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Print Culture, Censorship, and Modernity in Twentieth-Century America
Until the close of the Second Vatican Council in 1965, the stance of the Roman Catholic Church toward the social, cultural, economic, and political developments of the twentieth century was largely antagonistic. Naturally opposed to secularization, skeptical of capitalist markets indifferent to questions of justice, confused and appalled by new forms of high and low culture, and resistant to the social and economic freedom of women—in all of these ways the Catholic Church set itself up as a thoroughly anti-modern institution. Yet, in and through the period from World War I to Vatican II, the Church did engage with, react to, and even accommodate various aspects of modernity. In All Good Books Are Catholic Books, Una M. Cadegan shows how the Church’s official position on literary culture developed over this crucial period.
The Catholic Church in the United States maintained an Index of Prohibited Books and the National Legion of Decency (founded in 1933) lobbied Hollywood to edit or ban movies, pulp magazines, and comic books that were morally suspect. These regulations posed an obstacle for the self-understanding of Catholic American readers, writers, and scholars. But as Cadegan finds, Catholics developed a rationale by which they could both respect the laws of the Church as it sought to protect the integrity of doctrine and also engage the culture of artistic and commercial freedom in which they operated as Americans. Catholic literary figures including Flannery O’Connor and Thomas Merton are important to Cadegan’s argument, particularly as their careers and the reception of their work demonstrate shifts in the relationship between Catholicism and literary culture. Cadegan trains her attention on American critics, editors, and university professors and administrators who mediated the relationship among the Church, parishioners, and the culture at large.
This ms is an international history of the inter-American Cold War. Harmer looks at Chile during the presidency of Salvador Allende (1970-73) and outlines how he proposed a constitutional “Chilean road to socialism.” This call for a peaceful transformation of the inter-American system and international economic relations abroad resulted in a violent, unconstitutional future for Chile, with a right-wing dictatorship drowning out the promise of a revolution in the Southern Cone as well as the global South’s continued dependency on the North.
Recollections of a Trader 1898-1948
A New Biography of the Hero of the Argonne
Alvin C. York (1887--1964) -- devout Christian, conscientious objector, and reluctant hero of World War I -- is one of America's most famous and celebrated soldiers. Known to generations through Gary Cooper's Academy Award-winning portrayal in the 1941 film Sergeant York, York is credited with the capture of 132 German soldiers on October 8, 1918, in the Meuse-Argonne region of France -- a deed for which he was awarded the Congressional Medal of Honor.
At war's end, the media glorified York's bravery but some members of the German military and a soldier from his own unit cast aspersions on his wartime heroics. Historians continue to debate whether York has received more recognition than he deserves. A fierce disagreement about the location of the battle in the Argonne forest has further complicated the soldier's legacy.
In Alvin York, Douglas V. Mastriano sorts fact from myth in the first full-length biography of York in decades. He meticulously examines York's youth in the hills of east Tennessee, his service in the Great War, and his return to a quiet civilian life dedicated to charity. By reviewing artifacts recovered from the battlefield using military terrain analysis, forensic study, and research in both German and American archives, Mastriano reconstructs the events of October 8 and corroborates the recorded accounts. On the eve of the WWI centennial, Alvin York promises to be a major contribution to twentieth-century military history.
Judge Wilson McCarthy and the Rescue of the Denver & Rio Grande Western Railroad
Cowboy, judge, federal official, then business executive, Wilson McCarthy mirrored change and growth in the twentieth-century West. Leading the Denver & Rio Grande back from the brink saved a vital link in the national transportation system. The D&RGW ran over and through the scenic Rockies, developing mineral resources, fighting corporate wars, and helping build communities. The Depression brought it to its knees. Accepting federal assignment to save the line, McCarthy turned it into a paragon of mid-century railroading, represented by the streamlined, Vista-Domed California Zephyr, although success hauling freight was of more economic importance. Prior to that, McCarthy’s life had taken him from driving livestock in Canada to trying to drive the national economy as a director of the Reconstruction Finance Corporation, the first line of federal attack on the Depression. Always a Cowboy positions McCarthy’s story in a rich historical panorama..
Will Bagley is the author of Blood of the Prophets: Brigham Young and the Massacre at Mountain Meadows
Shadow Imagery in Cold War American Culture
The Politics of Congressional Elections Across Time
In Ambition, Competition, and Electoral Reform, Jamie L. Carson and Jason M. Roberts present an original study of U.S. congressional elections and electoral institutions for 1872-1944 from a contemporary political science perspective. Using data on late
The Progressive Era and World War I
Detailing the events of the Progressive Era and World War I (1901-20), America in the Age of the Titans is the only interdisciplinary history covering this period currently available. The book contains the results of research into primary sources an drecent scholarship with an emphases on leading personalities and anecdotes about them. Sean Dennis Cashman's sequesl to America in the Gilded Age gives special attention to industry and inventions, and social and cultural history. He covers developments in science, technology, and industry; the Progressive movement and the presidencies of Theodore Roosevelt, immigration, the new woman, and labor, including the Industrial Workers of the World and the Great Red Scare; the transportation and communications revolution in radio and motion pictures; the cultural contribuation of artists, architects, and creatice writers; and America's foreign policies across the world. Written in a lively, accessible style with over sixty illustrations, this book is an excellent introduction to these momentous years. It provides an assessment of the contributions of the titans - political, scientific, and industrial.
America in the Forties is a readable and concise narrative that tells the story of the forties in the United States. The book argues that the forties were an important period in American life, shaped by charismatic, brilliant, and sometimes controversial leaders. It traces the entire decade from the first stirrings of war in a nation consumed by the Great Depression to fights with Europe and Japan and through the start of the Cold War and the dawn of the atomic age.
This book is a survey treatment of the 1990s. The trajectory of the narrative follows from the fall of the Berlin Wall in 1989 to the terrorist attacks of September 11, 2001. This book seeks to give a voice to historically marginalized communities, while providing an overview of the 1990s. The analysis includes examinations of: the end of the 1980s, America’s War in the Gulf, Bush’s domestic agenda; The 1992 Campaign, Clinton’s domestic agenda; The United States and genocide; globalization; science and technology; pop culture; race relations; LGBT and women’s right; and the scandals of the Clinton Administration. The book strikes the balance between providing an analysis of the 1990s, while providing the reader with basic key information about the decade. This book is one of the first of its kind to examine the whole decade and while providing an analysis on a multitude of subjects.