In the summer of 1915, the Central Powers launched an offensive on the Eastern Front that they hoped would decide the war. It did not, of course. In June 1916, an Allied army under the command of Aleksei A. Brusilov decimated the Central Powers' gains of 1915. Brusilov's success brought Romania into the war, extinguished the offensive ability of the Habsburg armies, and forced Austria-Hungary into military dependence on and political subservience to Germany. The results were astonishing in military terms, but the political consequences were perhaps even more significant. More than any other action, the Brusilov Offensive brought the Habsburg Empire to the brink of a separate peace, while creating conditions for revolution within the Russian Imperial Army. Timothy C. Dowling tells the story of this important but little-known battle in the military and political history of the Eastern Front.

The Socialist Revolutionaries (SRs) were the largest political party in Russia in the crucial revolutionary year of 1917. Heirs to the legacy of the People’s Will movement, the SRs were unabashed proponents of peasant rebellion and revolutionary terror, emphasizing the socialist transformation of the countryside and a democratic system of government. They offered a compelling, but still socialist, alternative to the Bolsheviks, yet by the early 1920s their party was shattered and its members were branded as enemies of the revolution. In 1922, SR leaders became the first fellow socialists to be condemned by the Bolsheviks as “counterrevolutionaries” in the prototypical Soviet show trial. In Captives of the Revolution, Scott B. Smith presents both a convincing account of the defeat of the SRs and a deeper analysis of the significance of the political dynamics of the civil war for Soviet history. Once the SRs decided to fight the Bolsheviks in 1918, they faced a series of nearly impossible political dilemmas. At the same time, the Bolsheviks undermined the SRs by appropriating the rhetoric of class struggle and painting a simplistic picture of Reds versus Whites in the civil war, a rhetorical dominance that they converted into victory over the SRs and any alternative to Bolshevik dictatorship. The SRs became a bona fide threat to national security and enemies of the people—a characterization that proved so successful that it became an archetype to be used repeatedly by the Soviet leadership against any political opponents, even those from within the Bolshevik party itself. Smith reveals a more complex and nuanced picture of the postrevolutionary struggle for power in Russia than we have ever seen before and demonstrates that the civil war—and in particular the struggle with the SRs—was the key formative experience of the Bolshevik party and the Soviet state.

This wide-ranging collection investigates the father/son dynamic in post-Stalinist Soviet cinema and its Russian successor. Contributors analyze complex patterns of identification, disavowal, and displacement in films by such diverse directors as Khutsiev, Motyl', Tarkovsky, Balabanov, Sokurov, Todorovskii, Mashkov, and Bekmambetov. Several chapters focus on the difficulties of fulfilling the paternal function, while others show how vertical and horizontal male bonds are repeatedly strained by the pressure of redefining an embattled masculinity in a shifting political landscape.

Old Odessa, on the Black Sea, gained notoriety as a legendary city of Jewish gangsters and swindlers, a frontier boomtown mythologized for the adventurers, criminals, and merrymakers who flocked there to seek easy wealth and lead lives of debauchery and excess. Odessa is also famed for the brand of Jewish humor brought there in the 19th century from the shtetls of Eastern Europe and that flourished throughout Soviet times. From a broad historical perspective, Jarrod Tanny examines the hybrid Judeo-Russian culture that emerged in Odessa in the 19th century and persisted through the Soviet era and beyond. The book shows how the art of eminent Soviet-era figures such as Isaac Babel, Il'ia Ilf, Evgenii Petrov, and Leonid Utesov grew out of the Odessa Russian-Jewish culture into which they were born and which shaped their lives.

"This book represents the most sophisticated historiographical approach to understanding nation-building. Patrice Dabrowski demonstrates tremendous erudition... making brilliant use of contemporary newspapers and journals, as well as archival material." -- Larry Wolff, Boston College, author of Inventing Eastern Europe

Patrice M. Dabrowski investigates the nation-building activities of Poles during the decades preceding World War I, when the stateless Poles were minorities within the empires of Russia, Germany, and Austria-Hungary. Could Poles maintain a sense of national identity, or would they become Germans, Austrians, or Russians? Dabrowski demonstrates that Poles availed themselves of the ability to celebrate anniversaries of past deeds and personages to strengthen their nation from within, providing a ground for a national discourse capable of unifying Poles across political boundaries and social and cultural differences. Public commemorations such as the jubilee of the writer Jozef Kraszewski, the bicentennial of the Relief of Vienna, and the return to Poland of the remains of the poet Adam Mickiewicz are reconstructed here in vivid detail.

"Olga Litvak has written a book of astonishing originality and intellectual force.... In vivid prose, she takes the reader on a journey through the Russian-Jewish literary imagination." -- Benjamin Nathans

Russian Jews were first conscripted into the Imperial Russian army during the reign of Nicholas I in an effort to integrate them into the population of the Russian Empire. Conscripted minors were to serve, in practical terms, for life. Although this system was abandoned by his successor, the conscription experience remained traumatic in the popular memory and gave rise to a large and continuing literature that often depicted Jewish soldiers as heroes. This imaginative and intellectually ambitious book traces the conscription theme in novels and stories by some of the best-known Russian Jewish writers such as Osip Rabinovich, Judah-Leib Gordon, and Mendele Mokher Seforim, as well as by relatively unknown writers.

Published with the generous support of the Koret Foundation.

In this ethnography of postsocialist Moscow in the late 1990s, Olga Shevchenko draws on interviews with a cross-section of Muscovites to describe how people made sense of the acute uncertainties of everyday life, and the new identities and competencies that emerged in response to these challenges. Ranging from consumption to daily rhetoric, and from urban geography to health care, this study illuminates the relationship between crisis and normality and adds a new dimension to the debates about postsocialist culture and politics.

Yale Richmond records a highly significant chapter in Soviet-American relations during the final decades of Communism. He provides us with a deftly written, accurate, and thoughtful account of the cultural exchanges that were such important channels of influence and persuasion during those years. His book covers the whole spectrum-from scholars and scientific collaboration to fairs and exhibits. We should be grateful that he has undertaken this task before memories fade.-Allen H. Kassof, former Executive Director, International Research and Exchanges Board (IREX), 1968-1992Some fifty thousand Soviets visited the United States under various exchange programs between 1958 and 1988. They came as scholars and students, scientists and engineers, writers and journalists, government and party officials, musicians, dancers, and athletes-and among them were more than a few KGB officers. They came, they saw, they were conquered, and the Soviet Union would never again be the same. Cultural Exchange and the Cold War describes how these exchange programs (which brought an even larger number of Americans to the Soviet Union) raised the Iron Curtain and fostered changes that prepared the way for Gorbachev's glasnost, perestroika, and the end of the Cold War.This study is based upon interviews with Russian and American participants as well as the personal experiences of the author and others who were involved in or administered such exchanges. Cultural Exchange and the Cold War demonstrates that the best policy to pursue with countries we disagree with is not isolation but engagement.

The book is comprised of the four major debates on modern Bulgarian history from Independence in 1878 to the fall of communism in 1989. The debates are on the Bulgarian–Russian/Soviet relations, on the relations between Agrarians and Communists, on Bulgarian Fascism, and on Communism. They are associated with the rule of key political personalities in Bulgarian history: Stambolov (1887–1894), Stamboliiski (1919–1923), Tsar Boris III (1918–1943), and the communist leaders Georgi Dimitrov and Todor Zhivkov (1956–1989). The debates are traced through their various articulations and dramatic turns from their beginnings to the present day.