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The self serves as a universally available, effective, and indispensable filter for making sense of the chaos of the world. In her latest book, Takie Lebra attempts a new understanding of the Japanese self through her unique use of cultural logic. She begins by presenting and elaborating on two models ("opposition logic" and "contingency logic") to examine concepts of self, Japanese and otherwise. Guided by these, she delves into the three layers of the Japanese self, focusing first on the social layer as located in four "zones"—omote (front), uchi (interior), ura (back), and soto (exterior)—and its shifts from zone to zone. New light is shed on these familiar linguistic and spatial categories by introducing the dimension of civility. The book expands the discussion in relation to larger constructions of the inner and cosmological self. Unlike the social self, which views itself in relation to the "other," the inner layer involves a reflexivity in which self communicates with self. While the social self engages in dialogue or trialogue, the inner self communicates through monologue or soliloquy. The cosmological layer, which centers around transcendental beliefs and fantasies, is examined and the analysis supplemented with comments on aesthetics. Throughout, Lebra applies her methodology to dozens of Japanese examples and makes relevant comparisons with North American culture and notions of self. Finally, she provides a spirited analysis of critiques of Nihonjinron to reinforce the relevancy of Japanese studies. This volume is the culmination of decades of thinking on self and social relations by one of the most influential scholars in the field. It will prove highly instructive to Japanese and non-Japanese readers alike in a range of disciplines, including anthropology, sociology, and social psychology
In this first synthetic, comprehensive survey of Japanese sports in English, the authors are attentive to the complex and fascinating interaction of traditional and modern elements. In the course of tracing the emergence and development of sumo, the martial arts, and other traditional sports from their origins to the present, they demonstrate that some cherished "ancient" traditions were, in fact, invented less than a century ago. They also register their skepticism about the use of the samurai tradition to explain Japan's success in sports. Special attention is given to Meiji-era Japan's frequently ambivalent adoption and adaptation of European and American sports--a particularly telling example of Japan's love-hate relationship with the West. The book goes on the describe the history of physical education in the school system, the emergence of amateur and professional leagues, the involvement of business and the media in sports promotion, and Japan's participation in the Olympics.
Japanese Women in the Interwar Transnational Feminist Movement
This book traces the development of feminist consciousness in Japan from 1871 to 1941. Taeko Shibahara uncovers some fascinating histories as she examines how middle-class women navigated between domestic and international influences to form ideologies and strategies for reform. They negotiated a humanitarian space as Japan expanded its nationalist, militarist, imperialist, and patriarchal power.
Focusing on these women's political awakening and activism, Shibahara shows how Japanese feminists channeled and adapted ideas selected from international movements and from interactions with mainly American social activists.
Japanese Women and the Transnational Feminist Movement before World War II also connects the development of international contacts with the particular contributions of Ichikawa Fusae to the suffrage movement, Ishimoto Shidzue to the birth control movement, and Gauntlett Tsune to the peace movement by touching on issues of poverty, prostitution, and temperance. The result provides a window through which to view the Japanese women's rights movement with a broader perspective.
The Notorious Teijin Scandal
The Imperial Rayon Company corruption scandal (popularly known as the Teijin incident) was Japan's major interwar political bribery case. Compared to numerous Japanese corruption cases of the past century, the Teijin affair stands out as not only the most sensational of the pre-1945 era, but also the most important--perhaps because more than any other case, it has left an indelible mark on the public mind. Nevertheless, Japanese and foreign scholars have neglected this incident, which brought down an entire cabinet and produced a record-setting trial. The sixteen defendants, all prominent bureaucrats, ministers, and businessmen, were charged with illegally profiting from the sale of Imperial Rayon Company stock held by the Bank of Japan. In December 1937, after a more than two-year trial, all sixteen were found innocent when the judges declared that the case had been fabricated by the prosecution. Their verdict ranks in importance with the famous Otsu case judgment, the benchmark for judicial independence from the executive. Despite its importance, basic facts about the Teijin case remain obscure, as scholars repeat factual misinformation and produce farfetched conspiracy theories. This study, the first comprehensive, scholarly work on the subject in English or Japanese, investigates controversial and important issues regarding the origins, results, and significance of the incident. It illustrates transwar continuities within the judicial system by showing that the institutional flaws in the old criminal justice system, which were magnified by the Teijin investigation and trial, remain embedded despite reform attempts during the Occupation. While illuminating the basic institutional features that generated it, the author uses the incident to spotlight the considerable amount of political criticism and public conflict that existed in Japan in the 1930s.
Tokugawa Culture Observed
Engelbert Kaempfer's History of Japan was a best-seller from the moment it was published in London in 1727. Born in Westphalia in 1651, Kaempfer traveled throughout the Near and Far East before settling in Japan as physician to the trading settlement of the Dutch East India Company at Nagasaki. During his two years residence, he made two extensive trips around Japan in 1691 and 1692, collecting, according to the British historian Boxer, "an astonishing amount of valuable and accurate information." He also learned all he could from the few Japanese who came to Deshima for instruction in the European sciences. To these observations, Kaempfer added details he had gathered from a wide reading of travelers' accounts and the reports of previous trading delegations. The result was the first scholarly study of Tokugawa Japan in the West, a work that greatly influenced the European view of Japan throughout the eighteenth and nineteenth centuries, serving as a reference for a variety of works ranging from encyclopedias to the libretto of "The Mikado."
An Urban History of Japan's Premodern Capital
Kyoto was Japan’s political and cultural capital for more than a millennium before the dawn of the modern era. Until about the fifteenth century, it was also among the world’s largest cities and, as the eastern terminus of the Silk Road, it was a place where the political, artistic, and religious currents of Asia coalesced and flourished. Despite these and many other traits that make Kyoto a place of both Japanese and world historical significance, the physical appearance of the premodern city remains largely unknown. Through a synthesis of textual, pictorial, and archeological sources, this work attempts to shed light on Kyoto’s premodern urban landscape with the aim of opening up new ways of thinking about key aspects of premodern Japanese history. Richly illustrated with original maps and diagrams, Kyoto is a panoramic examination of space and architecture spanning eight centuries. It narrates a history of Japan’s premodern capital relevant to the fields of institutional history, material culture, art and architectural history, religion, and urban planning.
Of the many eccentric figures in Japanese Zen, the Soto Zen master Tosui Unkei (d. 1683) is surely among the most colorful and extreme. Variously compared to Ryokan and Francis of Assisi, Tosui has been called "the original hippie." After many grueling years of Zen study and the sanction of a distinguished teacher, Tosui abandoned the religious establishment and became a drifter. The arresting details of Tosui's life were recorded in the Tribute (Tosui osho densan), a lively and colloquial account written by the celebrated scholar and Soto Zen master Menzan Zuiho. Menzan concentrates on Tosui's years as a beggar and laborer, recounting episodes from an unorthodox life while at the same time opening a new window on seventeenth-century Japan. The Tribute is translated here for the first time, accompanied by woodblock prints commissioned for the original 1768 edition. Peter Haskel's introduction places Tosui in the context of the Japanese Zen of his period--a time when the identities of early modern Zen schools were still being formed and a period of spiritual crisis for many distinguished monks who believed that the authentic Zen transmission had long ceased to exist. A biographical addendum offers a detailed overview of Tosui's life in light of surviving premodern sources.
The Ludic in Japanese Culture
Play is one of the most powerful cultural forces in contemporary Japan and in other late modern societies. In this notable contribution to our understanding of play, Michal Daliot-Bul explores the intricate and dynamic transformations of culture and play (asobi) in Japan. Spanning Japan’s premodern period to the twenty-first century, the extent and expressions of play described in this book become thought-provoking lenses through which to view Japanese social dynamics and cultural complexities. As she approaches the post-industrialized 1970s in Japan, Daliot-Bul’s narrative also explores urban consumer culture as a system for organizing daily life, the tension between institutional and contemporary popular cultures, the production of new gender identities, and the cultural construction of urban space. Daliot-Bul argues that the cultural meaning of play and its influence on sociocultural life are not inherent properties of a fixed, universal behavior called play but rather are conditioned by changing cultural contexts and competing social ideologies.
Prisoners of War in Hong Kong and Japan, 1941-1945
Sickness, starvation, brutality, and forced labour plagued the existence of tens of thousands of Allied POWs in World War II. More than a quarter of these POWs died in captivity.
Long Night’s Journey into Day centres on the lives of Canadian, British, Indian, and Hong Kong POWs captured at Hong Kong in December 1941 and incarcerated in camps in Hong Kong and the Japanese Home Islands. Experiences of American POWs in the Philippines, and British and Australians POWs in Singapore, are interwoven throughout the book.
Starvation and diseases such as diphtheria, beriberi, dysentery, and tuberculosis afflicted all these unfortunate men, affecting their lives not only in the camps during the war but after they returned home. Yet despite the dispiriting circumstances of their captivity, these men found ways to improve their existence, keeping up their morale with such events as musical concerts and entertainments created entirely within the various camps.
Based largely on hundreds of interviews with former POWs, as well as material culled from archives around the world, Professor Roland details the extremes the prisoners endured — from having to eat fattened maggots in order to live to choosing starvation by trading away their skimpy rations for cigarettes.
No previous book has shown the essential relationship between almost universal ill health and POW life and death, or provides such a complete and unbiased account of POW life in the Far East in the 1940s.
Most Japanese literary historians have suggested that the Meiji Period (1868-1912) was devoid of women writers but for the brilliant exception of Higuchi Ichiyo (1872-1896). Rebecca Copeland challenges this claim by examining in detail the lives and literary careers of three of Ichiyo's peers, each representative of the diversity and ingenuity of the period: Miyake Kaho (1868-1944), Wakamatsu Shizuko (1864-1896), and Shimizu Shikin (1868-1933). In a carefully researched introduction, Copeland establishes the context for the development of female literary expression. She follows this with chapters on each of the women under consideration. Miyake Kaho, often regarded as the first woman writer of modern Japan, offers readers a vision of the female vitality that is often overlooked when discussing the Meiji era. Wakamatsu Shizuko, the most prominent female translator of her time, had a direct impact on the development of a modern written language for Japanese prose fiction. Shimizu Shikin reminds readers of the struggle women endured in their efforts to balance their creative interests with their social roles. Interspersed throughout are excerpts from works under discussion, most never before translated, offering an invaluable window into this forgotten world of women's writing.