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The World War II Letters of an American Veteran of the Spanish Civil War
On his first day in basic training in 1942, Lawrence Cane wrote his wife Grace from Fort Dix, New Jersey. I'm in the army now?really!he wrote, complaining, I don't have enough time to write a decent letter.Three years later, Capt. Lawrence Cane went home from World War II. He'd landed at Utah Beach on D-Day, helped liberate France and Belgium, and survived the Battle of the Bulge. He won a Silver Star for bravery. And he still managed to write 300 letters home to Grace. This book is a different kind of war story--both an powerful chronicle of life in battle and a unique portrait of courage fueled by a life-long passion for political justice.Cane's fight for freedom began well before D-Day. In 1937, joined the Abraham Lincoln Battalion and got wounded fighting for democracy in Spain. In 1942, at age 30, he enlisted in the new war against fascism, and as an officer with the 238th Combat Engineer Battalion, went ashore in Normandy to clear mines, destroy fortifications, and open roads from Normandy to the Siegfried Line. Of the 400 Spanish Civil War veterans in World War II, Cane was the only one to go ashore on D-Day.After the war, Lawrence Cane fought for civil rights and peace until his death in 1976. Discovered in 1995 by Cane's son David, his letters are not only classic accounts of war and unforgettable expressions of love for family. They are the fiercely patriotic words of a left-wing, working-class New York Jew (and one-time Communist Party member) who knew exactly why we fought---to create a better world by destroying all forms of fascism, one battle at a time.With a fascinating introduction by David Cane, detailed notes, and much additional material, these letters add a new dimension to the meaning of American patriotism and an invaluable chapter to the history of the greatest generation.
World War I Propaganda on the Home Front
World War I prompted the first massive organized propaganda campaign of the twentieth century. Posters, pamphlets, and other media spread fear about the “Hun,” who was often depicted threatening American families in their homes, while additional campaigns encouraged Americans and their allies to support the war effort. With most men actively involved in warfare, women and children became a special focus—and a tool—of social manipulation during the war. For Home and Country examines the propaganda that targeted noncombatants on the home front in the United States and Europe during World War I. Cookbooks, popular magazines, romance novels, and government food agencies targeted women in their homes, especially their kitchens, pressuring them to change their domestic habits. Children were also taught to fear the enemy and support the war through propaganda in the form of toys, games, and books. And when women and children were not the recipients of propaganda, they were often used in propaganda to target men. By examining a diverse collection of literary texts, songs, posters, and toys, Celia Malone Kingsbury reveals how these pervasive materials were used to fight the war’s cultural battle.
Explaining the Great War
Frank C. Zagare combines a deep command of historical scholarship and the sophisticated skills of an applied game theorist to develop and test a theory of why deterrence failed, catastrophically, in July 1914. . . . Zagare concludes with sage advice on how to avoid even more cataclysmic breakdowns in a nuclear world. ---Steven J. Brams, New York University "Zagare's deft study of the origins of the First World War using his perfect deterrence theory uncovers new insights into that signal event and shows the value of formal theory applied to historical events. A must-read for those interested in security studies." ---James D. Morrow, University of Michigan "Through an exemplary combination of formal theory, careful qualitative analysis, and lucid prose, The Games of July delivers important and interesting answers to key questions concerning the international political causes of World War I. Its well-formed narratives and its sustained engagement with leading works in IR and diplomatic history . . . make it a rewarding read for security scholars in general and a useful teaching tool for international security courses." ---Timothy W. Crawford, Boston College Taking advantage of recent advances in game theory and the latest historiography, Frank C. Zagare offers a new, provocative interpretation of the events that led to the outbreak of World War I. He analyzes key events from Bismarck's surprising decision in 1879 to enter into a strategic alliance with Austria-Hungary to the escalation that culminated in a full-scale global war. Zagare concludes that, while the war was most certainly unintended, it was in no sense accidental or inevitable. The Games of July serves not only as an analytical narrative but also as a work of theoretical assessment. Standard realist and liberal explanations of the Great War are evaluated along with a collection of game-theoretic models known as perfect deterrence theory. Frank C. Zagare is UB Distinguished Professor of Political Science at the State University of New York at Buffalo. Cover illustration: Satirical Italian postcard from World War I. Used with permission from The University of North Carolina at Chapel Hill Libraries.
Battles of the Gallipoli Campaign, 1915-1916
Gardens of Hell examines the human side of one of the great tragedies of modern warfare, the Gallipoli campaign of the First World War. In February 1915, beginning with a naval attack on Turkey in the Dardanelles, a combined force of British, Australian, New Zealand, Indian, and French troops invaded the Gallipoli Peninsula only to face crushing losses and an ignominious retreat from what seemed a hopeless mission. Both sides in the battle suffered huge casualties, with a combined 127,000 servicemen killed during the action. Patrick Gariepy has pieced together the battle from combatants’ own words. Drawn from diaries and letters and from stories passed down through generations of families, these firsthand accounts offer an honest, heartfelt, and sometimes painful testimony to a doomed campaign fought by the men who lived through the fury, terror, and grief that was Gallipoli. Gardens of Hell is a sensitive acknowledgment of the enormous human cost of military folly and failure.
Unsung Architect of the U.S. Army
An exceptionally well researched and argued reappraisal of the career of Lesley J. McNair and his role in fashioning American ground forces before and during World War II. Calhoun argues convincingly that far from the ineffectual general of common lore, McNair was a crucial architect of Allied victory. A must-read for students of modern U.S. and World War II military history
Translations from the German Official History of the Great War, 1914, Part 1
This multi-volume series in six parts is the first English-language translation of Der Weltkrieg, the German official history of the First World War. Originally produced between 1925 and 1944 using classified archival records that were destroyed in the aftermath of the Second World War, Der Weltkrieg is the inside story of Germany’s experience on the Western front. Recorded in the words of its official historians, this account is vital to the study of the war and official memory in Weimar and Nazi Germany. Although exciting new sources have been uncovered in former Soviet archives, this work remains the basis of future scholarship. It is essential reading for any scholar, graduate student, or enthusiast of the Great War.
This volume, the second to be published, covers the outbreak of war in JulyAugust 1914, the German invasion of Belgium, the Battles of the Frontiers, and the pursuit to the Marne in early September 1914. The first month of war was a critical period for the German army and, as the official history makes clear, the German war plan was a gamble that seemed to present the only solution to the riddle of the two-front war. But as the Moltke-Schlieffen Plan was gradually jettisoned through a combination of intentional command decisions and confused communications, Germany’s hopes for a quick and victorious campaign evaporated.
World War I in the Middle East
In the modern popular imagination, the British Army's campaign in the Middle East during World War I is considered somehow less brutal than the fighting on European battlefields. A romantic view of this conflict has been further encouraged by such films as Lawrence of Arabia and The Light Horsemen. In Hell in the Holy Land, David R. Woodward uses graphic eyewitness accounts from the diaries, letters, and memoirs of British soldiers who fought in that war to describe in rigorous detail the genuine experience of the fighting and dying in Egypt and Palestine. The massive flow of troops and equipment to Egypt eventually made that country host to the largest British military base outside of Britain and France. Though many soldiers found the atmosphere in Cairo exotic, the desert countryside made the fundamentals of fighting and troop maintenance extremely difficult. The intense heat frequently sickened soldiers, and unruly camels were the only practical means of transport across the soft sands of the Sinai. The constant shortage of potable water was a persistent problem for the troops; one soldier recalled, "It is impossible to realize the depth a man will sink to endeavor to appease the terrible horror of thirst." The voices of these British soldiers offer a forgotten perspective of the Great War, describing not only the physical and psychological toll of combat but the daily struggles of soldiers who were stationed in an unfamiliar environment that often proved just as antagonistic as the enemy. A soldier of the Dorset Yeomanry, stationed in Egypt, wrote: "There are three sounds in Egypt which never cease -- the creaking of the waterwheels, the song of the frogs, and the buzz of flies.... Letter writing is an impossibility in the evening, for as soon as the sun goes down, if a lamp is lighted, the air all round is thick with little grey sand-flies which bite disgustingly." Using archival records, many from the Imperial War Museum in London, England, Woodward paints a vivid picture of the mayhem, terror, boredom, filth, and sacrifice that marked the daily life of British soldiers in the Middle East. In telling the story of these soldiers, Woodward provides a personal history of a campaign that laid the groundwork for the continuing turmoil in the Middle East.
World War, Modern Art, and the Politics of Public Culture in Russia, 1914-1917
The World War I Diary of Pierpont L. Stackpole
Pierpont Stackpole was a Boston lawyer who in January 1918 became aide to Lieutenant General Hunter Liggett, soon to be commander of the first American corps in France. Stackpole’s diary, published here for the first time, is a major eyewitness account of the American Expeditionary Forces’ experience on the Western Front, offering an insider’s view into the workings of Liggett’s commands, his day-to-day business, and how he orchestrated his commands in trying and confusing situations.
Hunter Liggett did not fit John J. Pershing’s concept of the trim and energetic officer, but Pershing entrusted to him a corps and then an army command. Liggett assumed leadership of the U.S. First Army in mid-October of 1918, and after reorganizing, reinforcing, and resting, the battle-weary troops broke through the German lines in a fourth attack at the Meuse-Argonne—accomplishing what Pershing had failed to do in three previous attempts. The victory paved the way to armistice on November 11.
Liggett has long been a shadowy figure in the development of the American high command. He was “Old Army,” a veteran of Indian wars who nevertheless kept abreast of changes in warfare and more than other American officers was ready for the novelties of 1914–1918. Because few of his papers have survived, the diary of his aide—who rode in the general’s staff car as Liggett unburdened himself about fellow generals and their sometimes abysmal tactical notions—provides especially valuable insights into command within the AEF.
Stackpole’s diary also sheds light on other figures of the war, presenting a different view of the controversial Major General Clarence Edwards than has recently been recorded and relating the general staff’s attitudes about the flamboyant aviation figure Billy Mitchell. General Liggett built the American army in France, and the best measure of his achievement is this diary of his aide. That record stands here as a fascinating and authentic look at the Great War.