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Forts, Ships and Weapons over 450 years
The forts built from the early seventeenth century onwards, the ships that defended Macau’s waters, the weapons that armed the facilities and the soldiers and sailors who manned them all are carefully detailed in The Defences of Macau. These forts, cannon and small arms were a familiar part of society for hundreds of years, and a significant part of Macau’s heritage. Macau is fortunate in having so many artifacts remaining, but very little research has been done on them. Richard Garrett, a retired civil engineer and an expert in antique weapons, addresses this gap by identifying many rare and unique weapons. More than 200 illustrations, many in colour, serve as a visual record of what has survived. Some of the forts are included among Macau’s World Heritage sites. Many visitors and those interested in the history of the region will be interested in these forts and arms that remain in relative abundance in Macau. The book will also appeal to those scholars specialising in military and arms history.
The Six Companies and China’s Policy toward Exclusion
This is a striking, original portrait of the Chinese Six Companies (Zhonghua huiguan), or Chinese Consolidated Benevolent Association, the most prominent support organization for Chinese immigrants in the U.S. in the late nineteenth century. As a federation of "native-place associations" (huiguan) in California, the Six Companies responded to racist acts and legislation by organizing immigrant communities and employing effective diplomatic strategies against exclusion. Yucheng Qin substantiates recent arguments that Chinese immigrants were resourceful in fighting for their rights and, more importantly, he argues that through the Six Companies they created a political rhetoric and civic agenda that were then officially adopted by Qing court officials, who at first were unprepared for modern diplomacy. Out of necessity, these officials turned to the Six Companies for assistance and would in time adopt the tone and format of its programs during China’s turbulent transition from a tributary system to that of a modern nation-state.
Eventually the Six Companies and Qing diplomats were defeated by a coalition of anti-Chinese interest groups, but their struggle produced a template for modern Chinese nationalism—a political identity that transcends native place—in nineteenth-century America. By redirecting our gaze beyond China to the Six Companies in California and back again, Yucheng Qin redefines the historical significance of the huiguan. The ingenuity of his approach lies in his close attention to the transnational experience of the Six Companies, which provides a feasible framework for linking its diplomatic activism with Chinese history as well as the history of Chinese Americans and Sino-American relations.
The Diplomacy of Nationalism enlarges our view of the immigrant experience of Chinese in the U.S. by examining early Sino-American relations through the structure of Six Companies diplomacy as well as providing a better understanding of modern Chinese nationalism.
Government and Politics
This volume analyses the evolution of a unique brand of politics in Hong Kong. It examines how a Crown Colony system responded to the demands made of it by its Chinese and British residents in the shadow of the often volatile politics of modern China.
Architectural Images in Qing China
Qing China (1644–1912) witnessed a resurgence in architectural painting, a traditional subject category known as jiehua, or boundary painting. Drawing Boundaries concerns itself with the symbolic implications of this impressive and little studied reflorescence. Beginning with a concise and well-illustrated history of the evolution of the tradition, this exciting new study reveals how these images were deployed in the Manchu (Qing) imperial court to define political, social, or cultural boundaries. Characterized by grand conception and regal splendor, the paintings served to enhance the imperial authority of rulers and, to a segment of the elite, to advertise social status. Drawing Boundaries thus speaks to both issues of painting and architectural style and the discourse of powerful cultural forms. In addition to the analysis of how the style of image construction suggests these political and social motivations, the book identifies another aspect of traditional architectural representation unique to the Qing: the use of architectural representation to render form and space. Anita Chung makes the fascinating observation that these renderings create an overwhelming sense of “being there,” a characteristic, she argues, that underscores the Qing concern for the substance of things—a sensibility toward the physical world characteristic of the period and emblematic of a new worldview.
The Role of Hong Kong
In this colourful story of the Hong Kong Observatory, P. Kevin MacKeown takes us through the development of the Observatory in the Crown colony in the period 1882–1912, featuring in particular its nettlesome founding director William Doberck. A Danish astronomer with little interest in meteorology, though eminently qualified for the senior scientific position, Doberck proved to be a very difficult employee — constantly clashing with his superiors, his confreres, and with the commercial community. Despite the antagonism between Doberck and the Jesuit observatories, a successful storm warning system was developed over several years. MacKeown also introduces the earliest efforts of quantitative meteorology in the region, and documents the additional contributions made by Jesuit observatories at Manila and Shanghai. The study of typhoons and their forecasting was of the greatest importance, and MacKeown details the earliest studies of storms in the China Sea. Apart from general readers interested in Hong Kong’s history, this book will attract historians of science, especially those familiar with China and with Western colonialism in Asia.
Protestant Burials in Macao
Many of the the major figures (British, European and American) during the turbulent events leading to the Opium War are buried in the Old Protestant Cemetery in Macao. The stories told by the inscriptions on the 160 gravestones there form Macao and Hong Kong's heritage.