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Gender, Drama, and Nostalgia in Ancient Greece
Greek drama demands a story of origins, writes Karen Bassi in Acting Like Men. Abandoning the search for ritual and native origins of Greek drama, Bassi argues for a more secular and less formalist approach to the emergence of theater in ancient Greece. Bassi takes a broad view of Greek drama as a cultural phenomenon, and she discusses a wide variety of texts and artifacts that include epic poetry, historical narrative, philosophical treatises, visual media, and the dramatic texts themselves. In her discussion of theaterlike practices and experiences, Bassi proposes new conceptual categories for understanding Greek drama as a cultural institution, viewing theatrical performance as part of what Foucault has called a discursive formation. Bassi also provides an important new analysis of gender in Greek culture at large and in Athenian civic ideology in particular, where spectatorship at the civic theater was a distinguishing feature of citizenship, and where citizenship was denied women. Acting Like Men includes detailed discussions of message-sending as a form of scripted speech in the Iliad, of disguise and the theatrical body of Odysseus in the Odyssey, of tyranny as a theaterlike phenomenon in the narratives of Herodotus, and of Dionysus as the tyrannical and effeminate god of the theater in Euripides' Bacchae and Aristophanes' Frogs. Bassi concludes that the validity of an idealized masculine identity in Greek and Athenian culture is highly contested in the theater, where--in principle--citizens become passive spectators. Thereafter the author considers Athenian theater and Athenian democracy as mutually reinforcing mimetic regimes. Acting Like Men will interest those interested in the history of the theater, performance theory, gender and cultural studies, and feminist approaches to ancient texts. Karen Bassi is Associate Professor of Classics, University of California, Santa Cruz.
Explaining Nature in Ancient Greece and Rome
Classical authors used both prose and poetry to explore and explain the natural world. In Aetna and the Moon, Liba Taub examines the variety of ways in which ancient Greeks and Romans conveyed scientific information. Oregon State University Press is proud to present this inaugural volume in the Horning Visiting Scholars Series.
In ancient Greece and Rome, most of the technical literature on scientific, mathematical, technological, and medical subjects was written in prose, as it is today. However, Greek and Roman poets produced a significant number of widely read poems that dealt with scientific topics. Why would an author choose poetry to explain the natural world? This question is complicated by claims made, since antiquity, that the growth of rational explanation involved the abandonment of poetry and the rejection of myth in favor of science.
Taub uses two texts to explore how scientific ideas were disseminated in the ancient world. The anonymous author of the Latin Aetna poem explained the science behind the volcano Etna with poetry. The Greek author Plutarch juxtaposed scientific and mythic explanations in his dialogue On the Face on the Moon.
Both texts provide a lens through which Taub considers the nature of scientific communication in ancient Greece and Rome. General readers will appreciate Taub’s thoughtful discussion concerning the choices available to ancient authors to convey their ideas about science—as important today as it was in antiquity—while Taub’s careful research and lively writing will engage classicists as well as historians of science.
To all those who witnessed his extraordinary conquests, from Albania to India, Alexander the Great appeared invincible. How Alexander himself promoted this appearance—how he abetted the belief that he enjoyed divine favor and commanded even the forces of nature against his enemies—is the subject of Frank L. Holt's absorbing book.
Solid evidence for the "supernaturalized" Alexander lies in a rare series of medallions that depict the triumphant young king at war against the elephants, archers, and chariots of Rajah Porus of India at the Battle of the Hydaspes River. Recovered from Afghanistan and Iraq in sensational and sometimes perilous circumstances, these ancient artifacts have long animated the modern historical debate about Alexander. Holt's book, the first devoted to the mystery of these ancient medallions, takes us into the history of their discovery and interpretation, into the knowable facts of their manufacture and meaning, and, ultimately, into the king's own psyche and his frightening theology of war. The result is a valuable analysis of Alexander history and myth, a vivid account of numismatics, and a spellbinding look into the age-old mechanics of megalomania.
This first focused analysis of veterans’ experiences in ancient Greece offers a fresh, “bottom-up” perspective on important military and political aspects of early Hellenistic history.
Topography and Social Conflict
Second only to Rome in the ancient world, Alexandria was home to many of late antiquity's most brilliant writers, philosophers, and theologians—among them Philo, Origen, Arius, Athanasius, Hypatia, Cyril, and John Philoponus. Now, in Alexandria in Late Antiquity, Christopher Haas offers the first book to place these figures within the physical and social context of Alexandria's bustling urban milieu. Because of its clear demarcation of communal boundaries, Alexandria provides the modern historian with an ideal opportunity to probe the multicultural makeup of an ancient urban unit. Haas explores the broad avenues and back alleys of Alexandria's neighborhoods, its suburbs and waterfront, and aspects of material culture that underlay Alexandrian social and intellectual life. Organizing his discussion around the city's religious and ethnic blocs—Jews, pagans, and Christians—he details the fiercely competitive nature of Alexandrian social dynamics. In contrast to recent scholarship, which cites Alexandria as a model for peaceful coexistence within a culturally diverse community, Haas finds that the diverse groups' struggles for social dominance and cultural hegemony often resulted in violence and bloodshed—a volatile situation frequently exacerbated by imperial intervention on one side or the other. Eventually, Haas concludes, Alexandrian society achieved a certain stability and reintegration—a process that resulted in the transformation of Alexandrian civic identity during the crucial centuries between antiquity and the Middle Ages.
Vol. 117 (1996) through current issue
Founded in 1880 by Basil Lanneau Gildersleeve, American Journal of Philology (AJP) has helped to shape American classical scholarship. Today, the Journal has achieved worldwide recognition as a forum for international exchange among classicists and philologists by publishing original research in classical literature, philology, linguistics, history, society, religion, philosophy, and cultural and material studies. Book review sections are featured in every issue. AJP is open to a wide variety of contemporary and interdisciplinary approaches, including literary interpretation and theory, historical investigation, and textual criticism.
From the Homosocial to the Homoerotic in the Ancient World
Women’s and men’s worlds were largely separate in ancient Mediterranean societies, and, in consequence, many women’s deepest personal relationships were with other women. Yet relatively little scholarly or popular attention has focused on women’s relationships in antiquity, in contrast to recent interest in the relationships between men in ancient Greece and Rome. The essays in this book seek to close this gap by exploring a wide variety of textual and archaeological evidence for women’s homosocial and homoerotic relationships from prehistoric Greece to fifth-century CE Egypt. Drawing on developments in feminist theory, gay and lesbian studies, and queer theory, as well as traditional textual and art historical methods, the contributors to this volume examine representations of women’s lives with other women, their friendships, and sexual subjectivity. They present new interpretations of the evidence offered by the literary works of Sappho, Ovid, and Lucian; Bronze Age frescoes and Greek vase painting, funerary reliefs, and other artistic representations; and Egyptian legal documents.
Studies in Lucan's Epic Technique
Imperial Latin epic has seen a renaissance of scholarly interest. This book illuminates the work of the poet Lucan, a contemporary of the emperor Nero who as nephew of the imperial adviser Seneca moved in the upper echelons of Neronian society. This
Chronological, Regional, and Social Diversity
Seeking to expand both the geographical range and the diversity of sites considered in the study of ancient Greek housing, Ancient Greek Houses and Households takes readers beyond well-established studies of the ideal classical house and now-famous structures of Athens and Olynthos.
Bradley A. Ault and Lisa C. Nevett have brought together an international team of scholars who draw upon recent approaches to the study of households developed in the fields of classical archaeology, ancient history, and anthropology. The essays cover a broad range of chronological, geographical, and social contexts and address such topics as the structure and variety of households in ancient Greece, facets of domestic industry, regional diversity in domestic organization, and status distinctions as manifested within households.
Ancient Greek Houses and Households views both Greek houses and the archeological debris found within them as a means of investigating the basic unit of Greek society: the household. Through this approach, the essays successfully point the way toward a real integration between material and textual data, between archeology and history.
Contributors include William Aylward (University of Wisconsin, Madison), Nicholas Cahill (University of Wisconsin, Madison), Manuel Fiedler (Freie Universität, Berlin), Franziska Lang (Humboldt Universität, Berlin), Monike Trümper (Universität Heidelberg), and Barbara Tsakirgis (Vanderbilt University, Nashville).