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The State and Agrarian Conflict in Indonesia
The Raffles Collection of Malay Letters (1780-1824), A Descriptive Account with Notes and Translation
Letters of Sincerity is a study in the traditional Malay art of letter writing. The work is based on the Raffles collection of Malay letters first discovered in Aviemore, Scotland, in November 1970. In this book Ahmat Adam provides a transcription form the original Jawi, into Rumi script of a series of letters sent to Stamford Raffles mostly around 1810 and 1811 by rulers of regional Malay polities. He also provides a translation into English, and supplementary notes, which set the letters in the context of the times, and explain the issues which they raise. In the course of this he additionally povides a detailed guide to the intricacies of Malay-Islamic dating which was in use at that time in the Malay-Indonesian world. His study on this aspect of Malay culture is the first to link Malay dating with Sufism.
Artistry, Imagination, and History in a Peasant Village
Should a temple be seen as a work of art, its carvers as artists, its worshipers as art critics and patrons? What is a temple (and its art) to the people who make and use it? Noted anthropologist Hildred Geertz attempts to answer these and other questions in this unique look at transformations in material culture and social relations over time in a village temple in Bali. Throughout Geertz offers insightful glimpses into what the statues, structures, and designs of Pura Désa Batuan convey to those who worship there, deepening our understanding of how a village community evaluates workmanship and imagery. Following an introduction to the temple and villagers of Batuan, Geertz explores the problematics of the Western concept of "art" as a guiding framework in research. She goes on to outline the many different kinds of work—ideational as well as physical—undertaken in connection with the temple and the social institutions that enable, constrain, and motivate their creation. Finally, the "art-works" themselves are presented, set within the intricate sociocultural contexts of their making. Using the history of Batuan as the main framework for discussing each piece, Geertz looks at the carvings from the perspective of their makers, each generation occupying a different social situation. She confronts concepts such as "aesthetics," "representation," "sacredness," and "universality" and the dilemmas they create in field research and ethnographic writing. Recent temple carvings from the tumultuous and complex period that followed the expulsion of the Dutch and the increasing globalization and commercialization of Balinese society demonstrate yet again that any anthropology of art must also be historical.
Southeast Asia and the Great Powers since 1975
The Limits of Alignment is an engaging and accessible study that explores how small states and middle powers of Southeast Asia ensure their security in a world where they are overshadowed by greater powers. John D. Ciorciari challenges a central concep
Religious Boundaries in South Asia
This collection examines the projections and fantasies, conflict and cooperation, and borrowing and purifying that takes place around religious boundaries in South Asia and in the South Asian diaspora. These essays illustrate how people negotiate social divisions constructed on the basis of religious differences by describing, defining, maintaining, and blurring those religious boundaries in diverse ways. The authors approach religious traditions from a variety of angles including healing and pilgrimage practices, artistic performances, and national holidays. The principal strength of the volume lies in the way its regionally specific case studies generate insights that are more commonly associated with religious pluralism.
The Fashioning of the Siamese Monarchy's Modern Image
Lords of Things offers a fascinating interpretation of modernity in late nineteenth and early twentieth century Siam by focusing on the novel material possessions and social practices adopted by the royal elite to refashion its self and public image in the early stages of globalization. It examines the westernized modes of consumption and self-presentation, the residential and representational architecture, and the public spectacles appropriated by the Bangkok court not as byproducts of institutional reformation initiated by modernizing sovereigns, but as practices and objects constitutive of the very identity of the royalty as a civilized and civilizing class. Bringing a wealth of new source material into a theoretically informed discussion, Lords of Things will be required reading for historians of Thailand and Southeast Asia scholars generally. It represents a welcome change from previous studies of Siamese modernization that are almost exclusively concerned with the institutional and economic dimensions of the process or with foreign relations, and will appeal greatly to those interested in transnational cultural flows, the culture of colonialism, the invention of tradition, and the relationship between consumption and identity formation in the modern era.
The Buddhist Peace Movement in South Vietnam, 1964-1966
During the Vietnam War, Vietnamese Buddhist peace activists made extraordinary sacrifices—including self-immolation—to try to end the fighting. They hoped to establish a neutralist government that would broker peace with the Communists and expel the Americans. Robert J. Topmiller explores South Vietnamese attitudes toward the war, the insurgency, and U.S. intervention, and lays bare the dissension within the U.S. military. The Lotus Unleashed is one of the few studies to illuminate the impact of internal Vietnamese politics on U.S. decision-making and to examine the power of a nonviolent movement to confront a violent superpower.
How the Philippine State Brokers Labor to the World
"Here ... I have really lived." Jessie MacKinnon Hartzell arrived in Northern Thailand in 1912, the young wife of a recently ordained Presbyterian missionary. Thousands of miles lay between her and her grandparents' farm in Nova Scotia, where she had been born and raised. But over the next sixteen years, Thailand became her beloved new home. She was awed by its physical beauty--the great rivers, the orchid-studded hills--and became devoted to its people. Beginning as a nurse, she eventually directed a small hospital. There she discovered her talent for organization and hard work. She also found, to her grief, that her work separated her from her children. Mission to Siam casts unexpected light on colonialism, the Asia missions, and the convulsive changes that a newly united Thailand underwent in the early twentieth century. It is a significant contribution to the handful of published works that describe firsthand the experience of women missionaries. This is a heartfelt account by a strong, intelligent woman caught between what she owed her family and what she felt she owed herself: a calling, a career, and adventure. With a biographical essay by Joan Acocella and an introduction by Rosalind C. Morris.
Popular Music in Indonesia, 1997–2001