Using innovative research strategies from fieldwork to historical linguistics, Kodesh produces a vision of the Ganda past that emphasizes decentralized institutions of "public healing" and supplants the royalist perspective of European documentary sources and histories based on them.

In 1978, Patrick McNaughton witnessed a bird dance masquerade in the small town of Dogoduman. He was so affected by this performance that its dazzling artistic power has never left him. As he revisits that very special evening in A Bird Dance near Saturday City, McNaughton carefully considers the components of the performance, its pace, the performers, and what the entire experience means for understandings of Bamana and West African aesthetics and culture. The performance of virtuoso dancer Sidi Ballo becomes McNaughton's vehicle for understanding the power of individuals in African art and the power of aesthetics as a cultural phenomenon. Topics such as what makes art effective, what makes it "good," how production is wrapped in individual virtuosity, and what individual artistry suggests about society reveal how individuals work together to create the indelible experience of outstanding performance. This exuberant and captivating book will influence views of society, culture, art, history, and their makers in West Africa for years to come.

"[W]ithout a doubt one of the most important studies so far completed on literature in French grounded in the experiences of migrants of sub-Saharan African origin." -- Alec Hargreaves, Florida State University

France has always hosted a rich and vibrant black presence within its borders. But recent violent events have raised questions about France's treatment of ethnic minorities. Challenging the identity politics that have set immigrants against the mainstream, Black France explores how black expressive culture has been reformulated as global culture in the multicultural and multinational spaces of France. Thomas brings forward questions such as -- Why is France a privileged site of civilization? Who is French? Who is an immigrant? Who controls the networks of production? Black France poses an urgently needed reassessment of the French colonial legacy.

In Eritrea, state, traditional, and religious laws equally prevail, but any of these legal systems may be put into play depending upon the individual or individuals involved in a legal dispute. Because of conflicting laws, it has been difficult for Eritreans to come to a consensus on what constitutes their legal system. In Blood, Land, and Sex, Lyda Favali and Roy Pateman examine the roles of the state, ethnic groups, religious groups, and the international community in several key areas of Eritrean law -- blood feud or murder, land tenure, gender relations (marriage, prostitution, rape), and female genital surgery. Favali and Pateman explore the intersections of the various laws and discuss how change can be brought to communities where legal ambiguity prevails, often to the grave harm of women and other powerless individuals. This significant book focuses on how Eritrea and other newly emerging democracies might build pluralist legal systems that will be acceptable to an ethnically and religiously diverse population.

Romo examines ideas of race in key cultural and public arenas through a close analysis of medical science, the arts, education, and the social sciences. As she argues, although Bahian racial thought came to embrace elements of Afro-Brazilian culture, the presentation of Bahia as a living museum threatened by social change portrayed Afro-Bahian culture and modernity as necessarily at odds. Romo's finely tuned account complicates our understanding of Brazilian racial ideology and enriches our knowledge of the constructions of race across Latin America and the larger African diaspora. Brazil's northeastern state of Bahia has built its economy around attracting international tourists to what is billed as the locus of Afro-Brazilian culture and the epicenter of Brazilian racial harmony. Chronicling the period from the abolition of slavery in 1888 to the start of Brazil's military regime in 1964, Romo uncovers how the state's nonwhite majority moved from being a source of embarrassment to being a critical component of Bahia's identity.

Bulozi under the Luyana Kings is a study of the Lozi Kingdom in Western Zambia in the pre-colonial period. The study traces the origins of the Luyana and the Lozi people; the founding of the Luyana Central Kingship and the invasion by the Makololo in the mid-nineteenth century; and ends with the study of the Lozi response to European intrusion at the end of the nineteenth and early twentieth centuries. Bulozi under the Luyana Kings was first published in 1973 by Longman, London. After wide consultations at home and abroad, the book is now republished in its original form.

This book richly documents the battles fought by the Anglophone community in Cameroon to safeguard the General Certificate of Education (GCE), a symbol of their cherished colonial heritage from Britain, from attempts by agents of the Ministry of National Education to subvert it. These battles opposed a mobilised and determined Anglophone civil society against numerous machinations by successive Francophone-dominated governments to destroy their much prided educational system in the name of 'national integration'. When Southern Cameroonians re-united with La R?publique du Cameroun in 1961, they claimed that they were bringing into the union 'a fine education system' from which their Francophone compatriots could borrow. Instead, they found themselves battling for decades to save their way of life. Central to their concerns and survival as a community is an urgent need for cultural recognition and representation, of which an educational system free of corruption and trivialisation through politicisation is a key component.

The Cameroon Political Story is a long journey through the eyes and actions of the author himself. It is a mix between Mbileís memoirs, a bit of his biography and the Cameroon political story, heavily weighted in favour of that part of the Republic formerly identified as Southern Cameroons, later West Cameroon, now South West and North West Regions. The story is told in the interest of the Cameroonian youth and scholar who have often complained of the inadequate recording by political leaders of the life and deeds of their times. It is the story of an African boy of humble village beginnings who rose to participate in the making of a modern political community. It is hoped the book provides useful knowledge on the history, growth and constitutional evolution of Cameroon, a country which after more than a century of administrative metamorphosis settled to its present statehood in 1961, a Cameroon reborn.