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Modernization, Secularism, Democracy, and the Fadai Period of Natinal Liberation in Iran, 1971-1979
Emerging in the early 1970s, the Organization of Iranian People’s Fadai Guerrillas (OIPFG) became one of the most important secular leftist political organizations in Iran. Despite their lasting influence and the way in which their efforts helped shape the history of Iran for decades to come, little is known about the group. A Guerrilla Odyssey presents the first comprehensive examination of the rise and fall of the Fadai urban guerrilla movement in Iran. Drawing on exhaustive analyses of the published and unpublished works of the Fadai Guerrillas, as well as of archival material and interviews with activists, the author demonstrates historically and sociologically the conditions that surrounded the debut and demise of the urban guerrilla warfare that defined Iranian political life in the 1970s. Vahabzadeh offers a critique of various aspects of the Fadai’s theories of national liberation in an attempt to reconsider the painful relationship among modernization, secularism, and democracy in contemporary Iran. In addition, the author makes a compelling case explaining why older revolutionary social movements of the 1960s and 1970s have transformed into the new democratic social movements that emerged from the 1980s onward in the form of today’s women’s, student, and youth movements in Iran. A Guerilla Odyssey is a meticulously researched and engrossing narrative that promises to be a major contribution to the field of Iranian history.
From Myth to Genocide
As violence and turmoil continue to define the former Yugoslavia, basic questions remain unanswered: What are the forces behind the Serbian expansionist drive that has brought death and destruction to Croatia, Bosnia and Herzegovina, and Kosovo? How did the Serbs rationalize, and rally support for, this genocidal activity?
Heavenly Serbia traces Serbia's nationalist and expansionist impulses to the legendary battle of Kosovo in 1389. Anzulovic shows how the myth of "Heavenly Serbia" developed to help the Serbs endure foreign domination, explaining their military defeat and the loss of their medieval state by emphasizing their own moral superiority over military victory. Heavenly Serbia shows how this myth resulted in an aggressive nationalist ideology which has triumphed in the late twentieth century and marginalized those Serbs who strive for the establishment of a civil society.
"Modern Serbian nationalism...and its contradictory connections...have been sources of considerable scholarly interest...Branimir Anzulovic's compendium is a good example of the genre, made all the more useful by Anzulovic's excellent command of the literature."
Ivo Banac, History of Religions
Author interview with CNN: http://www.cnn.com/chat/transcripts/branimir_chat.html
World War I in the Middle East
In the modern popular imagination, the British Army's campaign in the Middle East during World War I is considered somehow less brutal than the fighting on European battlefields. A romantic view of this conflict has been further encouraged by such films as Lawrence of Arabia and The Light Horsemen. In Hell in the Holy Land, David R. Woodward uses graphic eyewitness accounts from the diaries, letters, and memoirs of British soldiers who fought in that war to describe in rigorous detail the genuine experience of the fighting and dying in Egypt and Palestine. The massive flow of troops and equipment to Egypt eventually made that country host to the largest British military base outside of Britain and France. Though many soldiers found the atmosphere in Cairo exotic, the desert countryside made the fundamentals of fighting and troop maintenance extremely difficult. The intense heat frequently sickened soldiers, and unruly camels were the only practical means of transport across the soft sands of the Sinai. The constant shortage of potable water was a persistent problem for the troops; one soldier recalled, "It is impossible to realize the depth a man will sink to endeavor to appease the terrible horror of thirst." The voices of these British soldiers offer a forgotten perspective of the Great War, describing not only the physical and psychological toll of combat but the daily struggles of soldiers who were stationed in an unfamiliar environment that often proved just as antagonistic as the enemy. A soldier of the Dorset Yeomanry, stationed in Egypt, wrote: "There are three sounds in Egypt which never cease -- the creaking of the waterwheels, the song of the frogs, and the buzz of flies.... Letter writing is an impossibility in the evening, for as soon as the sun goes down, if a lamp is lighted, the air all round is thick with little grey sand-flies which bite disgustingly." Using archival records, many from the Imperial War Museum in London, England, Woodward paints a vivid picture of the mayhem, terror, boredom, filth, and sacrifice that marked the daily life of British soldiers in the Middle East. In telling the story of these soldiers, Woodward provides a personal history of a campaign that laid the groundwork for the continuing turmoil in the Middle East.
Provincial Newspapers and the Negotiation of a Muslim National Identity
The modern nation-state of Turkey was established in 1923, but when and how did its citizens begin to identify themselves as Turks? Mustafa Kemal Atatürk, Turkey’s founding president, is almost universally credited with creating a Turkish national identity through his revolutionary program to “secularize” the former heartland of the Ottoman Empire. Yet, despite Turkey’s status as the lone secular state in the Muslim Middle East, religion remains a powerful force in Turkish society, and the country today is governed by a democratically elected political party with a distinctly religious (Islamist) orientation. In this history, Gavin D. Brockett takes a fresh look at the formation of Turkish national identity, focusing on the relationship between Islam and nationalism and the process through which a “religious national identity” emerged. Challenging the orthodoxy that Atatürk and the political elite imposed a sense of national identity from the top down, Brockett examines the social and political debates in provincial newspapers from around the country. He shows that the unprecedented expansion of print media in Turkey between 1945 and 1954, which followed the end of strict, single-party authoritarian government, created a forum in which ordinary people could inject popular religious identities into the new Turkish nationalism. Brockett makes a convincing case that it was this fruitful negotiation between secular nationalism and Islam—rather than the imposition of secularism alone—that created the modern Turkish national identity.
In Identity, Place, and Subversion in Contemporary Mizrahi Cinema in Israel , Yaron Shemer presents the most comprehensive and systematic study to date of Mizrahi (Oriental-Jewish or Arab-Jewish) films produced in Israel in the last several decades. Through an analysis of dozens of films the book illustrates how narratives, characters, and space have been employed to give expression to Mizrahi ethnic identity and to situate the Mizrahi within the broader context of the Israeli societal fabric. The struggle over identity and the effort to redraw ethnic boundaries have taken place against the backdrop of a long-standing Zionist view of the Mizrahi as an inferior other whose “Levantine” culture posed a threat to the Western-oriented Zionist enterprise. In its examination of the nature and dynamics of Mizrahi cinema (defined by subject-matter), the book engages the sensitive topic of Mizrahi ethnicity head-on, confronting the conventional notion of Israeli society as a melting pot and the widespread dismissal of ethnic divisions in the country. Shemer explores the continuous marginalization of the Mizrahi in contemporary Israeli cinema and the challenge some Mizrahi films offer to the subjugation of this ethnic group. He also studies the role cultural policies and institutional power in Israel have played in shaping Mizrahi cinema and the creation of a Mizrahi niche in cinema. In a broader sense, this pioneering work is a probing exploration of Israeli culture and society through the prism of film and cinematic expression. It sheds light on the play of ethnicity, class, gender, and religion in contemporary Israel, and on the heated debates surrounding Zionist ideology and identity politics. By charting a new territory of academic inquiry grounded in an interdisciplinary theoretical framework, the study contributes to the formation of “Mizrahi Cinema” as a recognized and vibrant scholarly field.
Art and Modernity in Postcolonial Morocco
The Building of an American Foreign Policy, 1918-1967
Jacobs examines the ways in which an informal network of academic, business, government, and media specialists interpreted and shared their perceptions of the Middle East from the end of World War I through the late 1960s. During that period, Jacobs argues, members of this network imagined the Middle East as a region defined by certain common characteristics--religion, mass politics, underdevelopment, and an escalating Arab-Israeli-Palestinian conflict--and as a place that might be transformed through U.S. involvement. Thus, the ways in which specialists and policymakers imagined the Middle East of the past or present came to justify policies designed to create an imagined Middle East of the future. Jacobs demonstrates that an analysis of the intellectual roots of current politics and foreign policy is critical to comprehending the styles of U.S. engagement with the Middle East in a post-9/11 world.
Collective Visions of Home
“Houses can become poetic expressions of longing for a lost past, voices of a lived present, and dreams of an ideal future.” Carel Bertram discovered this truth when she went to Turkey in the 1990s and began asking people about their memories of “the Turkish house.” The fondness and nostalgia with which people recalled the distinctive wooden houses that were once ubiquitous throughout the Ottoman Empire made her realize that “the Turkish house” carries rich symbolic meaning. In this delightfully readable book, Bertram considers representations of the Turkish house in literature, art, and architecture to understand why the idea of the house has become such a potent signifier of Turkish identity. Bertram's exploration of the Turkish house shows how this feature of Ottoman culture took on symbolic meaning in the Turkish imagination as Turkey became more Westernized and secular in the early decades of the twentieth century. She shows how artists, writers, and architects all drew on the memory of the Turkish house as a space where changing notions of spirituality, modernity, and identity—as well as the social roles of women and the family—could be approached, contested, revised, or embraced during this period of tumultuous change.
Marriage and Citizenship in the Ottoman Frontier Provinces of Iraq
Imperial Citizen considers the geopolitical necessities of Ottoman-Iranian/Sunni-Shi‘ite relations in the Iraqi frontier provinces in the late 19th-early 20th century through an examination of Ottoman centralization policies, and the impact of those policies on Ottoman citizenship laws and on the institution of marriage.