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Few naval battles in American history have left a more enduring impression on America’s national consciousness than the Battle of Lake Erie, September 10, 1813. Master Commandant Oliver Hazard Perry’s battle flag emblazoned with the message “Don’t Give Up the Ship,” now enshrined at the U.S. Naval Academy, has become a naval maxim. His succinct after-action report—“We have met the enemy and they are ours”—constitutes one of the more memorable battle summaries in American history.
This splendid collection celebrates the bicentennial of the American victory with a review of the battle and its consequences. The volume is divided into three sections. The first deals with “Military Operations” in the upper Great Lakes, 1812–14, and provides an overview of the War of 1812 in the Old Northwest and western Upper Canada. The second, “Consequences,” assesses the long-term impact of this campaign upon the Native Americans and Euro-Americans who lived in the region and three individuals whose lives were changed by the American recovery of the upper lakes in 1813. The final section, “Memory,” examines two ways the United States keeps the legacy of its first squadron-to-squadron victory alive by maintaining the fragile battle flag that flew on Perry’s flagships and by sailing the replica of US Brig Niagara on the Great Lakes and the East Coast.
Collectively these essays allow the general reader, the military history enthusiast, and the professional historian to take a fresh look at this significant naval engagement and its impact on subsequent historical events.
The Black Experience in New York City Before World War I
In the years between 1880 and 1915, New York City and its environs underwent a tremendous demographic transformation with the arrival of millions of European immigrants, native whites from the rural countryside, and people of African descent from both the American South and the Caribbean. While all groups faced challenges in their adjustment to the city, hardening racial prejudices set the black experience apart from that of other newcomers. Through encounters with each other, blacks and whites, both together and in opposition, forged the contours of race relations that would affect the city for decades to come.
Before Harlem reveals how black migrants and immigrants to New York entered a world far less welcoming than the one they had expected to find. White police officers, urban reformers, and neighbors faced off in a hostile environment that threatened black families in multiple ways. Unlike European immigrants, who typically struggled with low-paying jobs but who often saw their children move up the economic ladder, black people had limited employment opportunities that left them with almost no prospects of upward mobility. Their poverty and the vagaries of a restrictive job market forced unprecedented numbers of black women into the labor force, fundamentally affecting child-rearing practices and marital relationships.
Despite hostile conditions, black people nevertheless claimed New York City as their own. Within their neighborhoods and their churches, their night clubs and their fraternal organizations, they forged discrete ethnic, regional, and religious communities. Diverse in their backgrounds, languages, and customs, black New Yorkers cultivated connections to others similar to themselves, forming organizations, support networks, and bonds of friendship with former strangers. In doing so, Marcy S. Sacks argues, they established a dynamic world that eventually sparked the Harlem Renaissance. By the 1920s, Harlem had become both a tragedy and a triumph—undeniably a ghetto replete with problems of poverty, overcrowding, and crime, but also a refuge and a haven, a physical place whose very name became legendary.
The Life Writings of Mary Lois Walker Morris
American Women's Autobiographical Writing, 1819–1919
The life narratives in this collection are by ethnically diverse women of energy and ambition—some well known, some forgotten over generations—who confronted barriers of gender, class, race, and sexual difference as they pursued or adapted to adventurous new lives in a rapidly changing America. The engaging selections—from captivity narratives to letters, manifestos, criminal confessions, and childhood sketches—span a hundred years in which women increasingly asserted themselves publicly. Some rose to positions of prominence as writers, activists, and artists; some sought education or wrote to support themselves and their families; some transgressed social norms in search of new possibilities. Each woman’s story is strikingly individual, yet the brief narratives in this anthology collectively chart bold new visions of women’s agency.
###Behind the Scenes# is the life story of Elizabeth Keckley, a shrewd entrepreneur who, while enslaved, raised enough money to purchase freedom for herself and her son. Keckley moved to Washington, D.C., where she worked as a seamstress and dressmaker for the wives of influential politicians. She eventually became a close confidante of Mary Todd Lincoln. Several years after President Lincoln's assassination, when Mrs. Lincoln's financial situation had worsened, Keckley helped organize an auction of the former first lady's dresses, eliciting strong criticism from members of the Washington elite. ###Behind the Scenes# is, therefore, both a slave narrative and Keckley's attempt to defend the motives behind the auction. However, the book's publication prompted an even greater public outcry, with the added racial subtext of white society's disdain for Keckley's audacity in publishing details of the Lincolns' private lives. Keckley's dressmaking business failed, the Lincoln family cut all ties with her, and she lived out her final days in a home for the indigent. Scholars have acknowledged the book's valuable account of slave life as well as its intimate view into the Lincoln White House. Biographers of the Lincolns have quoted extensively from Keckley's text.
A Plantation Memory
“Belvidere is underwater too deep for any eye but that of memory to reach,” begins Anne Sinkler Fishburne reverential recollections of her ancestral home. Located in between Santee River and Eutaw Creek near present day Eutaw Springs, South Carolina, Belvidere plantation once produced Santee long cotton (a hybrid between Upland cotton and Sea Island cotton) and short staple cotton on its nearly 800 acres of rich Lowcountry soil and served as the home of the Sinkler family from the 1770s until the 1940s. An elegant two-story timber house was built on the property in 1803, complete with full-brick basement, brick foundation, a welcoming piazza across the front, and a large wing balanced on the opposite side with a brick-paved sun piazza. In 1936, a race track was constructed at Belvidere to host races for the St. John’s Jockey Club (originally the Santee Jockey Club). The storied and vibrant life at Belvidere came to a close in 1941, however, with the completion of the huge Santee Cooper hydroelectric development. Belvidere, like many plantations of the parish, now rests below the waters of Lake Marion, but its past can still be experienced by the modern reader in this plantation memory. First published in 1949, Belvidere chronicles life at the plantation through letters, memoir, and historical research. When Fishburne gathered the materials that compose this volume, she merely wished to preserve for her grandchildren the story of the plantation that was her beloved home and that of many generations of her forebears. Written in an invitingly authentic Lowcountry voice, the resulting narrative is an opportunity to sit on the piazza and walk the gardens once more and share stories of a way of life from a bygone era. Featuring twenty-four illustrations, this commemorative edition of Belvidere is enhanced with a new introduction by Fishburne’s granddaughter Anne Sinkler Whaley LeClercq, an accomplished family historian, author, and editor.
The Ambitious Dr. Abraham Van Norstrand and the Wisconsin Insane Hospital
Charles Young at West Point
Brian G. Shellum’s biography of Young’s years at West Point chronicles the enormous challenges that Young faced and provides a valuable window into life at West Point in the 1880s. Academic difficulties, hazing, and social ostracism dogged him throughout his academy years. He succeeded through a combination of focused intellect, hard work, and a sense of humor. By graduation, he had made white friends, and his motivation and determination had won him the grudging respect of many of his classmates and professors.
Until now, scholars of African American and military history have neglected this important U.S. Army trailblazer. Young’s experiences at the U.S. Military Academy, his triumph over adversity, and his commitment to success forged the mold for his future achievements as an Army officer, even as the United States slipped further into the degradation and waste of racial intolerance.
The Complete Edition
Black Elk Speaks, the story of the Oglala Lakota visionary and healer Nicholas Black Elk (1863–1950) and his people during momentous twilight years of the nineteenth century, offers readers much more than a precious glimpse of a vanished time. Black Elk’s searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres. Whether appreciated as the poignant tale of a Lakota life, as a history of a Native nation, or as an enduring spiritual testament, Black Elk Speaks is unforgettable.
Black Elk met the distinguished poet, writer, and critic John G. Neihardt in 1930 on the Pine Ridge Reservation in South Dakota and asked Neihardt to share his story with the world. Neihardt understood and conveyed Black Elk’s experiences in this powerful and inspirational message for all humankind.
This complete edition features a new introduction by historian Philip J. Deloria and annotations of Black Elk’s story by renowned Lakota scholar Raymond J. DeMallie. Three essays by John G. Neihardt provide background on this landmark work along with pieces by Vine Deloria Jr., Raymond J. DeMallie, Alexis Petri, and Lori Utecht. Maps, original illustrations by Standing Bear, and a set of appendixes rounds out the edition.