The essays collected in this volume are, by the depth of their analysis and the breath of their vision, indeed ëNo Trifling Matterí. They are a chronicle of the events in contemporary Cameroonian society, especially as concerns the conduct of public affairs therein. Over and above its relevance for our own time, this chronicle will, in the decades that lie ahead, serve as a rich source of information, opinion and comment which future generations, anxious to understand the making of an era whose impact, positive or negative, is destined to survive long after the longest-living of its principal actors and actresses shall have disappeared from the face of the Earth, will find a great benefit. Rotcod Gobata has, through these essays, lit and placed on a pedestal, a candle whose flame shall never die and whose glow shall serve as a beacon to guide and to inspire generations yet unborn.

Cameroun Republic, a former French-administered UN Trust Territory granted independence on 1 January 1960. This book focuses on the unresolved Southern Cameroons colonial predicament, giving insightful accounts of how Cameroun Republic hijacked the Southe

During the long dry season, Tupuri men and women in northern Cameroon gather in gurna camps outside their villages to learn the songs that will be performed at widely attended celebrations to honor the year's dead. The gurna provides a space for them to join together in solidarity to care for their cattle, fatten their bodies, and share local stories. But why does the gurna remain meaningful in the modern nation-state of Cameroon? In Journey of Song, Clare A. Ignatowski explores the vitality of gurna ritual in the context of village life and urban neighborhoods. She shows how Tupuri songs borrow from political discourse on democracy in Cameroon and make light of human foibles, publicize scandals, promote the prestige of dancers, and provide an arena for powerful social commentary on the challenges of modern life. In the context of broad social change in Africa, Ignatowski explores the creative and communal process by which local livelihoods and identities are validated in dance and song.

This is a rich and compelling volume of readings in social history on Nsoí and its neighbours in the Western Grassfields of Cameroon. It consists of 19 essays by some of the leading historians, archeologists and ethnographers of the region, with seminal contributions by Jean-Pierre Warnier, Paul Nchoji Nkwi, Bongfen Chem-Langhee, Phyllis Kaberry, E.M Chilver, Miriam Goheen, Ian Flower, Dan Lantum and V.G. Fanso. The book covers a broad range of themes from precolonial times to date, including trade, alliances, diplomacy, the iron industry, colonial impact, continuities, discontinuities and compromise, general persistence, ideology and conflict. Warnier draws on linguistic and archaeological data to argue that this region has been settled for several millennia, very probably continuously, and that its landscapes are very ancient and have resulted from many human and natural forces other than the simple clearance of the forest cover of the region at an uncertain date as some authors have postulated. Using data on inter-group diplomacy and alliances, Nkwi puts into question some problematic theses on persistence hostilities and enhances knowledge of the precolonial history of the region. Fowler and Chem-Langhee show how local conditions and needs fostered the spirit and practice of cooperative ventures in the precolonial period, which provided the driving force and the ideological and structural underpinnings for the successful and smooth introduction of modern modes of cooperation in the area during the colonial and postcolonial periods. The rest of the studies have a unifying theme or thesis, namely, that despite the entry and assault of external, influences, particularly those associated with colonialism, Christianity and Islam, the traditional institutions, customs and value systems of the Nsoí and their neighbours have resisted major change and their total corrosion is not yet in sight. The volume illustrates the proposition that historical research is a continuous process of rediscovery which provides new questions, and also that the evidence of other disciplines ñ linguistics, archaeology and palaeobotany for example ñ may give rise to many new lines of inquiry and help to correct the documentary record and explain oral tradition. Herein lies the most important element of this experimental collection. Its editors hope that it will provoke other similar collections.

Doughty human rights crusader, Albert Mukong was incarcerated for six years in some of Cameroon's worst detention centres under the despotic regime of late President Amadou Ahidjo. This book details his personal account of the discipline and punishment that the Cameroonian state has systematically dished out to dissidents who have dared to stand their ground. Until his death in 2004, Albert Mukong was without doubt, Anglophone Cameroon's most conspicuous political prisoner, spokesperson and champion human rights advocate. The particular detention he recounts in this book is evidence of how nationalists such as Ruben Um Nyobe, Ernest Ouandie, Bishop Ndongmo and others, have in their struggles sacrificed enormously so that freedom and democracy might see the light of day in their reluctant Cameroon.