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Results 61-70 of 179

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Hooligans in Khrushchev's Russia Cover

Hooligans in Khrushchev's Russia

Defining, Policing, and Producing Deviance during the Thaw

Brian LaPierre

Swearing, drunkenness, promiscuity, playing loud music, brawling—in the Soviet Union these were not merely bad behavior, they were all forms of the crime of “hooliganism.” Defined as “rudely violating public order and expressing clear disrespect for society,” hooliganism was one of the most common and confusing crimes in the world’s first socialist state. Under its shifting, ambiguous, and elastic terms, millions of Soviet citizens were arrested and incarcerated for periods ranging from three days to five years and for everything from swearing at a wife to stabbing a complete stranger.
    Hooligans in Khrushchev's Russia offers the first comprehensive study of how Soviet police, prosecutors, judges, and ordinary citizens during the Khrushchev era (1953–64) understood, fought against, or embraced this catch-all category of criminality. Using a wide range of newly opened archival sources, it portrays the Khrushchev period—usually considered as a time of liberalizing reform and reduced repression—as an era of renewed harassment against a wide range of state-defined undesirables and as a time when policing and persecution were expanded to encompass the mundane aspects of everyday life. In an atmosphere of Cold War competition, foreign cultural penetration, and transatlantic anxiety over “rebels without a cause,” hooliganism emerged as a vital tool that post-Stalinist elites used to civilize their uncultured working class, confirm their embattled cultural ideals, and create the right-thinking and right-acting socialist society of their dreams.

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Imagining Postcommunism Cover

Imagining Postcommunism

Visual Narratives of Hungary's 1956 Revolution

By Beverly A. James

Although the 1956 Hungarian uprising failed to liberate the country from Soviet domination, it became a symbol of freedom for people throughout Eastern Europe and beyond. Labeling the events a counterrevolution, communist authorities exacted revenge in two years of terror and intimidation. Then, for the next thirty years, they pursued a policy of forced forgetting, attempting to obliterate public memory of the events. As communism unraveled in the late 1980s, the 1956 revolution was resurrected as inspiration for a new political order. In Imagining Postcommunism, Beverly James demonstrates how 1956 became a foundational myth according to which the bloody events of that fall led to the ceremonial reburial of the martyred prime minister Imre Nagy in 1989, free elections in 1990, and the withdrawal of the last Soviet soldiers on June 19, 1991. She shows how museums, monuments, and holiday rituals have aided the construction of a new Hungary through the reclamation and expression of competing memories of the critical events of 1956. Surveying the dazzling array of ceremonies, exhibitions, and memorials commemorating the revolution and its heros, James invites readers to consider the difference between the communist regime’s master narrative of 1956, with its smug, false unity, and the multiple, polemical stories woven by competing political forces in postcommunist Hungary. A thoughtful application of communication and historical theories on the uses of memory, this study offers a unique perspective on a crucial episode in the history of Eastern Europe.

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Imagining the Unimaginable Cover

Imagining the Unimaginable

World War, Modern Art, and the Politics of Public Culture in Russia, 1914-1917

Aaron J. Cohen

As World War I shaped and molded European culture to an unprecedented degree, it also had a profound influence on the politics and aesthetics of early-twentieth-century Russian culture. In this provocative and fascinating work, Aaron J. Cohen shows how World War I changed Russian culture and especially Russian art. A wartime public culture destabilized conventional patterns in cultural politics and aesthetics and fostered a new artistic world by integrating the iconoclastic avant-garde into the art establishment and mass culture. This new wartime culture helped give birth to nonobjective abstraction (including Kazimir Malevich’s famous Black Square), which revolutionized modern aesthetics. Of the new institutions, new public behaviors, and new cultural forms that emerged from this artistic engagement with war, some continued, others were reinterpreted, and still others were destroyed during the revolutionary period.
 
Imagining the Unimaginable deftly reveals the experiences of artists and developments in mass culture and in the press against the backdrop of the broader trends in Russian politics, economics, and social life from the mid-nineteenth century to the revolution. After 1914, avant-garde artists began to imagine many things that had once seemed unimaginable. As Marc Chagall later remarked, “The war was another plastic work that totally absorbed us, which reformed our forms, destroyed the lines, and gave a new look to the universe.”

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In Her Hands Cover

In Her Hands

The Education of Jewish Girls in Tsarist Russia

Eliyana R. Adler

Though over one hundred private schools for Jewish girls thrived in the areas of Jewish settlement in the Russian empire between 1831 and 1881, their story has been largely overlooked in the scholarship of Jewish educational history. In Her Hands: The Education of Girls in Tsarist Russia restores these schools to their rightful place of prominence in training thousands of Jewish girls in secular and Judaic subjects and also paving the way for the modern schools that followed them. Through extensive archival research, author Eliyana R. Adler examines the schools’ curriculum, teachers, financing, students, and educational innovation and demonstrates how each of these aspects evolved over time. The first section of this volume follows the emergence and development of the new private schools for Jewish girls in the mid-1800s, beginning with the historical circumstances that enabled their creation, and detailing the staffing, financing, and academics in the schools. Adler dispels the myth that all education in Russia was reserved for boys by showing that a dedicated group of educators and administrators worked to provide new opportunities for a diverse group of Jewish girls. In the second section, Adler looks at the interactions between these new educational institutions and their communities, including how the schools responded to changes taking place around them and how they in turn influenced their environment. Adler consults several major archives, including those of the former Russian Ministry of Education, along with contemporary periodicals, educational materials, and personal memoirs to provide a remarkably complete picture of education for Jewish girls in Russia in the mid- to late nineteenth century. In telling the story of Russia’s private schools for Jewish girls, Adler argues that these schools were crucibles of educational experimentation that merit serious examination. Scholars of Jewish history, educational history, and womens’ studies will enjoy this pathbreaking study.

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In Search of Milk and Honey Cover

In Search of Milk and Honey

The Theater of "Soviet Jewish Statehood" (1934-49)

by

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In the Name of Italy:Nation, Family, and Patriotism in a Fascist Court Cover

In the Name of Italy:Nation, Family, and Patriotism in a Fascist Court

Nation, Family, and Patriotism in a Fascist Court

Maura Hametz Associate Professor of History Old Dominion University

What was the nature of justice in Italian Fascist society? Through the lens of the case of Luigia Paulovich, a legal appeal filed against the Prefect of Trieste in 1931, In the Name of Italy: Nation, Family, and Patriotism in a Fascist Court demonstrates the inconsistencies of the Fascist attack on traditional political liberties and the incomplete nature of Fascist legal reform. A compelling narrative of an elderly widow's successful challenge to the "italianization" of her surname, the book reveals institutional uncertainty, signs of underlying discontent, and legal opposition to Fascistization in the first decade of Mussolini's rule. It explores the world of Fascist justice in the halls of the Italian Administrative Court, highlighting the interplay of Italian law and the judiciary in the interpretation of Fascist expectations and the enforcement of Fascist policies against the backdrop of inherited cultural, political, and gendered beliefs. Fascist aims to create a "new" society clashed with conservative notions of family, church, and patriotism to affect the perception and practice of justice. Competing visions of nationalism from Italy's Adriatic borderlands, Dalmatia, and Rome show how the persistence of regional cultural and legal particularities impeded Fascist efforts to promote national standardization and enforce government centralization. Focusing on the proceedings of the case revealed in local documents and national court records, the account of the woman who pit Fascist officials against the national government engages legal scholars, historians, onomasticians, and theorists of Fascism, nationalism, and borderlands in debates over the nature of citizenship and the meanings of nationalism, patriotism, and justice. It explores Fascist legal reform and sheds light on the nature of Fascist authority, demonstrating the fragmentation of power, the constraints of dictatorship, and the limits of popular quiescence. The widow's triumph indicates that while Fascist dictatorship appeared in many guises, dissent adopted many masks.

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In the shadow of Russia  Cover

In the shadow of Russia

reform in Kazakhstan and Uzbekistan

Pamela Blackmon

 In the twenty years since the dissolution of the Soviet Union, the fifteen new independent republics have embarked on unprecedented transitions from command economies into market-oriented economies.
     Important motivating factors for their reform efforts included issues of geographic and economic proximity to Europe and the influence of the pre-Soviet era histories in those countries. In the Shadow of Russia builds upon the conceptual frameworks that include geography and policy choices about economic integration in an analysis of the reform efforts of Kazakhstan and Uzbekistan.
     Blackmon's book addresses such central questions as: How and in what areas has a republic's previous level of integration with Soviet-era Russia influenced its present economic orientation? What are the contributing factors that explain the differences in how leaders ( of a similar regime type) developed economic reform policies? To answer these questions, the author utilizes information from both the economic and the political literature on post-communist transitions, as well from political speeches.

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The International Jewish Labor Bund after 1945 Cover

The International Jewish Labor Bund after 1945

Toward a Global History

David Slucki

The Jewish Labor Bund was one of the major political forces in early twentieth-century Eastern Europe. But the decades after the Second World War were years of enormous difficulty for Bundists. Like millions of other European Jews, they faced the challenge of resurrecting their lives, so gravely disrupted by the Holocaust. Not only had the organization lost many members, but its adherents were also scattered across many continents. In this book, David Slucki charts the efforts of the surviving remnants of the movement to salvage something from the wreckage.

Covering both the Bundists who remained in communist Eastern Europe and those who emigrated to the United States, France, Australia, and Israel, the book explores the common challenges they faced—building transnational networks of friends, family, and fellow Holocaust survivors, while rebuilding a once-local movement under a global umbrella. This is a story of resilience and passion—passion for an idea that only barely survived Auschwitz.

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Jewish Bialystok and Its Diaspora Cover

Jewish Bialystok and Its Diaspora

Rebecca Kobrin

The mass migration of East European Jews and their resettlement in cities throughout Europe, the United States, Argentina, the Middle East and Australia in the late 19th and early 20th centuries not only transformed the demographic and cultural centers of world Jewry, it also reshaped Jews' understanding and performance of their diasporic identities. Rebecca Kobrin's study of the dispersal of Jews from one city in Poland -- Bialystok -- demonstrates how the act of migration set in motion a wide range of transformations that led the migrants to imagine themselves as exiles not only from the mythic Land of Israel but most immediately from their east European homeland. Kobrin explores the organizations, institutions, newspapers, and philanthropies that the Bialystokers created around the world and that reshaped their perceptions of exile and diaspora.

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