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On the eve of the war against the South Vietnamese regime in 1964, the communist party strove to carve out a new productivist and political elite from the towns and villages of the country. According to a categorization of patriotic exemplarity devised by Ho Chi Minh, "avant-garde workers", "exemplary soldiers" and "new heroes" would fill the ranks of a "new model society", one in which political virtue would serve as the principle to mobilize the masses. This study present and analyzes the process by which "new heroes" were invented. It first develops a picture of what constituted heroes in Vietnamese tradition and history, and then shows how the new model, effectively a Sino-Soviet import, was imposed, only to be slowly distorted by its own cultural rationale and by specific objectives. Far from being a transitory phenomenon, this model has contributed for more than half a century to the reconstruction of the national imagination and the development of a new collective, patriotic and communist memory in Vietnam.
The Call of Southeast Asian History
Intended both for students and scholars, this book of personal essays is the first by a group of historians as researchers, writers and teachers specializing in Southeast Asia. The group has not, to our knowledge, as a collective unit at least found any biographers before. They consist of a number of "veterans" who have been invited by Professor Nicholas Tarling to comment on the way they got into Southeast Asian history, its development over the past decades and its future. As result, the essays mainly semi-autobiographical innature, are not only illuminating, but also revel many "trade secrets", why they chose their particular area of specialization, andhow they went on to pusue their research interests, academic careers and writings on their chosen subjects. This is companion volume to New Perspectives and Research on Malaysian History, which is a collection of essays on Malaysian historiography, and is also published by MBRAS to coincide with the celebration of its 130th anniversary in August 2007.
Korea and Beyond
At a time when Southeast Asian Studies is declining in North America and Europe, this book serves to remind us of the fresh, constructive and encouraging view of the field from Asia. On behalf of Taiwanâ€™s Southeast Asian research community, I sincerely congratulate Professors Park and King for making such a great and timely contribution to the making of Southeast Asian Studies in Asia. Hsin-Huang Michael Hsiao, Director of Institute of Sociology, Academia Sinica, and former President of Taiwan Association of Southeast Asian Studies"The Historical Construction of Southeast Asian Studies: Korea and Beyond is an important and long-overdue step in the task of bringing Southeast Asian Studies to where it rightfully belongs - the Asian region. At the same time, it avoids being narrowly regionalistic and instead views Southeast Asia as an 'open system' that transcends 'national units' or 'fixed territorial categories' and welcomes the contributions of both Asian and non-Asian scholars in crafting a fresh post-colonial approach to the study of the regionâ€™s societies and peoples." - Eduardo Climaco Tadem, Professor of Asian Studies, University of the Philippines-Dilimanâ€œAn insightful and systemic analysis of the intriguing trajectories, evolving themes, and multi-lingual scholarship of Southeast Asian Studies in Asia and beyond, this book serves as an important foundation in setting future research agendas as well as for closer global collaborations in knowledge production in Asian Studies.â€ -Liu Hong, Tan Kah Kee Professor and Chair, School of Humanities and Social Sciences, Nanyang Technological University, Singapore
Perspectives on the Long Twentieth Century
Health patterns in Southeast Asia have changed profoundly over the past century. In that period, epidemic and chronic diseases, environmental transformations, and international health institutions have created new connections within the region and the increased interdependence of Southeast Asia with China and India. In this volume leading scholars provide a new approach to the history of health in Southeast Asia. Framed by a series of synoptic pieces on the "Landscapes of Health" in Southeast Asia in 1914, 1950, and 2014 the essays interweave local, national, and regional perspectives. They range from studies of long-term processes such as changing epidemics, mortality and aging, and environmental history to detailed accounts of particular episodes: the global cholera epidemic and the hajj, the influenza epidemic of 1918, WWII, and natural disasters. The writers also examine state policy on healthcare and the influence of organizations, from NGOs such as the China Medical Board and the Rockefeller Foundation to grassroots organizations in Thailand, Indonesia, and the Philippines.
This study examines the Indonesian Muslim intellectuals of the twentieth century and their approaches in dealing with the problems that faced Indonesian Muslims at that time. Like their intellectual ancestors in Islamic history, these recent Indonesian intellectuals carefully examined the society in which they lived. On one level they studied the original and historical teachings of Islam and attempted to fit that message to the Southeast Asian region. On another level they reacted to the great waves of culture that arrived from Europe, North America, and Asia throughout the twentieth century. They did all of this at a time when the Indonesian nation was forming itself, beginning with the nationalist movements of the early part of the century when the Dutch controlled the archipelago, and continuing into the last half of the century when Indonesia was an independent nation.
Modernity and Tradition in Colonial Indonesia
Indonesia, with its mix of ethnic cultures, cosmopolitan ethos, and strong national ideology, offers a useful lens for examining the intertwining of tradition and modernity in globalized Asia. In Inventing the Performing Arts, Matthew Isaac Cohen explores the profound change in diverse arts practices from the nineteenth century until 1949. He demonstrates that modern modes of transportation and communication not only brought the Dutch colony of Indonesia into the world economy, but also stimulated the emergence of new art forms and modern attitudes to art, disembedded and remoored traditions, and hybridized foreign and local.
In the nineteenth century, access to novel forms of entertainment, such as the circus, and newspapers, which offered a new language of representation and criticism, wrought fundamental changes in theatrical, musical, and choreographic practices. Musical drama disseminated print literature to largely illiterate audiences starting in the 1870s, and spoken drama in the 1920s became a vehicle for exploring social issues. Twentieth-century institutions—including night fairs, the recording industry, schools, itinerant theatre, churches, cabarets, round-the-world cruises, and amusement parks—generated new ways of making, consuming, and comprehending the performing arts. Concerned over the loss of tradition and "Eastern" values, elites codified folk arts, established cultural preservation associations, and experimented in modern stagings of ancient stories. Urban nationalists excavated the past and amalgamated ethnic cultures in dramatic productions that imagined the Indonesian nation. The Japanese occupation (1942–1945) was brief but significant in cultural impact: plays, songs, and dances promoting anti-imperialism, Asian values, and war-time austerity measures were created by Indonesian intellectuals and artists in collaboration with Japanese and Korean civilian and military personnel. Artists were registered, playscripts censored, training programs developed, and a Cultural Center established.
Based on more than two decades of archival study in Indonesia, Europe, and the United States, this richly detailed, meticulously researched book demonstrates that traditional and modern artistic forms were created and conceived, that is "invented," in tandem. Intended as a general historical introduction to the performing arts in Indonesia, it will be of great interest to students and scholars of Indonesian performance, Asian traditions and modernities, global arts and culture, and local heritage.
Sex, Culture, and Neoliberal Governance in Vietnam
In the late 1980s, Vietnam joined the global economy after decades of war and relative isolation, demonstrating how a former socialist government can adapt to global market forces with their neoliberal emphasis on freedom of choice for entrepreneurs and consumers. The Ironies of Freedom examines an aspect of this new market: commercial sex.
A Political, Social, Cultural and Religious History, c. 1930 to Present
The Javanese -- one of the largest ethnic groups in the Islamic world -- were once mostly "nominal Muslims", with pious believers a minority and the majority seemingly resistant to Islam's call for greater piety. Over the tumultuous period analyzed here -- from colonial rule through japanese occupation and Revolution to the chaotic democracy of the Sukarno period, the Soeharto regime's aspirant totalitarianism and the democratic period since -- the society has changed profundly to become an extraordinary example of the rising religiosity that marks the modern age. Islamisation and Its Opponents in Java draws on a formidable body of sources, including interviews, archival documents and a vast range of published material, to situate the Javanese religious experience from the 1930s to the present day in its local political, social, cultural and religious settings. The concluding part of the author’s monumental three-volume series assessing more than six centuries of the on-going Islamisation of the Javanese, the study has considerable relevance for much wider contexts. Beliefs, or disbeliefs, about the supernatural are important in all societies, and the ﬁnal section of the book, which considers the signiﬁcance of Java’s religious history in global contexts, shows how it exempliﬁes a profound contest of values in the universal human search for a better life.
Volume 1 (1997) through current issue
The Journal of Burma Studies is one of the only scholarly peer-reviewed printed journal exclusively on Burma. The Journal of Burma Studies is jointly sponsored by the Burma Studies Group and the Center for Burma Studies at Northern Illinois University. It is published twice a year (June and December) by NUS Press, National University of Singapore. The Journal seeks to publish the best scholarly research focused on Burma/Myanmar and its minority and diasporic cultures from a variety of disciplines, ranging from art history and religious studies, to economics and law. Published since 1997, it draws together research and critical reflection on Burma/Myanmar from scholars across Asia, North America and Europe.