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The Brusilov Offensive Cover

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The Brusilov Offensive

Timothy C. Dowling

In the summer of 1915, the Central Powers launched an offensive on the Eastern Front that they hoped would decide the war. It did not, of course. In June 1916, an Allied army under the command of Aleksei A. Brusilov decimated the Central Powers' gains of 1915. Brusilov's success brought Romania into the war, extinguished the offensive ability of the Habsburg armies, and forced Austria-Hungary into military dependence on and political subservience to Germany. The results were astonishing in military terms, but the political consequences were perhaps even more significant. More than any other action, the Brusilov Offensive brought the Habsburg Empire to the brink of a separate peace, while creating conditions for revolution within the Russian Imperial Army. Timothy C. Dowling tells the story of this important but little-known battle in the military and political history of the Eastern Front.

Catching the Torch Cover

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Catching the Torch

Contemporary Canadian Literary Responses to World War I

Catching the Torch examines contemporary novels and plays written about Canada’s participation in World War I. Exploring such works as Jane Urquhart’s The Underpainter and The Stone Carvers, Jack Hodgins’s Broken Ground, Kevin Kerr’s Unity (1918), Stephen Massicotte’s Mary’s Wedding, and Frances Itani’s Deafening, the book considers how writers have dealt with the compelling myth that the Canadian nation was born in the trenches of the Great War.

In contrast to British and European remembrances of WWI, which tend to regard it as a cataclysmic destroyer of innocence, or Australian myths that promote an ideal of outsize masculinity, physical bravery, and white superiority, contemporary Canadian texts conjure up notions of distinctively Canadian values: tolerance of ethnic difference, the ability to do one’s duty without complaint or arrogance, and the inclination to show moral as well as physical courage. Paradoxically, Canadians are shown to decry the horrors of war while making use of its productive cultural effects.

Through a close analysis of the way sacrifice, service, and the commemoration of war are represented in these literary works, Catching the Torch argues that iterations of a secure mythic notion of national identity, one that is articulated via the representation of straightforward civic and military participation, work to counter current anxieties about the stability of the nation-state, in particular anxieties about the failure of the ideal of a national “character.”

Civilians in a World at War, 1914-1918 Cover

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Civilians in a World at War, 1914-1918

Tammy Proctor, 0, 0

“A powerful and important book that turns our attention to the often understudied experiences of civilians at war. Civilians in a World at War, 1914-1918, makes a major contribution not only to the history of World War I but to the history of civilians involved in war before and since.”

Dew of Death Cover

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Dew of Death

The Story of Lewisite, America's World War I Weapon of Mass Destruction

Joel A. Vilensky. With the assistance of Pandy R. Sinish. Foreword by Richard Butler

"Dr. Vilensky raises important concerns regarding the threats posed by lewisite and other weapons of mass destruction. As he describes, non-proliferation programs are a vital component in the War on Terror." -- Richard G. Lugar, United States Senator

"Joel Vilensky's book is a detailed and immensely useful account of the development and history of one of the major chemical weapons.... We will always know how to make lewisite, the 'Dew of Death,' but that does not mean that we should, or be compelled to accept such weapons in our lives." -- from the Foreword by Richard Butler, former head of UN Special Commission to Disarm Iraq

In 1919, when the Great War was over, the New York Times reported on a new chemical weapon with "the fragrance of geranium blossoms," a poison gas that was "the climax of this country's achievements in the lethal arts." The name of this substance was lewisite and this is its story -- the story of an American weapon of mass destruction.

Discovered by accident by a graduate student and priest in a chemistry laboratory at the Catholic University of America in Washington, D.C., lewisite was developed into a weapon by Winford Lewis, who became its namesake, working with a team led by James Conant, later president of Harvard and head of government oversight for the U.S.'s atomic bomb program, the Manhattan Project. After a powerful German counterattack in the spring of 1918, the government began frantic production of lewisite in hopes of delivering 3,000 tons of the stuff to be ready for use in Europe the following year. The end of war came just as the first shipment was being prepared. It was dumped into the sea, but not forgotten.

Joel A. Vilensky tells the intriguing story of the discovery and development of lewisite and its curious history. During World War II, the United States produced more than 20,000 tons of lewisite, testing it on soldiers and secretly dropping it from airplanes. In the end, the substance was abandoned as a weapon because it was too unstable under most combat conditions. But a weapon once discovered never disappears. It was used by Japan in Manchuria and by Iraq in its war with Iran. The Soviet Union was once a major manufacturer. Strangely enough, although it was developed for lethal purposes, lewisite led to an effective treatment for a rare neurological disease.

Fighting Fascism in Europe Cover

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Fighting Fascism in Europe

The World War II Letters of an American Veteran of the Spanish Civil War

David Cane

On his first day in basic training in 1942, Lawrence Cane wrote his wife Grace from Fort Dix, New Jersey. I'm in the army now?really!he wrote, complaining, I don't have enough time to write a decent letter.Three years later, Capt. Lawrence Cane went home from World War II. He'd landed at Utah Beach on D-Day, helped liberate France and Belgium, and survived the Battle of the Bulge. He won a Silver Star for bravery. And he still managed to write 300 letters home to Grace. This book is a different kind of war story--both an powerful chronicle of life in battle and a unique portrait of courage fueled by a life-long passion for political justice.Cane's fight for freedom began well before D-Day. In 1937, joined the Abraham Lincoln Battalion and got wounded fighting for democracy in Spain. In 1942, at age 30, he enlisted in the new war against fascism, and as an officer with the 238th Combat Engineer Battalion, went ashore in Normandy to clear mines, destroy fortifications, and open roads from Normandy to the Siegfried Line. Of the 400 Spanish Civil War veterans in World War II, Cane was the only one to go ashore on D-Day.After the war, Lawrence Cane fought for civil rights and peace until his death in 1976. Discovered in 1995 by Cane's son David, his letters are not only classic accounts of war and unforgettable expressions of love for family. They are the fiercely patriotic words of a left-wing, working-class New York Jew (and one-time Communist Party member) who knew exactly why we fought---to create a better world by destroying all forms of fascism, one battle at a time.With a fascinating introduction by David Cane, detailed notes, and much additional material, these letters add a new dimension to the meaning of American patriotism and an invaluable chapter to the history of the greatest generation.

For Home and Country Cover

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For Home and Country

World War I Propaganda on the Home Front

Celia Malone Kingsbury

World War I prompted the first massive organized propaganda campaign of the twentieth century. Posters, pamphlets, and other media spread fear about the “Hun,” who was often depicted threatening American families in their homes, while additional campaigns encouraged Americans and their allies to support the war effort. With most men actively involved in warfare, women and children became a special focus—and a tool—of social manipulation during the war. For Home and Country examines the propaganda that targeted noncombatants on the home front in the United States and Europe during World War I. Cookbooks, popular magazines, romance novels, and government food agencies targeted women in their homes, especially their kitchens, pressuring them to change their domestic habits. Children were also taught to fear the enemy and support the war through propaganda in the form of toys, games, and books. And when women and children were not the recipients of propaganda, they were often used in propaganda to target men. By examining a diverse collection of literary texts, songs, posters, and toys, Celia Malone Kingsbury reveals how these pervasive materials were used to fight the war’s cultural battle.

The Games of July Cover

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The Games of July

Explaining the Great War

Frank C. Zagare

Frank C. Zagare combines a deep command of historical scholarship and the sophisticated skills of an applied game theorist to develop and test a theory of why deterrence failed, catastrophically, in July 1914. . . . Zagare concludes with sage advice on how to avoid even more cataclysmic breakdowns in a nuclear world. ---Steven J. Brams, New York University "Zagare's deft study of the origins of the First World War using his perfect deterrence theory uncovers new insights into that signal event and shows the value of formal theory applied to historical events. A must-read for those interested in security studies." ---James D. Morrow, University of Michigan "Through an exemplary combination of formal theory, careful qualitative analysis, and lucid prose, The Games of July delivers important and interesting answers to key questions concerning the international political causes of World War I. Its well-formed narratives and its sustained engagement with leading works in IR and diplomatic history . . . make it a rewarding read for security scholars in general and a useful teaching tool for international security courses." ---Timothy W. Crawford, Boston College Taking advantage of recent advances in game theory and the latest historiography, Frank C. Zagare offers a new, provocative interpretation of the events that led to the outbreak of World War I. He analyzes key events from Bismarck's surprising decision in 1879 to enter into a strategic alliance with Austria-Hungary to the escalation that culminated in a full-scale global war. Zagare concludes that, while the war was most certainly unintended, it was in no sense accidental or inevitable. The Games of July serves not only as an analytical narrative but also as a work of theoretical assessment. Standard realist and liberal explanations of the Great War are evaluated along with a collection of game-theoretic models known as perfect deterrence theory. Frank C. Zagare is UB Distinguished Professor of Political Science at the State University of New York at Buffalo. Cover illustration: Satirical Italian postcard from World War I. Used with permission from The University of North Carolina at Chapel Hill Libraries.

Germany’s Western Front Cover

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Germany’s Western Front

Translations from the German Official History of the Great War, 1914, Part 1

This multi-volume series in six parts is the first English-language translation of Der Weltkrieg, the German official history of the First World War. Originally produced between 1925 and 1944 using classified archival records that were destroyed in the aftermath of the Second World War, Der Weltkrieg is the inside story of Germany’s experience on the Western front. Recorded in the words of its official historians, this account is vital to the study of the war and official memory in Weimar and Nazi Germany. Although exciting new sources have been uncovered in former Soviet archives, this work remains the basis of future scholarship. It is essential reading for any scholar, graduate student, or enthusiast of the Great War.

This volume, the second to be published, covers the outbreak of war in July–August 1914, the German invasion of Belgium, the Battles of the Frontiers, and the pursuit to the Marne in early September 1914. The first month of war was a critical period for the German army and, as the official history makes clear, the German war plan was a gamble that seemed to present the only solution to the riddle of the two-front war. But as the Moltke-Schlieffen Plan was gradually jettisoned through a combination of intentional command decisions and confused communications, Germany’s hopes for a quick and victorious campaign evaporated.

Hell in the Holy Land Cover

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Hell in the Holy Land

World War I in the Middle East

David R. Woodward

In the modern popular imagination, the British Army's campaign in the Middle East during World War I is considered somehow less brutal than the fighting on European battlefields. A romantic view of this conflict has been further encouraged by such films as Lawrence of Arabia and The Light Horsemen. In Hell in the Holy Land, David R. Woodward uses graphic eyewitness accounts from the diaries, letters, and memoirs of British soldiers who fought in that war to describe in rigorous detail the genuine experience of the fighting and dying in Egypt and Palestine. The massive flow of troops and equipment to Egypt eventually made that country host to the largest British military base outside of Britain and France. Though many soldiers found the atmosphere in Cairo exotic, the desert countryside made the fundamentals of fighting and troop maintenance extremely difficult. The intense heat frequently sickened soldiers, and unruly camels were the only practical means of transport across the soft sands of the Sinai. The constant shortage of potable water was a persistent problem for the troops; one soldier recalled, "It is impossible to realize the depth a man will sink to endeavor to appease the terrible horror of thirst." The voices of these British soldiers offer a forgotten perspective of the Great War, describing not only the physical and psychological toll of combat but the daily struggles of soldiers who were stationed in an unfamiliar environment that often proved just as antagonistic as the enemy. A soldier of the Dorset Yeomanry, stationed in Egypt, wrote: "There are three sounds in Egypt which never cease -- the creaking of the waterwheels, the song of the frogs, and the buzz of flies.... Letter writing is an impossibility in the evening, for as soon as the sun goes down, if a lamp is lighted, the air all round is thick with little grey sand-flies which bite disgustingly." Using archival records, many from the Imperial War Museum in London, England, Woodward paints a vivid picture of the mayhem, terror, boredom, filth, and sacrifice that marked the daily life of British soldiers in the Middle East. In telling the story of these soldiers, Woodward provides a personal history of a campaign that laid the groundwork for the continuing turmoil in the Middle East.

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