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Information Cartels and Japan's Mass Media
How is the relationship between the Japanese state and Japanese society mediated by the press? Does the pervasive system of press clubs, and the regulations underlying them, alter or even censor the way news is reported in Japan? Who benefits from the press club system? And who loses? Here Laurie Anne Freeman examines the subtle, highly interconnected relationship between journalists and news sources in Japan.
Beginning with a historical overview of the relationship between the press, politics, and the public, she describes how Japanese press clubs act as "information cartels," limiting competition among news organizations and rigidly structuring relations through strict rules and sanctions. She also shows how the web of interrelations extends into, and is reinforced by, media industry associations and business groups (keiretsu). Political news and information are conveyed to the public in Japan, but because of institutional constraints, they are conveyed in a highly delimited fashion that narrows the range of societal inquiry into the political process.
Closing the Shop shows us how the press system in Japan serves as neither a watchdog nor a lapdog. Nor does the state directly control the press in ways Westerners might think of as censorship. The level of interconnectedness, through both official and unofficial channels, helps set the agenda and terms of political debate in Japan's mass media to an extent that is unimaginable to many in the United States and other advanced industrial democracies. This fascinating look at Japan's information cartels provides a critical but often overlooked explanation for the overall power and autonomy enjoyed by the Japanese state.
Towards a Sustainable Regional and Sub-regional Future
Against the background of accelerating globalization and growing economic interdependence in Northeast Asia over the past two decades, including the recent global economic crisis, this book sets out to examine the status and prospect of cross-border cooperation. It has synthesized diverse strands of discussion and different country perspectives to highlight the challenges and opportunities of collaborative regional development in Northeast Asia. Distinct from previous studies, this book attempts to capture international, national, and local viewpoints in regional development. Practical experience across countries has been analyzed and consolidated to form the basis of a policy agenda for cross-border cooperation. Combining an intimate knowledge of the region and different disciplinary perspectives, this book offers a wealth of information, statistical and illustrative materials, and analyses across topics and countries of the region. Editors include Won Bae Kim, Research Advisor of the Gyeonggi Research Institute and former Senior Fellow at the Korean Research Institute for Human Settlements, Yue-man Yeung, Emeritus Professor of Geography and Honorary Fellow of The Chinese University of Hong Kong, and Sang- Chuel Choe, former Chairman of the Presidential Committee on Regional Development in South Korea and Professor Emeritus of Seoul National University.
Buddhist Healing, Chinese Knowledge, Islamic Formulas, and Wounds of War
Confluences of Medicine is the first book-length exploration in English of issues of medicine and society in premodern Japan. This multifaceted study weaves a rich tapestry of Buddhist healing practices, Chinese medical knowledge, Asian pharmaceuticals, and Islamic formulas as it elucidates their appropriation and integration into medieval Japanese medicine. It expands the parameters of the study of medicine in East Asia, which to date has focused on the subject in individual countries, and introduces the dynamics of interaction and exchange that coursed through the East Asian macro-culture.
The book explores these themes primarily through the two extant works of the Buddhist priest and clinical physician Kajiwara Shozen (1265–1337), who was active at the medical facility housed at Gokurakuji temple in Kamakura, the capital of Japan’s first warrior government. With access to large numbers of printed Song medical texts and a wide range of materia medica from as far away as the Middle East, Shozen was a beneficiary of the efflorescence of trade and exchange across the East China Sea that typifies this era. His break with the restrictions of Japanese medicine is revealed in Ton’isho (Book of the simple physician) and Man’apo (Myriad relief formulas). Both of these texts are landmarks: the former being the first work written in Japanese for a popular audience; the latter, the most extensive Japanese medical work prior to the seventeenth century.
Confluences of Medicine brings to the fore the range of factors—networks of Buddhist priests, institutional support, availability of materials, relevance of overseas knowledge to local conditions of domestic strife, and serendipity—that influenced the Japanese acquisition of Chinese medical information. It offers the first substantive portrait of the impact of the Song printing revolution in medieval Japan and provides a rare glimpse of Chinese medicine as it was understood outside of China. It is further distinguished by its attention to materia medica and medicinal formulas and to the challenges of technical translation and technological transfer in the reception and incorporation of a new pharmaceutical regime.
People and Press in Meiji Japan
No institution did more to create a modern citizenry than the newspaper press of the Meiji period (1868-1912). Here was a collection of highly diverse, private voices that provided increasing numbers of readers--many millions by the end of the period--with both its fresh picture of the world and a changing sense of its own place in that world. Creating a Public is the first comprehensive history of Japan's early newspaper press to appear in English in more than half a century. Drawing on decades of research in newspaper articles and editorials, journalists' memoirs and essays, it tells the story of Japan's newspaper press from its elitist beginnings just before the fall of the Tokugawa regime through its years as a shaper of a new political system in the 1880s to its emergence as a nationalistic, often sensational, medium early in the twentieth century.
In the West, classical art—inextricably linked to concerns of a ruling or dominant class—commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600–1868) encompasses a spectrum of themes and styles, references to the past are so common that many Japanese art historians have variously described this period as a "classical revival," "era of classicism," or a "renaissance." How did seventeenth-century artists and patrons imagine the past? How did classical manners relate to other styles and themes found in Edo art? In considering such questions, the contributors to this volume hold that classicism has been an amorphous, changing concept in Japan—just as in the West. The authors of the essays collected here are by no means unanimous in their assessment of the use of the label "classicism." Although they may not agree on a definition of the term and its applicability to seventeenth-century Japanese art, all recognize the relevance of recent scholarly currents that call into question methods that privilege Western culture. Their various approaches—from stylistic analysis and theoretical conceptualization to assessment of related political and literary trends—greatly increase our understanding of the art of the period and its function in society.
The Canadian Protestant Missionary Movement in the Japanese Empire, 1872-1931
Drawing on both Canadian and Japanese sources, this book investigates the life, work, and attitudes of Canadian Protestant missionaries in Japan, Korea, and Taiwan (the three main constituent parts of the pre-1945 Japanese empire) from the arrival of the first Canadian missionary in East Asia in 1872 until 1931. Canadian missionaries made a significant contribution to the development of the Protestant movement in the Japanese Empire. Yet their influence also extended far beyond the Christian sphere. Through their educational, social, and medical work; their role in introducing new Western ideas and social pursuits; and their outspoken criticism of the brutalities of Japanese rule in colonial Korea and Taiwan, the activities of Canadian missionaries had an impact on many different facets of society and culture in the Japanese Empire. Missionaries residing in the Japanese Empire served as a link between citizens of Japan and Canada and acted as trusted interpreters of things Japanese to their home constituents.
The British Protestant Missionary Movement in Japan, Korea and Taiwan, 1865-1945
The influx of Protestant missionaries from Britain to Japan, Korea and Taiwan was an integral part of the British presence in East Asia from 1865 to 1945. Ion draws on both British and Japanese sources to examine the life, work and attitudes of the British missionaries, women and men, who ventured far from their homeland to preach the gospel. He explores the role played by British Protestants as both Christian missionaries and informal ambassadors of their own country and civilization. Through their educational, social and medical work the missionaries helped introduce Western ideas and social pursuits which in turn affected different facets of society and culture in Japan, Korea and Taiwan. The study illustrates how the British missionaries’ intent to introduce Christianity was affected by the response of the East Asians to Western ideas.
In describing the high drama of the British missionary movement’s pioneering days in the late nineteenth century to its persecution during the late 1930s, Ion casts light on a particular, yet important, aspect of the changing tides of Anglo-Japanese relations. This book will ably complement his previous study of Canadian missionaries in East Asia during the same period.
Chosen as one of the 15 outstanding books of 1993 for mission studies by the International Bulletin of Missionary Research.
The Canadian Protestant Missionary Movement in the Japanese Empire, 1931-1945
In this pioneer study, Ion investigates the experience of the Canadians who were part of the Protestant missionary movement in the Japanese Empire. He sheds new light on the dramatic challenges faced by foreign missionaries and Japanese Christians alike in what was the watershed period in the religious history of twentieth-century East Asia.
The Cross in the Dark Valley delivers significant lessons for Christian and missionary movements in Asia, Africa, the Americas and Europe which even now have to contend with oppression from authoritarian regimes and with hostility.
This new book by A. Hamish Ion, written with objectivity and scholarly competence, will be of interest to all scholars of Japanese-Canadian relations and missionary studies as well as to general historians.
Joint Ownership of Arable Land in Early Modern Japan
Cultivating Commons challenges the common understanding of Japanese economic and social history by uncovering diverse landholding practices in early modern Japan. In this first extended treatment of multiple systems of farmland ownership, Philip Brown argues that it was joint landownership of arable land, not virtually private landownership, that characterized a few large areas of Japan in the early modern period and even survived in some places down to the late twentieth century. The practice adapted to changing political and economic circumstances and was compatible with increasing farm involvement in the market. Brown shows that land rights were the product of villages and, to some degree, daimyo policies and not the outcome of hegemons’ and shoguns’ cadastral surveys. Joint ownership exhibited none of the “tragedy of the commons” predicted by much social science theory and in fact explicitly structured a number of practices compatible with longer-term investment in and maintenance of arable land.
Exploring early modern society from the ground up, this work provides new perspectives on how villagers organized themselves and their lands, and how their practices were articulated (or were not articulated) to higher layers of administration. It employs an unusually wide array of sources and methodologies: In addition to manuscripts from local archives, it exploits interviews with modern informants who used joint ownership and a combination of modern geographical tools (hazard maps, soil maps, digital elevation models, geographic information systems technologies) to investigate the degree to which the most common form of joint ownership reflected efforts to ameliorate flood and landslide hazard risk as well as microclimate variation. Further it explores the nature of Japanese agricultural practice, its demand on natural resources, and the role of broader environmental factors—all of which infuse the study with new environmental perspectives and approaches.
Cultivating Commons will be welcomed by Japanese historians, those in other regional-national fields, and social scientists concerned with issues of resource management, economic development, and rural society.
Japanese Intellectuals during the Interwar Years
This collection of essays represents the first attempt in this country to examine systematically the nature and development of modern Japanese self-consciousness as expressed through culture. The essays reveal eloquently the extent to which important aspects of Japanese intellectual life in the early twentieth century were inspired by European models of cultural criticism, ranging from Kant and Hegel to Nietzsche, Marx, Durkheim, and Bergson. Implicitly comparative, this collection raises the question whether "late" industrialization and related processes call forth cultural convergence (as between "East" and "West") or whether a living culture transforms these processes and makes one nation's experience significantly different from that of others.
Together with the editor, the contributors include Brett de Bary, Thomas W. Burkman, H. D. Harootunian, Germaine A. Hoston, Nozomu Kawamura, Stephen W. Kohl, William R. LaFleur, Hajimu Nakano, Donald Roden, Miriam Silverberg, Eugene Soviak, Jackie Stone, Shuji Takashina, and Makoto Ueda.
Originally published in 1990.
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