In a career spanning nearly four decades Daniel Kaiser has produced a wealth of studies illuminating otherwise little understood aspects of society and culture in medieval and early modern Russia. He pioneered the use of anthropology in the study of Russian law, and he has stood at the forefront of applying statistical methods to the study of daily life in Russia, while maintaining a sensitivity to the cultural contexts within which the records were generated. His scholarship has changed the way we understand popular notions of time, the veneration of icons, naming patterns, burial practices, and a host of other topics that collectively unveil the intimate world of family and community among elites and peasants alike. The 23 scholars who have contributed to this volume have come together in tribute to Dan Kaiser and his multiple contributions to Russian history. In keeping with his areas of interests the editors and authors have constructed the volume around the theme of everyday life in Russian history.

Treadway's work is the first comprehensive study of Montenegro's relations with her Great-Power neighbors on the eve of WWI

Russia and Germany have had a long history of significant cultural, political, and economic exchange. Despite these beneficial interactions, stereotypes of the alien Other persisted. Germans perceived Russia as a vast frontier with unlimited potential, yet infused with an “Asianness” that explained its backwardness and despotic leadership. Russians admired German advances in science, government, and philosophy, but saw their people as lifeless and obsessed with order. Fascination and Enmity presents an original transnational history of the two nations during the critical era of the world wars. By examining the mutual perceptions and misperceptions within each country, the contributors reveal the psyche of the Russian-German dynamic and its use as a powerful political and cultural tool. Through accounts of fellow travelers, POWs, war correspondents, soldiers on the front, propagandists, revolutionaries, the Comintern, and wartime and postwar occupations, the contributors analyze the kinetics of the Russian-German exchange and the perceptions drawn from these encounters. The result is a highly engaging chronicle of the complex entanglements of two world powers through the great wars of the twentieth century.

Most early Western perceptions of the Holocaust were based on newsreels filmed during the allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers who were in fact the first to document these horrors. In First Films of the Holocaust, Jeremy Hicks presents a pioneering study of Soviet contributions to the growing public awareness of the horrors of Nazi rule. Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda. Ironically, in the brief 1939–1941 period of Nazi and Soviet alliance, such films were also banned in the Soviet Union, only to be reclaimed after the Nazi attack on the Soviet Union in 1941, and suppressed yet again during the Cold War. Jeremy Hicks recovers much of the major film work in Soviet depictions of the Shoa and views them within their political context, both locally and internationally. Overwhelmingly, wartime films were skewed to depict Soviet resistance, “Red funerals,” and calls for vengeance, rather than the singling out of Jewish victims by the Nazis. Almost no personal testimony of victims or synchronous sound was recorded, furthering the disconnection of the viewer to the victims. Hicks examines correspondence, scripts, reviews, and compares edited with unedited film, to unearth the deliberately hidden Jewish aspects of Soviet depictions of the German invasion and occupation. To Hicks, it’s in the silences, gaps, and ellipses that the films speak most clearly. Additionally, he details the reasons why Soviet Holocaust films have been subsequently erased from collective memory in the West and the Soviet Union: their graphic horror, their use as propaganda tools, and the postwar rise of the Red Scare in the United States and anti-Semitic campaigns in the Soviet Union.

From Ethnic Conflict to Stillborn Reform is the first complete treatment of the major post-communist conflicts in both the former Yugoslavia— Bosnia-Herzegovina, Croatia, and Serbia—and the former Soviet Union—Armenia, Azerbaijan, Georgia, Moldova, and Tajikistan. It is also the first work that focuses not on causes but rather on consequences for democratization and market reform, the two most widely studied political outcomes in the developing world. Building on existing work emphasizing the effects of economic development and political culture, the book adds a new, comprehensive treatment of how war affects political and economic reform. Author Shale Horowitz employs both statistical evidence and historical case studies of the eight new nations to determine that ethnic conflict entangles, distracts, and destabilizes reformist democratic governments, while making it easier for authoritarian leaders to seize and consolidate power. As expected, economic backwardness worsens these tendencies, but Horowitz finds that powerful reform-minded nationalist ideologies can function as antidotes. The comprehensiveness of the treatment, use of both qualitative and quantitative analysis, and focus on standard concepts from comparative politics make this book an excellent tool for classroom use, as well as a ground-breaking analysis for scholars.