in the Mississippi Delta during the 1960s.Wilkie spent twenty-six years as a national and foreign correspondent for the Boston Globe. One of the original “Boys on the Bus” (the title of a best-selling book about journalists covering the 1972 presidential campaign), he later wrote extensively about the winning races of two southern Presidents, Jimmy Carter and Bill Clinton.
Wilkie is known for stories reported deeply, rife with anecdotes, physical descriptions, and important background details. He writes about the notorious, such as the late Hunter S. Thompson, as well as more anonymous subjects whose stories, in his hands, have enduring interest. The anthology collects pieces about several notable southerners: Ross Barnett; Byron De La Beckwith and Sam Bowers; Billy Carter; Edwin Edwards and David Duke; Trent Lott; and Charles Evers. Wilkie brings a perceptive eye to people and events, and his eloquent storytelling represents some of the best journalistic writing.