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Ethics and the State in Meiji Japan
This innovative study of ethics in Meiji Japan (1868–1912) explores the intense struggle to define a common morality for the emerging nation-state. In the Social Darwinist atmosphere of the time, the Japanese state sought to quell uprisings and overcome social disruptions so as to produce national unity and defend its sovereignty against Western encroachment. Morality became a crucial means to attain these aims. Moral prescriptions for re-ordering the population came from all segments of society, including Buddhist, Christian, and Confucian apologists; literary figures and artists; advocates of natural rights; anarchists; and women defending nontraditional gender roles. Each envisioned a unity grounded in its own moral perspective. It was in this tumultuous atmosphere that the academic discipline of ethics (rinrigaku) emerged—not as a value-neutral, objective form of inquiry as its practitioners claimed, but a state-sponsored program with its own agenda.
After examining the broad moral space of "civilization," Richard Reitan turns to the dominant moral theories of early Meiji and the underlying epistemology that shaped and authorized them. He considers the fluidity of moral subjectivity (the constantly shifting nature of norms to which we are subject and how we apprehend, resist, or practice them) by juxtaposing rinrigaku texts with moral writings by religious apologists. By the beginning of the 1890s, moral philosophers in Japan were moving away from the empiricism and utilitarianism of the prior decade and beginning to place "spirit" at the center of ethical inquiry. This shift is explored through the works of two thinkers, Inoue Tetsujiro (1856–1944) and Nakashima Rikizo (1858–1918), the first chair of ethics at Tokyo Imperial University. Finally, Reitan takes a detailed look at the national morality movement (kokumin dotoku) and its close association with the state before concluding with an outline of some conceptual linkages between the Meiji and later periods.
With its highly original thesis, clear and sound methodology, and fluid prose, Making a Moral Society will be welcomed by scholars and students of both Japanese intellectual history and ethics in general.
Faubion Bowers and Theatre Censorship in Occupied Japan
As part of its program to promote democracy in Japan after World War II, the American Occupation, headed by General Douglas MacArthur, undertook to enforce rigid censorship policies aimed at eliminating all traces of feudal thought in media and entertainment, including kabuki. Faubion Bowers (1917-1999), who served as personal aide and interpreter to MacArthur during the Occupation, was appalled by the censorship policies and anticipated the extinction of a great theatrical art. He used his position in the Occupation administration and his knowledge of Japanese theatre in his tireless campaign to save kabuki. Largely through Bowers's efforts, censorship of kabuki had for the most part been eliminated by the time he left Japan in 1948. Although Bowers is at the center of the story, this lively and skillfully adapted translation from the original Japanese treats a critical period in the long history of kabuki as it was affected by a single individual who had a commanding influence over it. It offers fascinating and little-known details about Occupation censorship politics and kabuki performance while providing yet another perspective on the history of an enduring Japanese art form.
Distance Racing and Civic Culture
Japanese have been fervid long-distance runners for many centuries. Today, on a per capita basis, at least as many Japanese residents complete marathons each year as do those in the United States or any other country. Marathon Japan traces the development of distance racing beginning with the Stockholm Olympics of 1912, when the Japanese government used athletics as part of its project to win the respect of Western countries and achieve parity with the world powers. The marathon soon became the first Western- derived sports event in which Japanese proved consistently superior to athletes from other countries. During the 1920s and 1930s, Japanese runners regularly produced the fastest times in the world, and in the 1960s and late 1970s–1980s, Japanese men again dominated world marathoning. Japanese women likewise emerged as some of the world’s fastest in the 1990s and early 2000s. Meanwhile the general public took up distance running with enthusiasm, starting in the 1960s and continuing unabated today, symbolized most recently by massive open-entry marathons in Tokyo, Osaka, and other Japanese cities comparable in scale and challenge to major world races in Boston, New York, Chicago, London, and Berlin.
In this book, Thomas Havens analyzes the origins, development, and significance of Japan’s excellence in marathons and long-distance relays (ekiden), as well as the explosive growth of distance racing among ordinary citizens. He reveals the key role of commercial media companies in promoting sports, especially marathons and ekiden, and explains how running became a consumer commodity beginning in the 1970s as Japanese society matured into an age of capitalist affluence. What comes to light as well are the relentlessly nationalistic goals underlying government policies toward sports throughout the modern era. The public craze for distance racing, both watching and running, has created a shared citizenship of civic participation among young and old, male and female, and persons of every social background and level of education.
Marathon Japan will appeal to Japan specialists of cultural and social history, recreational runners in Japan and abroad, as well as anyone interested in the history of sports.
Japan is one of the most media-saturated societies in the world. The circulations of its "big five" national newspapers dwarf those of any major American newspaper. Its public service broadcasting agency, NHK, is second only to the BBC in size. And it has a full range of commercial television stations, high-brow and low-brow magazines, and a large anti-mainstream media and mini-media. Japanese elites rate the mass media as the most influential group in Japanese society. But what role do they play in political life? Whose interests do the media serve? Are the media mainly servants of the state, or are they watchdogs on behalf of the public? And what effects do the media have on the political beliefs and behavior of ordinary Japanese people? These questions are the focus of this collection of essays by leading political scientists, sociologists, social psychologists, and journalists. Japan's unique kisha (press) club system, its powerful media business organizations, the uses of the media by Japan's wily bureaucrats, and the role of the media in everything from political scandals to shaping public opinion, are among the many subjects of this insightful and provocative book.
The Moneylenders of Late Medieval Kyoto examines the large community of sake brewer-moneylenders in Japan's capital city, focusing on their rise to prominence from the mid-1300s to 1550. Their guild tie to overlords, notably the great monastery Enryakuji, was forged early in the medieval period, giving them a protected monopoly and allowing them to flourish. Demand for credit was strong in medieval Kyoto, and brewers profitably recirculated capital for loans. As the medieval period progressed, the brewer-lenders came into their own. While maintaining overlord ties, they engaged in activities that brought them into close contact with every segment of Kyoto's population. The more socially prominent brewers served as tax agents for religious institutions, the shogunate, and the imperial court, and were actively involved in a range of cultural pursuits including tea and linked verse. Although the merchants themselves left only the faintest record, Suzanne Gay has fully and convincingly depicted this important group of medieval commoners.
Vol. 60 (2005) through current issue
Monumenta Nipponica was founded in 1938 by Sophia University, Tokyo, to provide a common platform for scholars throughout the world to present their research on Japanese culture, history, literature, and society. One of the oldest and most highly regarded English-language journals in the Asian studies field, it is known not only for articles of original scholarship and timely book reviews, but also for authoritative translations of a wide range of Japanese historical and literary sources. Previously published four times a year, since 2008 the journal has appeared semiannually, in May and November.
Immigrants, Advocacy, and Governance in Japan and Beyond
In recent decades, many countries have experienced both a rapid increase of in-migration of foreign nationals and a large-scale devolution of governance to the local level. The result has been new government policies to promote the social inclusion of recently arrived residents. In New Policies for New Residents, Deborah J. Milly focuses on the intersection of these trends in Japan. Despite the country's history of restrictive immigration policies, some Japanese favor a more accepting approach to immigrants. Policies supportive of foreign residents could help attract immigrants as the country adjusts to labor market conditions and a looming demographic crisis. As well, local citizen engagement is producing more inclusive approaches to community.
Milly compares the policy discussions and outcomes in Japan with those in South Korea and in two similarly challenged Mediterranean nations, Italy and Spain. All four are recent countries of immigration, and all undertook major policy innovations for immigrants by the 2000s. In Japan and Spain, local NGO-local government collaboration has influenced national policy through the advocacy of local governments. South Korea and Italy included NGO advocates as policy actors and partners at the national level far earlier as they responded to new immigration, producing policy changes that fueled local networks of governance and advocacy. In all these cases, Milly finds, nongovernmental advocacy groups have the power to shape local governance and affect national policy, though in different way.
New Times in Modern Japan concerns the transformation of time--the reckoning of time--during Japan's Meiji period, specifically from around 1870 to 1900. Time literally changed as the archipelago synchronized with the Western imperialists' reckoning of time. The solar calendar and clock became standard timekeeping devices, and society adapted to the abstractions inherent in modern notions of time. This set off a cascade of changes that completely reconfigured how humans interacted with each other and with their environment--a process whose analysis carries implications for other non-Western societies as well.
By examining topics ranging from geology, ghosts, childhood, art history, and architecture to nature as a whole, Stefan Tanaka explores how changing conceptions of time destabilized inherited knowledge and practices and ultimately facilitated the reconfiguration of the archipelago's heterogeneous communities into the liberal-capitalist nation-state, Japan. However, this revolutionary transformation--where, in the words of Lewis Mumford, "the clock, not the steam engine," is the key mechanism of the industrial age--has received little more than a footnote in the history of Japan.
This book's innovative focus on time not only shifts attention away from debates about the failure (or success) of "modernization" toward how individuals interact with the overlay of abstract concepts upon their lives; it also illuminates the roles of history as discourse and as practice in this reconfiguration of society. In doing so, it will influence discussions about modernity well beyond the borders of Japan.
The Short Stories of Arthur Yap
The volume marks the recovery and first combined publication of the stories of Arthur Yap, one of Singapore's most accomplished and important writers. A hitherto neglected facet of Yap’s opus, his eight short stories are deceptive in their simplicity, housing within their sparse prose a complex engagement with Singapore society that he wrote in and within. With his signature minimalistic style, Yap simultaneously perplexes readers with stories of seemingly plotless ambiguity, yet draws them in with familiar characters playing out situations that still resonate in twenty-first century Singapore today. Angus Whitehead’s introduction highlights literary nuances in the stories and frames the stories within the wider backdrop of social change of Singapore at the time of Yap’s writing. The meticulous critical apparatus make this book of interest to not only the general reader but also students of Singapore and Southeast Asian literature in English.