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For too long, the study of religious life in Late Antiquity has relied on the premise that Jews, pagans, and Christians were largely discrete groups divided by clear markers of belief, ritual, and social practice. More recently, however, a growing body of scholarship is revealing the degree to which identities in the late Roman world were fluid, blurred by ethnic, social, and gender differences. Christianness, for example, was only one of a plurality of identities available to Christians in this period.
In Christians and Their Many Identities in Late Antiquity, North Africa, 200-450 CE, Éric Rebillard explores how Christians in North Africa between the age of Tertullian and the age of Augustine were selective in identifying as Christian, giving salience to their religious identity only intermittently. By shifting the focus from groups to individuals, Rebillard more broadly questions the existence of bounded, stable, and homogeneous groups based on Christianness. In emphasizing that the intermittency of Christianness is structurally consistent in the everyday life of Christians from the end of the second to the middle of the fifth century, this book opens a whole range of new questions for the understanding of a crucial period in the history of Christianity.
Tragedy and the Athenian Empire
With close readings of suppliant dramas by each of the major playwrights, this book explores how Greek tragedy used tales of foreign supplicants to promote, question, and negotiate the imperial ideology of Athens as a benevolent and moral ruling city.
Democracy and Religion in Ancient Athens
Civic Rites explores the religious origins of Western democracy by examining the government of fifth-century BCE Athens in the larger context of ancient Greece and the eastern Mediterranean. Deftly combining history, politics, and religion to weave together stories of democracy’s first leaders and critics, Nancy Evans gives readers a contemporary’s perspective on Athenian society. She vividly depicts the physical environment and the ancestral rituals that nourished the people of the earliest democratic state, demonstrating how religious concerns were embedded in Athenian governmental processes. The book’s lucid portrayals of the best-known Athenian festivals—honoring Athena, Demeter, and Dionysus—offer a balanced view of Athenian ritual and illustrate the range of such customs in fifth-century Athens.
Vol. 99 (2005) through current issue
Classical World publishes substantive scholarship on Greek and Roman literature, history, and society as well as the classical tradition and the history of classical scholarship. The journal also actively engages the pedagogical community by incorporating pieces on the teaching of Greek, Latin, and classical civilizations. Diverse in nature, Classical World publishes special issues, book reviews, surveys of textbooks and audio-visual materials, and bibliographies of recent research on ancient authors and topics. Classical World represents more than 100 years of peer-reviewed scholarship in Antiquity studies. Classical World is the official publication of the Classical Association of the Atlantic States (CAAS).
A Sphinx Revisited
Cleopatra—a brave, astute, and charming woman who spoke many languages, entertained lavishly, hunted, went into battle, eliminated siblings to consolidate her power, and held off the threat of Imperial Rome to protect her country as long as she could—continues to fascinate centuries after she ruled Egypt. These wide-ranging essays explore such topics as Cleopatra’s controversial trip to Rome, her suicide by snake bite, and the afterlife of her love potions. They view Cleopatra from the Egyptian perspective, and examine the reception in Rome of Egyptian culture, especially of its religion and architecture. They discuss films about her, and consider what inspired Egyptomania in early modern art. Together, these essays illuminate Cleopatra’s legacy and illustrate how it has been used and reused through the centuries.
Iconography and Reception of Athenian Vases in the Age of Pericles
The Codrus Painter was a painter of cups and vases in fifth-century B.C.E. Athens with a distinctive style; he is named after Codrus, a legendary Athenian king depicted on one of his most characteristic vases. He was active as an artist during the rule of Pericles, as the Parthenon was built and then as the troubled times of the Peloponnesian War began. In contrast to the work of fellow artists of his day, the vases of the Codrus Painter appear to have been created almost exclusively for export to markets outside Athens and Greece, especially to the Etruscans in central Italy and to points further west.
Amalia Avramidou offers a thoroughly researched, amply illustrated study of the Codrus Painter that also comments on the mythology, religion, arts, athletics, and daily life of Greece depicted on his vases. She evaluates his style and the defining characteristics of his own hand and of the minor painters associated with him. Examining the subject matter, figure types, and motifs on the vases, she compares them with sculptural works produced during the same period. Avramidou’s iconographic analysis not only encompasses the cultural milieu of the Athenian metropolis, but also offers an original and intriguing perspective on the adoption, meaning, and use of imported Attic vases among the Etruscans.
The Genesis and Meaning of a Roman Imperial Monument
In THE COLUMN OF MARCUS AURELIUS, Beckmann offers a study of the form, content, and meaning of the Column and its sculpture. He also provides full documentation of the Column and its sculpture in the form of complete drawings of the frieze (by the author) and full photographic coverage (using the incomparable German photos of 1896, taken before the worst ravages of modern pollution). No modern drawing of the frieze exists anywhere in any form. The 1896 photographs are extremely rare today, and the author has secured permission to include some of these images in this book.
Dynamic Communities at Aphrodisias and Beycesultan
Community Identity and Archaeology explores the concept of community identity and its application in archaeology, using the modern Turkish sites of Aphrodisias and Beycesultan as case studies to illustrate the formation and dissolution of communities over time. The concept of the community is vital to the way we understand human societies both past and present, and the last decade has seen widespread interest in communities from both the popular and academic spheres. The concept is also central to archaeology, where the relationship between sites and communities remains controversial. Naoíse Mac Sweeney aims to take the debate one step further, setting out a comprehensive framework for the archaeological investigation of community identity, encompassing theoretical approaches for its conceptualization, practical methodologies for its investigation, and detailed case studies in Anatolia to test and illustrate its arguments. This book contributes to discussions in archaeological theory and material culture studies and is particularly relevant to archaeologists working on different types of cultural identity. Community Identity and Archaeology’s readership will include undergraduate and graduate students as well as academic specialists. In addition, the book contains material of direct historical interest for Classics and Near Eastern departments. It includes valuable new research relevant for those working on Aegean, Mycenaean, or Early Greek antiquity, as well as specialists in Anatolia including scholars working on the Hittite, Phrygian, and Lydian empires.
Catullus’ life was akin to pulp fiction. In Julius Caesar’s Rome, he engages in a stormy affair with a consul’s wife. He writes her passionate poems of love, hate, and jealousy. The consul, a vehement opponent of Caesar, dies under suspicious circumstances. The merry widow romances numerous young men. Catullus is drawn into politics and becomes a cocky critic of Caesar, writing poems that dub Julius a low-life pig and a pervert. Not surprisingly, soon after, no more is heard of Catullus.
David Mulroy brings to life the witty, poignant, and brutally direct voice of a flesh-and-blood man, a young provincial in the Eternal City, reacting to real people and events in a Rome full of violent conflict among individuals marked by genius and megalomaniacal passions. Mulroy’s lively, rhythmic translations of the poems are enhanced by an introduction and commentary that provide biographical and bibliographical information about Catullus, a history of his times, a discussion of the translations, and definitions and notes that ease the way for anyone who is not a Latin scholar.