The story of two women from worlds that could not seem farther apart—imperial China and the American Midwest—who found common ground before and after one of the greatest clashes between East and West, the fifty-five-day siege of the Beijing foreign legations known as the Boxer Uprising. Using diaries, letters and untapped sources, The Empress and Mrs. Conger traces the parallel lives of the Empress Dowager Cixi and American diplomat’s wife Sarah Pike Conger, which converged to alter their perspectives of each other and each other’s worlds.

It's been a pilgrimage for Annie Dillard: from Tinker Creek to the Galapagos Islands, the high Arctic, the Pacific Northwest, the Amazon Jungle--and now, China. This informative narrative is full of fascinating people: Chinese people, mostly writers, who encounter American writers in various bizarre circumstances in both China and the U.S. There is a toasting scene at a Chinese banquet; a portrait of a bitter, flirtatious diplomat at a dance hall; a formal meeting with Chinese writers; a conversation with an American businessman in a hotel lobby; an evening with long-suffering Chinese intellectuals in their house; a scene in the Beijing foreigners' compound with an excited European journalist; and a scene of unwarranted hilarity at the Beijing Library. In the U.S., there is Allen Ginsberg having a bewildering conversation in Disneyland with a Chinese journalist; there is the lovely and controversial writer Zhang Jie suiting abrupt mood changes to a variety of actions; and there is the fiercely spirited Jiange Zilong singing in a Connecticut dining room, eyes closed. These are real stories told with a warm and lively humor, with a keen eye for paradox, and with fresh insight into the human drama.

Enemies of Civilization is a work of comparative history and cultural consciousness that discusses how “others” were perceived in three ancient civilizations: Mesopotamia, Egypt, and China. Each civilization was the dominant culture in its part of the world, and each developed a mind-set that regarded itself as culturally superior to its neighbors. Mu-chou Poo compares these societies’ attitudes toward other cultures and finds differences and similarities that reveal the self-perceptions of each society. Notably, this work shows that in contrast to modern racism based on biophysical features, such prejudice did not exist in these ancient societies. It was culture rather than biophysical nature that was the most important criterion for distinguishing us from them. By examining how societies conceive their prejudices, this book breaks new ground in the study of ancient history and opens new ways to look at human society, both ancient and modern.

Insurance is one of Hong Kong's oldest industries. In the nineteenth century the lucrative trade between China and Europe carried many risks — piracy, warfare, fire, loss of goods, and other mishaps. Dozens of different insurance firms — some home-grown, others imported — established themselves in the colony to protect ships and their cargoes. With the diversification of Hong Kong’s economy into manufacturing and services, and the development of life and health insurance policies, Hong Kong became a global centre of insurance. The industry continues to transform itself today through changing practices and new lines of business. This is the first comprehensive history of Hong Kong’s insurance industry, and argues its central importance in the economy. Typhoons, shipwrecks, fires, wars, political turbulence and unexpected events of all kinds provide a dramatic background to a fascinating survey. The book is richly illustrated with photographs and documents.

Whereas some other scholars read selected films mainly to illustrate political arguments, Roan never loses sight of the particularities of film as a distinctive cultural form and practice. Her drive to see 'cinema as a mechanism of American orientalism' results in not just a textual analysis of these films, but also a history of their material production and distribution. ---Josephine Lee, University of Minnesota "Envisioning Asia offers an exciting new contribution to our understandings of the historical developments of American Orientalism. Jeannette Roan deftly situates changing cinematic technologies within the context of U.S. imperial agendas in this richly nuanced analysis of 'shooting on location' in Asia in early 20th century American cinema." ---Wendy Kozol, Oberlin College "Through her vivid illustration of the role of American cinema in the material, visual, and ideological production of Asia, Jeanette Roan takes the reader on a journey to Asia through a very different route from the virtual travel taken by the viewers of the films she discusses." ---Mari Yoshihara, University of Hawai'i at Manoa The birth of cinema coincides with the beginnings of U.S. expansion overseas, and the classic Hollywood era coincides with the rise of the United States as a global superpower. In Envisioning Asia, Jeanette Roan argues that throughout this period, the cinema's function as a form of virtual travel, coupled with its purported "authenticity," served to advance America's shifting interests in Asia. Its ability to fulfill this imperial role depended, however, not only on the cinematic representations themselves but on the marketing of the films' production histories---and, in particular, their use of Asian locations. Roan demonstrates this point in relation to a wide range of productions, offering an engaging and useful survey of a largely neglected body of film. Not only that, by focusing on the material practices involved in shooting films on location---that is, the actual travels, negotiations, and labor of making a film---she moves beyond formal analysis to produce a richly detailed history of American interests, attitudes, and cultural practices during the first half of the twentieth century. Jeanette Roan is Adjunct Professor of Visual Studies at California College of the Arts and author of "Exotic Explorations: Travels to Asia and the Pacific in Early Cinema" in Re/collecting Early Asian America: Essays in Cultural History (2002). Cover art: Publicity still, Tokyo File 212 (Dorrell McGowan and Stuart McGowan, 1951). The accompanying text reads: "Hundreds of spectators gather on the sidelines as technicians prepare to photograph a parade scene in 'Tokyo File 212,' a Breakston-McGowan Production filmed in Japan for RKO Radio distribution." Courtesy of the Academy of Motion Picture Arts and Sciences.

On 25 December 1941, the day of Hong Kong’s surrender to the Japanese, Admiral Chan Chak—the Chinese government’s chief agent in Hong Kong—and more than 60

This lively survey of the peoples, cultures, and societies of Southeast Asia introduces a region of tremendous geographic, linguistic, historical, and religious diversity. Encompassing both mainland and island countries, these engaging essays describe personhood and identity, family and household organization, nation-states, religion, popular culture and the arts, the legacies of war and recovery, globalization, and the environment. Throughout, the focus is on the daily lives and experiences of ordinary people. Most of the essays are original to this volume, while a few are widely taught classics. All were chosen for their timeliness and interest, and are ideally suited for the classroom.

Praise for the first edition:

"... in the great tradition of Orwell and Solzhenitsyn; its true subject is the survival -- and sometimes the defeat -- of the human spirit in its lonely quest for integrity." -- Time

"The almost childlike directness of Chen's tales... is captured in the very lightly revised translations of this new edition... Highly recommended." -- Choice

A classic of modern world literature, this collection of stories provides a vivid and poignant eyewitness view of everyday life in China during the Cultural Revolution. For this edition, Howard Goldblatt has thoroughly revised the text and updated it to Pinyin romanization. In a new introduction, Perry Link reflects on the book's significance in the post-Tiananmen era. Twenty-five years after its first publication, The Execution of Mayor Yin has lost none of its power to move the reader, and remains unmatched as a document of the period.

Exporting Japan examines the domestic origins of the Japanese government's policies to promote the emigration of approximately three hundred thousand native Japanese citizens to Latin America between the 1890s and the 1960s. This imperialist policy, spanning two world wars and encompassing both the pre-World War II authoritarian government and the postwar conservative regime, reveals strategic efforts by the Japanese state to control its populace while building an expansive nation beyond its territorial borders. _x000B__x000B_Toake Endoh compellingly argues that Japan's emigration policy embodied the state's anxieties over domestic political stability and its intention to remove marginalized and radicalized social groups by relocating them abroad. Documenting the disproportionate focus of the southwest region of Japan as a source of emigrants, Endoh considers the state's motivations in formulating emigration policies that selected certain elements of the Japanese population for "export." She also recounts the situations migrants encountered once they reached Latin America, where they were often met with distrust and violence in the "yellow scare" of the pre-World War II period.

As the forces of globalisation and modernisation buffet Islam and other world religions, Indonesia’s 200 million Muslims are expressing their faith in ever more complex ways. Celebrity television preachers, internet fatwa services, mass religious rallies in soccer stadiums, glossy jihadist magazines, Islamic medical treatments, alms giving via mobile phone and electronic sharia banking services are just some of the manifestations of a more consumer-oriented approach to Islam which interact with and sometimes replace other, more traditional expressions of the faith.This book examines some of the myriad ways in which Islam is being expressed in contemporary Indonesian life and politics. Authored by leading authorities on Indonesian Islam, it gives fascinating insights into such topics as the marketisation of Islam, contemporary pilgrimage, the rise of mass preachers, gender and Islamic politics, online fatwa, current trends among Islamist vigilante and criminal groups, and recent developments in Islamic banking and microfinance.