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Community, Culture, and Politics in the Diaspora
Vietnamese diasporic relations affect—and are directly affected by—events in Viet Nam. In Transnationalizing Viet Nam, Kieu-Linh Caroline Valverde explores these connections, providing a nuanced understanding of this globalized community. Valverde draws on 250 interviews and almost two decades of research to show the complex relationship between Vietnamese in the diaspora and those back at the homeland.
Arguing that Vietnamese immigrant lives are inherently transnational, she shows how their acts form virtual communities via the Internet, organize social movements, exchange music and create art, find political representation, and even dissent. Valverde also exposes how generational, gender, class, and political tensions threaten to divide the ethnic community.
Transnationalizing Viet Nam paints a vivid picture of the complex political and personal allegiances that exist within Vietnamese America and shape the relations between this heterogeneous community and its country of origin.
In the series Asian American History and Culture, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Võ
Female Stardom and Cinema in India, 1930s-1950s
Wanted Cultured Ladies Only! maps out the early culture of cinema stardom in India from its emergence in the silent era to the decade after Indian independence in the mid-twentieth century. Neepa Majumdar combines readings of specific films and stars with an analysis of the historical and cultural configurations that gave rise to distinctly Indian notions of celebrity. She argues that discussions of early cinematic stardom in India must be placed in the context of the general legitimizing discourse of colonial "improvement" that marked other civic and cultural spheres as well, and that "vernacular modernist" anxieties over the New Woman had limited resonance here. Rather, it was through emphatically nationalist discourses that Indian cinema found its model for modern female identities. _x000B__x000B_Considering questions of spectatorship, gossip, popularity, and the dominance of a star-based production system, Majumdar details the rise of film stars such as Sulochana, Fearless Nadia, Lata Mangeshkar, and Nargis.
Life Histories and the Historian of South Asia
Judith M. Brown, one of the leading historians of South Asia, provides an original and thought-provoking strategy for conducting and presenting historical research in her latest book, Windows into the Past. Brown looks at how varieties of “life history” that focus on the lives of institutions and families, as well as individuals, offer a broad and rich means of studying history. Her distinctively creative approach differs from traditional historical biography in that it explores a variety of “life histories” and shows us how they become invaluable windows into the past. Following her introduction, "The Practice of History,” Brown opens windows on the history of South Asia. She begins with the life history of an educational institution, Balliol College, Oxford, and tracks the interrelationship between Britain and India through the lives of the British and Indian men who were educated there. She then demonstrates the significance of family life history, showing that by observing patterns of family life over several generations, it is possible to gain insight into the experiences of groups of people who rarely left historical documents about themselves, particularly South Asian women. Finally, Brown uses the life history of two prominent individuals, Mahatma Gandhi and Jawaharlal Nehru, to examine questions about the nature of Indian nationalism and the emergent Indian state.