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The Complete Film Criticism of Andrew Britton
For fifteen years before his untimely death, Andrew Britton produced a body of undeniably brilliant film criticism that has been largely ignored within academic circles. Though Britton’s writings are extraordinary in their depth and range and are closely attuned to the nuances of the texts they examine, his humanistic approach was at odds with typical theory-based film scholarship. Britton on Film demonstrates that Britton’s humanism is also his strength, as it presents all of his published writings together for the first time, including Britton’s persuasive readings of such important Hollywood films as Meet Me in St. Louis, Spellbound, and Now, Voyager and of key European filmmakers such as Sergei Eisenstein, Jean-Luc Godard, and Bernardo Bertolucci. Renowned film scholar and editor Barry Keith Grant has assembled all of Britton’s published essays of film criticism and theory for this volume, spanning the late 1970s to the early 1990s. The essays are arranged by theme: Hollywood cinema, Hollywood movies, European cinema, and film and cultural theory. In all, twenty-eight essays consider such varied films as Hitchcock’s Spellbound, Jaws, The Exorcist, and Mandingo and topics as diverse as formalism, camp, psychoanalysis, imperialism, and feminism. Included are such well-known and important pieces as “Blissing Out: The Politics of Reaganite Entertainment” and “Sideshows: Hollywood in Vietnam,” among the most perceptive discussions of these two periods of Hollywood history yet published. In addition, Britton’s critiques of the ideology of Screen and Wisconsin formalism display his uncommon grasp of theory even when arguing against prevailing critical trends. An introduction by influential film critic Robin Wood, who was also Britton’s teacher and friend, begins this landmark collection. Students and teachers of film studies as well as general readers interested in film and American popular culture will enjoy Britton on Film.
In this revision of her earlier book, Buffalo Bill, Actor, Sandra Sagala chronicles the decade and a half of Cody's life as he crisscrossed the country entertaining millions. She analyzes how the lessons he learned during those theatrical years helped shape his Wild West program, as well as Cody, the performer.
The Life and Art of Busby Berkeley
Characterized by grandiose song-and-dance numbers featuring ornate geometric patterns and mimicked in many modern films, Busby Berkeley’s unique artistry is as recognizable and striking as ever. From his years on Broadway to the director’s chair, Berkeley is notorious for his inventiveness and signature style. Through sensational films like 42nd Street (1933), Gold Diggers of 1933 (1933), Footlight Parade (1933), and Dames (1934), Berkeley sought to distract audiences from the troubles of the Great Depression. Although his bold technique is familiar to millions of moviegoers, Berkeley’s life remains a mystery. Buzz: The Life and Art of Busby Berkeley is a telling portrait of the filmmaker who revolutionized the musical and changed the world of choreography. Berkeley pioneered many conventions still in use today, including the famous “parade of faces” technique, which lends an identity to each anonymous performer in a close-up. Carefully arranging dancers in complex and beautiful formations, Berkeley captured perspectives never seen before. Jeffrey Spivak’s meticulous research magnifies the career and personal life of this beloved filmmaker. Employing personal letters, interviews, studio memoranda, and Berkeley’s private memoirs, Spivak unveils the colorful life of one of cinema’s greatest artists.
Buckskin Poet, Scout, and Showman
Jack Crawford (1847–1917) entertained a generation of Americans and introduced them to their frontier heritage. A master storyteller who presented the West as he experienced it, he was one of America’s most popular performers in the late nineteenth century.
Dressed in buckskin with a wide-brimmed sombrero covering his flowing locks, Crawford delivered a “frontier monologue and medley” that, as one New York City journalist reported, “held his audience spell-bound for two hours by a simple narration of his life.”
In this biography, Darlis Miller re-creates his experiences as a scout, rancher, miner, reformer, husband and father, and poet and entertainer to reinterpret the American Dream and the lure of getting rich pursued by many during the Gilded Age.
My Summer with the Danish Filmmaker
Regarded by many filmmakers and critics as one of the greatest directors in cinema history, Carl Theodor Dreyer (1889--1968) achieved worldwide acclaim after the debut of his masterpiece, The Passion of Joan of Arc (1928), which was named the most influential film of all time at the 2010 Toronto International Film Festival. In 1955 Dreyer granted twenty-three-year-old American student Jan Wahl the extraordinary opportunity to spend a unique and unforgettable summer with him during the filming of Ordet (The Word ).
Carl Theodor Dreyer and Ordet: My Summer with the Danish Filmmaker is a captivating account of Wahl's time with the director, based on Wahl's daily journal accounts and transcriptions of his conversations with Dreyer. Offering a glimpse into the filmmaker's world, Wahl fashions a portrait of Dreyer as a man, mentor, friend, and director. Wahl's unique and charming account is supplemented by exquisite photos of the filming and by selections from Dreyer's papers, including his notes on film style, his introduction for the actors before the filming of Ordet, and a visionary lecture he delivered at Edinburgh. Carl Theodor Dreyer and Ordet details one student's remarkable experiences with a legendary director and the unlikely bond formed over a summer.
A Most Beautiful Girl
Despite appearing in twenty-eight movies in little over a decade, Carole Landis (1919-1948) never quite became the major Hollywood star her onscreen presence should have afforded her. Although she acted in such enduring films as A Scandal in Paris and Moon over Miami, she was most often relegated to supporting roles. Even when she played the major role in a feature, as she did in The Powers Girl and the film noir I Wake Up Screaming!, she was billed second or third behind other actors. This biography traces Landis's life, chronicling her beginnings as a dance hall entertainer in San Francisco, her career in Hollywood and abroad, her USO performances, and ultimately her suicide. Using interviews with actors who worked with Landis, contemporary movie magazines and journals, and correspondence, biographer Eric Gans reveals a tragic figure whose life was all too brief. Landis's big break came in 1940 with Hal Roach's One Million B.C. She appeared in thirteen Twentieth Century-Fox pictures between 1941 and 1946. In 1942-43, Landis entertained troops in England and North Africa in the only all-female USO tour. The trip led to her memoir, Four Jills in a Jeep, and a Fox movie of the same title. After her last American film in 1947, she completed two projects in England while having an affair with married actor Rex Harrison. Tormented by a love that could not lead to matrimony and depressed about growing older, she took a fatal drug overdose on July 5, 1948. Eric Gans is professor of French at University of California, Los Angeles. He is the author of numerous books including most recently The Scenic Imagination: Originary Thinking from Hobbes to the Present Day, and his articles have appeared in many periodicals.
" ""Far and away the best film book published so far this year.""--National Board of Review Cecil B. DeMille was the most successful filmmaker in early Hollywood history. Cecil B. DeMille's Hollywood is a detailed and definitive chronicle of the screen work that changed the course of film history and a fascinating look at how movies were actually made in Hollywood's Golden Age. Drawing extensively on DeMille's personal archives and other primary sources, Robert S. Birchard offers a revealing portrait of DeMille the filmmaker that goes behind studio gates and beyond DeMille's legendary persona. In his forty-five-year career DeMille's box-office record was unsurpassed, and his swaggering style established the public image for movie directors. DeMille had a profound impact on the way movies tell stories and brought greater attention to the elements of decor, lighting, and cinematography. Best remembered today for screen spectacles such as The Ten Commandments and Samson and Delilah, DeMille also created Westerns, realistic "chamber dramas," and a series of daring and highly influential social comedies. He set the standard for Hollywood filmmakers and demanded absolute devotion to his creative vision from his writers, artists, actors, and technicians.
The Life and Times of Vito Russo
Celluloid Activist is the biography of gay-rights giant Vito Russo, the man who wrote The Celluloid Closet: Homosexuality in the Movies, commonly regarded as the foundational text of gay and lesbian film studies and one of the first to be widely read.
But Russo was much more than a pioneering journalist and author. A founding member of the Gay and Lesbian Alliance Against Defamation (GLAAD) and cofounder of the AIDS Coalition to Unleash Power (ACT UP), Russo lived at the center of the most important gay cultural turning points in the 1960s, 1970s, and 1980s. His life as a cultural Zelig intersects a crucial period of social change, and in some ways his story becomes the story of a developing gay revolution in America. A frequent participant at “zaps” and an organizer of Gay Activists Alliance (GAA) cabarets and dances—which gave the New York gay and lesbian community its first social alternative to Mafia-owned bars—Russo made his most enduring contribution to the GAA with his marshaling of “Movie Nights,” the forerunners to his worldwide Celluloid Closet lecture tours that gave gay audiences their first community forum for the dissection of gay imagery in mainstream film.
In eleven feature films across two decades, Christian Petzold has established himself as the most critically celebrated director in contemporary Germany. The best-known and most influential member of the Berlin School, Petzold's career reflects the trajectory of German film from 1970s New German Cinema to more popular fare in the 1990s and back again to critically engaged and politically committed filmmaking. His combination of critical celebration and popular success underscores Petzold's singular cinematic achievement: the deliberate and shrewd negotiation of art cinema and popular Hollywood genre.