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Knud Ejler Løgstrup’s The Ethical Demand is the most original influential Danish contribution to moral philosophy in this century. this is the first time that the complete text has been available in English translation. Originally published in 1956, it has again become the subject of widespread interest in Europe, now read in the context of the whole of Løgstrup’s work. The Ethical Demand marks a break not only with utilitarianism and with Kantianism but also with Kierkegaard’s Christian existentialism and with all forms of subjectivism. Yet Løgstrup’s project is not destructive. Rather, it is a presentation of an alternative understanding of interpersonal life. The ethical demand presupposes that all interaction between human beings involves a basic trust. Its content cannot be derived from any rule. For Løgstrup, there is not Christian morality and secular morality. There is only human morality.
Early San Antonio and Texas
For de la Teja, the Tejano experience in San Antonio is a case study of a community in transition, one moved by forces within and without. From its beginnings as an imperial outpost to becoming the center of another, newer empire—itself in transition—the social, political, and military history of San Antonio was central to Texas history, to say nothing of the larger contexts of Mexican and American history. Faces of Béxar explores this and more, including San Antonio's origins as a military settlement, the community's economic ties to Saltillo, its role in the fight for Mexican independence, and the motivations of Tejanos for joining Anglo Texans in the struggle for independence.
Taken together, Faces of Béxar stands to be a milestone in the growing literature on Tejano history.
African American Historical Writing in Nineteenth-Century America
The civil rights and black power movements expanded popular awareness of the history and culture of African Americans. But, as Stephen Hall observes, African American authors, intellectuals, ministers, and abolitionists had been writing the history of the black experience since the 1800s. With this book, Hall recaptures and reconstructs a rich but largely overlooked tradition of historical writing by African Americans.
A Handbook for Peeping Thomists
Thomism is solidly based on the assumption that we know the world first through our senses and then through concepts formed on the basis of our sense experience. In this informally discursive introduction to St. Thomas Aquinas, Ralph McInerny shows how this basic assumption contrasts with dominant modern alternative views and is developed by Thomas into a coherent view of ourselves, of knowledge, and of God. McInerny first places Thomism in context within philosophical inquiry, discussing the relationship between philosophy and theology, and between modern and classical views of philosophy. He then describes the challenges Thomas faced with the introduction of Aristotle’s works into the Christian West. The reader is subsequently guided through such key concepts as art, nature, causes, and motion and shown how Thomas used these concepts to resolve the problems presented by Aristotle. Each chapter is tied to a specific Thomistic text, providing a sample from a number of Thomas’s works.
A History and Memoir, Revised Edition
Fordham University is the quintessential American-Catholic institution-and one now looked upon as among the best Catholic universities in the country. Its story is also the story of New York, especially the Bronx, andFordham's commitment to the city during its rise, fall, and rebirth. It's a story of Jesuits, soldiers, alumni who fought in World Wars, chaplains, teachers, and administrators who made bold moves and big mistakes, ofpresidents who thought small and those who had vision. And of the first women, students and faculty, who helped bring Fordham into the 20th century. Finally it's the story of an institution's attempt to keep its Jesuitand Catholic identity as it strives for leadership in a competitive world. Combining authoritative history and fascinating anecdotes, Schroth offers an engaging account of Fordham's one hundred thirrty-seven years-here, updated, revised, and expanded to cover the new presidency of Joseph M. McShane, S.J., and the challenges Fordham faces in the new century.
At the now-peaceful spot of Tennessee's Fort Pillow State Historic Area, a horrific incident in the nation's bloodiest war occurred on April 12, 1864. Just as a high bluff in the park offers visitors a panoramic view of the Mississippi River, John Cimprich's absorbing book affords readers a new vantage on the American Civil War as viewed through the lens of the Confederate massacre of unionist and black Federal soldiers at Fort Pillow. Cimprich covers the entire history of Fort Pillow, including its construction by Confederates, its capture and occupation by federals, the massacre, and ongoing debates surrounding that affair. He sets the scene for the carnage by describing the social conflicts in federally occupied areas between secessionists and unionists as well as between blacks and whites. In a careful reconstruction of the assault itself, Cimprich balances vivid firsthand reports with a judicious narrative and analysis of events. He shows how Major General Nathan B. Forrest attacked the garrison with a force outnumbering the Federals roughly 1,500 to 600, and a breakdown of Confederate discipline resulted. The 65 percent death toll for black unionists was approximately twice that for white unionists, and Cimprich concludes that racism was at the heart of the Fort Pillow massacre. Fort Pillow, a Civil War Massacre, and Public Memory serves as a case study for several major themes of the Civil War: the great impact of military experience on campaigns, the hardships of military life, and the trend toward a more ruthless conduct of war. The first book to treat the fort's history in full, it provides a valuable perspective on the massacre and, through it, on the war and the world in which it occurred.
A collection of essays by prominent scholars from many disciplines on the construction of public memories.
The study of public memory has grown rapidly across numerous disciplines in recent years, among them American studies, history, philosophy, sociology, architecture, and communications. As scholars probe acts of collective remembrance, they have shed light on the cultural processes of memory. Essays contained in this volume address issues such as the scope of public memory, the ways we forget, the relationship between politics and memory, and the material practices of memory.
Stephen Browne's contribution studies the alternative to memory erasure, silence, and forgetting as posited by Hannah Arendt in her classic Eichmann in Jerusalem. Rosa Eberly writes about the Texas tower shootings of 1966, memories of which have been minimized by local officials. Charles Morris examines public reactions to Larry Kramer's declaration that
Abraham Lincoln was homosexual, horrifying the guardians of Lincoln's
public memory. And Barbie Zelizer considers the impact on public memory
of visual images, specifically still photographs of individuals about to perish (e.g., people falling from the World Trade Center) and the sense of communal loss they manifest.
Whether addressing the transitory and mutable nature of collective memories over time or the ways various groups maintain, engender, or resist those memories, this work constitutes a major contribution to our understanding of how public memory has been and might continue to be framed.
Edited by two of the world's most prominent specialists on Galbert today, Jeff Rider and Alan V. Murray, this book brings together essays by established scholars who have been largely responsible for the radical changes in the understanding of Galbert and his work that have occurred over the last thirty years and essays by younger scholars.
The Historiographical Art of Galbert of Bruges
Intended as a companion volume to the De multro, the book provides an outline of the Flemish crisis of 1127-28 and summarizes what is known about Galbert. It traces the elaboration of the De multro from a set of wax notes to a nearly completed chronicle.