Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
World War I Propaganda on the Home Front
World War I prompted the first massive organized propaganda campaign of the twentieth century. Posters, pamphlets, and other media spread fear about the “Hun,” who was often depicted threatening American families in their homes, while additional campaigns encouraged Americans and their allies to support the war effort. With most men actively involved in warfare, women and children became a special focus—and a tool—of social manipulation during the war. For Home and Country examines the propaganda that targeted noncombatants on the home front in the United States and Europe during World War I. Cookbooks, popular magazines, romance novels, and government food agencies targeted women in their homes, especially their kitchens, pressuring them to change their domestic habits. Children were also taught to fear the enemy and support the war through propaganda in the form of toys, games, and books. And when women and children were not the recipients of propaganda, they were often used in propaganda to target men. By examining a diverse collection of literary texts, songs, posters, and toys, Celia Malone Kingsbury reveals how these pervasive materials were used to fight the war’s cultural battle.
Explaining the Great War
Frank C. Zagare combines a deep command of historical scholarship and the sophisticated skills of an applied game theorist to develop and test a theory of why deterrence failed, catastrophically, in July 1914. . . . Zagare concludes with sage advice on how to avoid even more cataclysmic breakdowns in a nuclear world. ---Steven J. Brams, New York University "Zagare's deft study of the origins of the First World War using his perfect deterrence theory uncovers new insights into that signal event and shows the value of formal theory applied to historical events. A must-read for those interested in security studies." ---James D. Morrow, University of Michigan "Through an exemplary combination of formal theory, careful qualitative analysis, and lucid prose, The Games of July delivers important and interesting answers to key questions concerning the international political causes of World War I. Its well-formed narratives and its sustained engagement with leading works in IR and diplomatic history . . . make it a rewarding read for security scholars in general and a useful teaching tool for international security courses." ---Timothy W. Crawford, Boston College Taking advantage of recent advances in game theory and the latest historiography, Frank C. Zagare offers a new, provocative interpretation of the events that led to the outbreak of World War I. He analyzes key events from Bismarck's surprising decision in 1879 to enter into a strategic alliance with Austria-Hungary to the escalation that culminated in a full-scale global war. Zagare concludes that, while the war was most certainly unintended, it was in no sense accidental or inevitable. The Games of July serves not only as an analytical narrative but also as a work of theoretical assessment. Standard realist and liberal explanations of the Great War are evaluated along with a collection of game-theoretic models known as perfect deterrence theory. Frank C. Zagare is UB Distinguished Professor of Political Science at the State University of New York at Buffalo. Cover illustration: Satirical Italian postcard from World War I. Used with permission from The University of North Carolina at Chapel Hill Libraries.
The World War I Diary and Letters of David S.Ingalls, America's First Naval Ace
World War, Modern Art, and the Politics of Public Culture in Russia, 1914-1917
Ray Stannard Baker's World War I Diary
At the height of World War I, in the winter of 1917–1918, one of the Progressive era’s most successful muckracking journalists, Ray Stannard Baker (1870–1946), set out on a special mission to Europe on behalf of the Wilson administration. While posing as a foreign correspondent for the New Republic and the New York World, Baker assessed public opinion in Europe about the war and postwar settlement. American officials in the White House and State Department held Baker’s wide-ranging, trenchant reports in high regard. After the war, Baker remained in government service as the president’s press secretary at the Paris Peace Conference, where the Allied victors dictated the peace terms to the defeated Central Powers. Baker’s position gave him an extraordinary vantage point from which to view history in the making. He kept a voluminous diary of his service to the president, beginning with his voyage to Europe and lasting through his time as press secretary. Unlike Baker’s published books about Wilson, leavened by much reflection, his diary allows modern readers unfiltered impressions of key moments in history by a thoughtful inside observer. Published here for the first time, this long-neglected source includes an introduction by John Maxwell Hamilton and Robert Mann that places Baker and his diary into historical context.
From Port Arthur to Chanak, 1894--1922
The transition to modern war at sea began during the period of the Sino-Japanese War (1894--1895) and the Spanish-American War (1898) and was propelled forward rapidly by the advent of the dreadnought and the nearly continuous state of war that culminated in World War I. By 1922, most of the elements that would define sea power in the 20th century were in place. Written by one of our foremost military historians, this volume acknowledges the complex nature of this transformation, focusing on imperialism, the growth of fleets, changes in shipbuilding and armament technology, and doctrines about the deployment and use of force at sea, among other factors. There is careful attention to the many battles fought at sea during this period and their impact on the future of sea power. The narrative is supplemented by a wide range of reference materials, including a detailed census of capital ships built during this period and a remarkable chronology of actions at sea during World War I.
The Rhodesia Native Regiment and the East Africa Campaign of the First World War
No Insignificant Part: The Rhodesia Native Regiment and the East Africa Campaign of the First World War is the first history of the only primarily African military unit from Zimbabwe to fight in the First World War. Recruited from the migrant labour network, most African soldiers in the RNR were originally miners or farm workers from what are now Zimbabwe, Zambia, Mozambique, and Malawi. Like others across the world, they joined the army for a variety of reason, chief among them a desire to escape low pay and horrible working conditions.
The RNR participated in some of the key engagements of the German East Africa campaign’s later phase, subsisting on extremely meager rations and suffering from tropical diseases and exhaustion. Because they were commanded by a small group of European officers, most of whom were seconded from the Native Affairs Department and the British South Africa Police, the regiment was dominated by racism. It was not unusual for black soldiers, but never white ones, to be publicly flogged for alleged theft or insubordination. Although it remained in the field longer than all-white units and some of its members received some of Britain’s highest decorations, the Rhodesia Native Regiment was quickly disbanded after the war and conveniently forgotten by the colonial establishment. Southern Rhodesias white settler minority, partly on the strength of its wartime sacrifice, was given political control of the territory through a racially exclusive form of self-government, but black RNR veterans received little support or recognition.
No Insignificant Part takes a new look at an old campaign and will appeal to scholars of African or military history interested in the First World War.
The German Conquest of the Baltic Islands
In October 1917, an invasion force of some 25,000 German soldiers, accompanied by a flotilla of 10 dreadnoughts, 350 other vessels, a half-dozen zeppelins, and 80 aircraft, attacked the Baltic islands of Dago, Osel, and Moon at the head of the Gulf of Riga. It proved to be the most successful amphibious operation of World War I. The three islands fell, the Gulf was opened to German warships and was now a threat to Russian naval bases in the Gulf of Finland, and 20,000 Russians were captured. The invasion proved to be the last major operation in the East. Although the invasion had achieved its objectives and placed the Germans in an excellent position for the resumption of warfare in the spring, within three weeks of the operation, the Bolsheviks took power in Russia (November 7, 1917) and Albion faded into obscurity as the war in the East came to a slow end.
World War I Posters and Visual Culture