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A Philosophical Translation of the <i>Xiaojing</i>
Few if any philosophical schools have championed family values as persistently as the early Confucians, and a great deal can be learned by attending to what they had to say on the subject. In the Confucian tradition, human morality and the personal realization it inspires are grounded in the cultivation of family feeling. One may even go so far as to say that, for China, family reverence was a necessary condition for developing any of the other human qualities of excellence. On the basis of the present translation of the Xiaojing (Classic of Family Reverence) and supplemental passages found in other early philosophical writings, Professors Rosemont and Ames articulate a specifically Confucian conception of "role ethics" that, in its emphasis on a relational conception of the person, is markedly different from most early and contemporary dominant Western moral theories. This Confucian role ethics takes as its inspiration the perceived necessity of family feeling as the entry point in the development of moral competence and as a guide to the religious life as well. In the lengthy introduction, two senior scholars offer their perspective on the historical, philosophical, and religious dimensions of the Xiaojing. Together with this introduction, a lexicon of key terms presents a context for the Xiaojing and provides guidelines for interpreting the text historically in China as well as suggesting its contemporary significance for all societies. The inclusion of the Chinese text adds yet another dimension to this important study. The Chinese Classic of Family Reverence is sure to appeal to specialists of comparative and Chinese philosophy and to all readers interested in the enduring importance of the family.
A Transnational History
Kathleen López is an assistant professor of history and Latino and Hispanic Caribbean studies at Rutgers, The State University of New Jersey. From “coolies” to citizens In the mid-nineteenth century, Cuba's infamous "coolie" trade brought well over 100,000 Chinese indentured laborers to its shores. Though subjected to abominable conditions, they were followed during subsequent decades by smaller numbers of merchants, craftsmen, and free migrants searching for better lives far from home. In a comprehensive, vibrant history that draws deeply on Chinese- and Spanish-language sources in both China and Cuba, Kathleen López explores the transition of the Chinese from indentured to free migrants, the formation of transnational communities, and the eventual incorporation of the Chinese into the Cuban citizenry during the first half of the twentieth century. ###Chinese Cubans# shows how Chinese migration, intermarriage, and assimilation is central to Cuban history and national identity during a key period of transition from slave to wage labor and from colony to nation. On a broader level, López draws out implications for issues of race, national identity, and transnational migration, especially along the Pacific rim.
The Tradition of Daoyin
Daoyin, the traditional Chinese practice of guiding the qi and stretching the body is the forerunner of Qigong, the modern form of exercise that has swept through China and is making increasing inroads in the West. Like other Asian body practices, Daoyin focuses on the body as the main vehicle of attainment; sees health and spiritual transformation as one continuum leading to perfection or self-realization; and works intensely and consciously with the breath and with the conscious guiding of internal energies. This book explores the different forms of Daoyin in historical sequence, beginning with the early medical manuscripts of the Han dynasty, then moving into its religious adaptation in Highest Clarity Daoism. After examining the medieval Daoyin Scripture and ways of integrating the practice into Tang Daoist immortality, the work outlines late imperial forms and describes the transformation of the practice in the modern world. Presenting a rich crop of specific exercises together with historical context and comparative insights, Chinese Healing Exercises is valuable for both specialists and general readers. It provides historical depth and opens concrete details of an important but as yet little-known health practice.
Transpacific Migration and the Search for a Homeland, 1910-1960
At the turn of the twentieth century, a wave of Chinese men made their way to the northern Mexican border state of Sonora to work and live. The ties--and families—these Mexicans and Chinese created during led to the formation of a new cultural identity: Chinese Mexican. During the tumult of the Mexican Revolution of 1910, however, anti-Chinese sentiment ultimately led to mass expulsion of these people. Julia María Schiavone Camacho follows the community through the mid-twentieth century, across borders and oceans, to show how they fought for their place as Mexicans, both in Mexico and abroad.
A momentous debate has been unfolding in China over the last fifteen years, only intermittently in public view, concerning the merits of socialism as a philosophy of social justice and as a program for national development. Just as Deng Xiaoping's better advertised experiment with market- based reforms has challenged Marxist-Leninist dogma on economic policy, the years since the death of Mao Zedong have seen a profound reexamination of a more basic question: to what extent are the root problems of the system due to Chinese socialism and Marxism generally? Here Yan Sun gathers a remarkable group of primary materials, drawn from an unusual range of sources, to present the most systematic and comprehensive study of post-Mao reappraisal of China's socialist theory and practice.
Rejecting an assumption often made in the West, that Chinese socialist thought has little bearing on politics and policymaking, Sun takes the arguments of the post-Mao era seriously on their own terms. She identifies the major factions in the debate, reveals the interplay among official and unofficial forces, and charts the development of the debate from an initially parochial concern with problems raised by Chinese practice to a grand critique of the theory of socialism itself. She concludes with an enlightening comparison of the reassessments undertaken by Deng Xiaoping with those of Gorbachev, linking them to the divergent outcomes of reform and revolution in their respective countries.
The People's Republic of China claims to have 22,000 kilometres of land borders and 18,000 kilometres of coast line. How did this vast country come into being? The state credo describes an ancient process of cultural expansion: border peoples gratefully accept high culture in China and become inalienable parts of the country. And yet, the "centre" had to fight against manifestations of discontent in the border regions, not only to maintain control over the regions themselves, but also to prevent a loss of power at the edges from triggering a general process of regional devolution in the Han Chinese provinces. The essays in this volume look at these issues over a long span of time, questioning whether the process of expansion was a benevolent civilizing mission.
Pre-Buddhist and Buddhist Use of a Symbolic Form
Buddhist steles represent an important subset of early Chinese Buddhist art that flourished during the Northern and Southern Dynasties period (386–581). More than two hundred Chinese Buddhist steles are known to have survived. Their brilliant imagery has long captivated scholars, yet until now the Buddhist stele as a unique art form has received little scholarly attention. Dorothy Wong rectifies that insufficiency by providing in this well-illustrated volume the first comprehensive investigation of this group of Buddhist monuments. She traces the ancient roots of the Chinese stele tradition and investigates the process by which Chinese steles were adapted for Buddhist use. She arranges the known corpus of Buddhist steles into broad chronological and regional groupings and analyzes not only their form and content but also the nexus of complex issues surrounding this art form—from cultural symbolism to the interrelations between religious doctrine and artistic expression, economic production, patronage, and the synthesis of native and foreign art styles. In her analysis of Buddhism’s dialogue with native traditions, Wong demonstrates how the Chinese artistic idiom planted the seeds for major achievements in figural and landscape arts in the ensuing Sui and Tang periods.
Chinese Women Soldiers on the Long March
Some two thousand women participated in the Long March, but their experience of this seminal event in the history of Communist China is rarely represented. In Choosing Revolution, Helen Praeger Young presents her interviews with twenty-two veterans of the Red Army's legendary 6,000-mile "retreat to victory" before the advancing Nationalist Army. _x000B__x000B_Enormously rich in detail, Young's Choosing Revolution reveals the complex interplay between women's experiences and the official, almost mythic version of the Long March. In addition to their riveting stories of the march itself, Young's subjects reveal much about what it meant in China to grow up female and, in many cases, poor during the first decades of the twentieth century. In speaking about the work they did and how they adapted to the demands of being a soldier, these women--both educated individuals who were well-known leaders and illiterate peasants--reveal the Long March as only one of many segments of the revolutionary paths they chose._x000B__x000B_Against a background of diverse perspectives on the Long March, Young presents the experiences of four women in detail: one who brought her infant daughter with her on the Long March, one who gave birth during the march, one who was a child participant, and one who attended medical school during the march. Young also includes the stories of three women who did not finish the Long March. Her unique record of ordinary women in revolutionary circumstances reveals the tenacity and resilience that led these individuals far beyond the limits of most Chinese women's lives._x000B__x000B__x000B_
Essays on Anglican and Episcopal History in China
Written by a team of internationally recognized scholars, Christian Encounters with Chinese Culture focuses on a church tradition that has never been very large in China but that has had considerable social and religious influence. Themes of the book include questions of church, society and education, the Prayer Book in Chinese, parish histories, and theology. Taken together, the nine chapters and the introduction offer a comprehensive assessment of the Anglican experience in China and its missionary background. Historical topics range from macro to micro levels, beginning with an introductory overview of the Anglican and Episcopal tradition in China. Topics include how the church became embedded in Chinese social and cultural life, the many ways women’s contributions to education built the foundations for strong parishes, and Bishop R. O. Hall’s attentiveness to culture for the life of the church in Hong Kong. Two chapters explore how broader historical themes played out at the parish level—St. Peter’s Church in Shanghai during the War against Japan and St. Mary’s Church in Hong Kong during its first three decades. Chapters looking at the Chinese Prayer Book bring an innovative theological perspective to the discussion, especially how the inability to produce a single prayer book affected the development of the Chinese church. Finally, the tension between theological thought and Chinese culture in the work of Francis C. M. Wei and T. C. Chao is examined. “This is one of the finest books on Christianity and Chinese culture to have emerged in recent years. Philip Wickeri has done the almost-impossible, and assembled an outstanding, world-class team of scholars to write on Anglican and Episcopal history in China, with essays focusing on education, liturgy, ministry, ecclesiology and theology. This is a timely, important book—and one that will re-shape the way we understand the place of Anglican and Episcopal churches in the past, present and future.” —Martyn Percy, dean of Christ Church, Oxford, UK “This pioneering study provides new knowledge of local parishes, translation of liturgy, as well as mission and theology of Chung Hua Sheng Kung Hui. Comprehensive in scope and original in using new resources, it will stimulate new scholarship in the study of Christianity in China.” —Kwok Pui-lan, author of Chinese Women and Christianity, 1860–1927 “The essays included in this important volume offer a refreshingly realistic image of the Christian missionary enterprise and its interaction with Chinese culture and society. The contributors present new angles of interpretation, with more informed and nuanced accounts of the complexities and contradictions that shaped the encounter of one particular strand of Western Christianity and Chinese culture during a turbulent century of change.” —R. G. Tiedemann, professor of Chinese history, Shandong University, China
Locating Chinese Film Theory
In Cinema Approaching Reality, Victor Fan brings together, for the first time, Chinese and Euro-American film theories and theorists to engage in critical debates about film in Shanghai and Hong Kong from the 1920s through 1940s. His point of departure is a term popularly employed by Chinese film critics during this period, bizhen, often translated as “lifelike” but best understood as “approaching reality.” What these Chinese theorists mean, in Fan’s reading, is that the cinematographic image is not a form of total reality, but it can allow spectators to apprehend an effect as though they had been there at the time when an event actually happened.
Fan suggests that the phrase “approaching reality” can help to renegotiate an aporia (blind spot) that influential French film critic André Bazin wrestled with: the cinematographic image is a trace of reality, yet reality is absent in the cinematographic image, and the cinema makes present this absence as it reactivates the passage of time. Fan enriches Bazinian cinematic ontology with discussions on cinematic reality in Republican China and colonial Hong Kong, putting Western theorists—from Bazin and Kracauer to Baudrillard, Agamben, and Deleuze—into dialogue with their Chinese counterparts. The result is an eye-opening exploration of the potentialities in approaching cinema anew, especially in the photographic materiality following its digital turn.