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History > U.S. History > 20th Century
The African Embassy Bombings and America’s Search for Justice
Three years before the events of 9/11, Osama bin Laden sent al Qaeda suicide bombers on a coordinated attack to destroy the U.S. embassies in Nairobi, Kenya, and Dar es Salaam, Tanzania. That day, August 7, 1998, more than two hundred people were killed and thousands were wounded. Responding immediately, the FBI launched the largest international investigation in its history. Within months, suspects were arrested in six countries. The U.S. Attorney for the Southern District of New York indicted twenty-two individuals, including the elusive bin Laden. In February 2001 a landmark trial of four of the accused was held in Manhattan in the shadow of the World Trade Center. Al Qaeda Declares War: The African Embassy Bombings and America’s Search for Justice explores the step-by-step procedures the United States employed in analyzing these attacks, identifying the suspects, tracking down and apprehending them, building a case, and prosecuting them. It is this case that established the legal basis for hunting down bin Laden, and the trial makes for a gripping courtroom drama, in which the robust principles of American justice confront the fanaticism of true believers. Tod Hoffman argues forcefully that the process after the 1998 incident stands in marked contrast to the illegal detention, torture, and abrogation of rights that followed 9/11. Indeed, reverberations from the African embassy bombings continue in the ongoing hunt for perpetrators still at large, and in targeted killings by drones. Al Qaeda Declares War dramatically recounts the terror and bloodshed of that day in Africa and shows that America’s search for justice afterward offers important lessons for today.
The Political Imaginary and the Heart of Dixie
In Alabama Getaway Allen Tullos explores the recent history of one of the nation’s most conservative states to reveal its political imaginary—the public shape of power, popular imagery, and individual opportunity.
From Alabama’s largely ineffectual politicians to its miserly support of education, health care, cultural institutions, and social services, Tullos examines why the state appears to be stuck in repetitive loops of uneven development and debilitating habits of judgment. The state remains tied to fundamentalisms of religion, race, gender, winner-take-all economics, and militarism enforced by punitive and defensive responses to criticism. Tullos traces the spectral legacy of George Wallace, ponders the roots of anti-egalitarian political institutions and tax structures, and challenges Birmingham native Condoleezza Rice’s use of the civil rights struggle to justify the war in Iraq. He also gives due coverage to the state’s black citizens who with a minority of whites have sustained a movement for social justice and democratic inclusion. As Alabama competes for cultural tourism and global industries like auto manufacturing and biomedical research, Alabama Getaway asks if the coming years will see a transformation of the “Heart of Dixie.”
Past biographies, histories, and government documents have ignored Alice Paul's contribution to the women's suffrage movement, but this groundbreaking study scrupulously fills the gap in the historical record. Masterfully framed by an analysis of Paul's nonviolent and visual rhetorical strategies, Alice Paul and the American Suffrage Campaign narrates the remarkable story of the first person to picket the White House, the first to attempt a national political boycott, the first to burn the president in effigy, and the first to lead a successful campaign of nonviolence. _x000B__x000B_Katherine H. Adams and Michael L. Keene also chronicle other dramatic techniques that Paul deftly used to gain publicity for the suffrage movement. Stunningly woven into the narrative are accounts of many instances in which women were in physical danger. Rather than avoid discussion of Paul's imprisonment, hunger strikes, and forced feeding, the authors divulge the strategies she employed in her campaign. Paul's controversial approach, the authors assert, was essential in changing American attitudes toward suffrage. _x000B__x000B_
Print Culture, Censorship, and Modernity in Twentieth-Century America
Until the close of the Second Vatican Council in 1965, the stance of the Roman Catholic Church toward the social, cultural, economic, and political developments of the twentieth century was largely antagonistic. Naturally opposed to secularization, skeptical of capitalist markets indifferent to questions of justice, confused and appalled by new forms of high and low culture, and resistant to the social and economic freedom of women—in all of these ways the Catholic Church set itself up as a thoroughly anti-modern institution. Yet, in and through the period from World War I to Vatican II, the Church did engage with, react to, and even accommodate various aspects of modernity. In All Good Books Are Catholic Books, Una M. Cadegan shows how the Church’s official position on literary culture developed over this crucial period.
The Catholic Church in the United States maintained an Index of Prohibited Books and the National Legion of Decency (founded in 1933) lobbied Hollywood to edit or ban movies, pulp magazines, and comic books that were morally suspect. These regulations posed an obstacle for the self-understanding of Catholic American readers, writers, and scholars. But as Cadegan finds, Catholics developed a rationale by which they could both respect the laws of the Church as it sought to protect the integrity of doctrine and also engage the culture of artistic and commercial freedom in which they operated as Americans. Catholic literary figures including Flannery O’Connor and Thomas Merton are important to Cadegan’s argument, particularly as their careers and the reception of their work demonstrate shifts in the relationship between Catholicism and literary culture. Cadegan trains her attention on American critics, editors, and university professors and administrators who mediated the relationship among the Church, parishioners, and the culture at large.
This ms is an international history of the inter-American Cold War. Harmer looks at Chile during the presidency of Salvador Allende (1970-73) and outlines how he proposed a constitutional “Chilean road to socialism.” This call for a peaceful transformation of the inter-American system and international economic relations abroad resulted in a violent, unconstitutional future for Chile, with a right-wing dictatorship drowning out the promise of a revolution in the Southern Cone as well as the global South’s continued dependency on the North.
Recollections of a Trader 1898-1948
A History of Social Work and Social Policy in the United States
Social work and social policy in the United States have always had a complex and troubled relationship. In The Altruistic Imagination, John H. Ehrenreich offers a critical interpretation of their intertwined histories, seeking to understand the problems that face these two vital institutions in American society.
Ehrenreich demonstrates that the emphasis of social work has always vacillated between individual treatment and social reform. Tracing this ever-changing focus from the Progressive Era, through the development of the welfare state, the New Deal, and the affluent 1950s and 1960s, into the administration of Ronald Reagan, he places the evolution of social work in the context of political, cultural, and ideological trends, noting the paradoxes inherent in the attempt to provide essential services and reflect at the same time the intentions of the state. He concludes by examining the turning point faced by the social work profession in the 1980s, indicated by a return to casework and a withdrawal from social policy concerns.
A New Biography of the Hero of the Argonne
Alvin C. York (1887--1964) -- devout Christian, conscientious objector, and reluctant hero of World War I -- is one of America's most famous and celebrated soldiers. Known to generations through Gary Cooper's Academy Award-winning portrayal in the 1941 film Sergeant York, York is credited with the capture of 132 German soldiers on October 8, 1918, in the Meuse-Argonne region of France -- a deed for which he was awarded the Congressional Medal of Honor.
At war's end, the media glorified York's bravery but some members of the German military and a soldier from his own unit cast aspersions on his wartime heroics. Historians continue to debate whether York has received more recognition than he deserves. A fierce disagreement about the location of the battle in the Argonne forest has further complicated the soldier's legacy.
In Alvin York, Douglas V. Mastriano sorts fact from myth in the first full-length biography of York in decades. He meticulously examines York's youth in the hills of east Tennessee, his service in the Great War, and his return to a quiet civilian life dedicated to charity. By reviewing artifacts recovered from the battlefield using military terrain analysis, forensic study, and research in both German and American archives, Mastriano reconstructs the events of October 8 and corroborates the recorded accounts. On the eve of the WWI centennial, Alvin York promises to be a major contribution to twentieth-century military history.
Judge Wilson McCarthy and the Rescue of the Denver & Rio Grande Western Railroad
Cowboy, judge, federal official, then business executive, Wilson McCarthy mirrored change and growth in the twentieth-century West. Leading the Denver & Rio Grande back from the brink saved a vital link in the national transportation system. The D&RGW ran over and through the scenic Rockies, developing mineral resources, fighting corporate wars, and helping build communities. The Depression brought it to its knees. Accepting federal assignment to save the line, McCarthy turned it into a paragon of mid-century railroading, represented by the streamlined, Vista-Domed California Zephyr, although success hauling freight was of more economic importance. Prior to that, McCarthy’s life had taken him from driving livestock in Canada to trying to drive the national economy as a director of the Reconstruction Finance Corporation, the first line of federal attack on the Depression. Always a Cowboy positions McCarthy’s story in a rich historical panorama..
Will Bagley is the author of Blood of the Prophets: Brigham Young and the Massacre at Mountain Meadows
Shadow Imagery in Cold War American Culture
After contextualizing the postwar use of shadow imagery in the wake of the atomic bomb, Ambiguous Borderlands looks at shadows in print works, detailing the reemergence of the pulp fiction crime fighter “the Shadow” in the late-1950s writings of Sylvia Plath, Amiri Baraka, and Jack Kerouac. Using Freudian and Jungian conceptions of the unconscious, Mortenson then discusses Kerouac’s and Allen Ginsberg’s shared dream of a “shrouded stranger” and how this dream shaped their Beat aesthetic. Turning to the visual, Mortenson examines the dehumanizing effect of shadow imagery in the Cold War photography of Robert Frank, William Klein, and Ralph Eugene Meatyard. Mortenson concludes with an investigation of the use of chiaroscuro in 1950s film noir and the popular television series The Twilight Zone, further detailing how the complexities of Cold War society were mirrored across these media in the ubiquitous imagery of light and dark.
From comics to movies, Beats to bombs, Ambiguous Borderlands provides a novel understanding of the Cold War cultural context through its analysis of the image of the shadow in midcentury media. Its interdisciplinary approach, ambitious subject matter, and diverse theoretical framing make it essential reading for anyone interested in American literary and popular culture during the mid-twentieth century.