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All That Work and Still No Boys Cover

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All That Work and Still No Boys

How do we survive our family, stay bound to our community, and keep from losing ourselves?  In All That Work and Still No Boys, Kathryn Ma exposes the deepest fears and longings that we mask in family life and observes the long shadows cast by history and displacement. 

Here are ten stories that wound and satisfy in equal measure. Ma probes the immigrant experience, most particularly among northern California’s Chinese Americans, illuminating for us the confounding nature of duty, transformation, and loss. A boy exposed to racial hatred finds out the true difference between his mother and his father. Two old rivals briefly lay down their weapons, but loneliness and despair won’t let them forget the past. A young Beijing tour guide with a terrible family secret must take an adopted Chinese girl and her American family to visit an orphanage. And in the prize-winning title story, a mother refuses to let her son save her life, insisting instead on a sacrifice by her daughter. 

Intimate in detail and universal in theme, these stories give us the compelling voice of an exciting new author whose intelligence, insight, and wit impart a sense of grace to the bitter resentments and enduring ties that comprise family love. Even through the tensions Ma creates so deftly, the peace and security that come from building and belonging to one’s own community shine forth.

All the World's Reward Cover

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All the World's Reward

Folktales Told by Five Scandinavian Storytellers

edited by Reimund Kvideland and Henning K. Sehmsdorf

“This rich anthology presents 98 tales from Norway, Sweden, Denmark, Finland, and Iceland. Collected a century ago, they include popular narratives gathered by five noted folklorists. . . . An excellent introduction to the scope of folk traditions in Europe.” - Library Journal

All These Roads Cover

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All These Roads

The Poetry of Louis Dudek

A passionate believer in the power of art—and especially poetry—to influence and critique contemporary culture, Louis Dudek devoted much of his life to shaping the Canadian literary scene through his meditative and experimental poems as well as his work in publishing and teaching. All These Roads: The Poetry of Louis Dudek brings together thirty-five of Dudek’s poems written over the course of his sixty-year career.

Much of Dudek’s poetry is about the practice of art, with comment on the way the craft of poetry is mediated by such factors as university classes, public readings, reviews, commercial presses, and academic conferences. The poems in this selection—witty satires, short lyrics, and long sequences—reflect self-consciously on the relationship between art and life and will draw readers into the dramatic mid-century literary and cultural debates in which Dudek was an important participant.

Karis Shearer’s introduction provides an overview of Dudek’s prolific career as poet, professor, editor, publisher, and critic, and considers the ways in which Dudek’s functional poems help, both formally and thematically, to carry out the tasks associated with those roles. Comparing Dudek’s reception to that of NourbeSe Philip, Marilyn Dumont, and Roy Miki, Frank Davey’s afterword locates Dudek in a pre-1980s version of multiculturalism that is more complex than many critics would have it. According to Davey, Dudek broadened the limits on the possible range and type of poetry for subsequent generations of Canadian writers.

All Things Dusk Cover

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All Things Dusk

Z.G. Tomaszewski

Winner of the Hong Kong University International Poetry Prize 2014

Allegheny, Monongahela Cover

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Allegheny, Monongahela

Erinn Batykefer

Using the confluence of rivers in Pittsburgh as a metaphorical lens, Allegheny, Monongahela probes the ruinous misalignment between the external and internal lives of two sisters and their childhood in Western Pennsylvania. Their complex and difficult relationship is the spine of the collection, told obliquely through a series of sonnets and ekphrastic meditations on the paintings of Georgia O'Keeffe: the ways in which they separately navigate a violent family history that reverberates through their present and futures; their polarized impulses toward creativity and self-destruction. Rooted in a mutable, watery landscape that is not consistently recognizable, Allegheny, Monongahela investigates the collisions between the world and the self, the fissured identities that result, and the ways in which art may heal or fail to heal the cracks.

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allegiance

Poems by francine j. harris

The full-length debut from francine j. harris, allegiance is about Detroit, sort of. Although many of the poems are inspired by and dwell in the spaces of the city, this collection does not revel in any of the cliché cultural tropes normally associated with Detroit. Instead, these poems artfully explore life in a city where order coexists with chaos and much is lost in social and physical breakdown. Narrative poems on the hazards, betrayals, and annoyances of city life mix with impressionistic poems that evoke the natural world, as harris grapples with issues of beauty and horror, loyalty and individuality, and memory and loss on Detroit’s complicated canvas. In twelve sections, harris introduces readers to loungers and bystanders, prisoners’ wives, poets pictured on book jackets, Caravaggio’s Jesus, and city priests. She leads readers past the lone house on the block that cannot be walked down, through layers of discarded objects in the high school yard, and into various classrooms, bars, and living rooms. Shorter poems highlight the persistence of nature—in water, weeds, orchids, begonias, insects, pigeons, and pheasants. Some poems convey a sense of the underbelly, desire, and disgust while others treat issues of religion, both in institutional settings and personal prayers. In her honest but unsentimental voice, harris layers personal history and rich details to explore how our surroundings shape our selves and what allegiance we owe them when they have turn almost everything to ashes. Throughout allegiance, harris presents herself as an extraordinarily perceptive poet with a compelling and original voice. Poetry lovers will appreciate this exciting debut collection.

Allegiance and Betrayal Cover

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Allegiance and Betrayal

Stories

by Peter Makuck

Allegiance and Betrayal” is comprised of a dozen short stories, all dealing with family in one way or another. The stories are set in New England and the South, including specific locations such as Connecticut and coastal North Carolina. Makuck writes about an offshore fishing trip to settle old scores, a scuba diving experience that rescues a friendship, a family reunion that turns ugly on the subject of religion, a widower trying to survive, and a house painter discovering a need to deal with chronic anger, amongst others. Makuck examines the conflicts of human nature, and the universality and significance of familial relationships. His stories uncover cultural and psychological distances between people, distances that remain present despite society’s technologically-fused attempts at closing these gaps.

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Allegorical Poetics and the Epic

The Renaissance Tradition to Paradise Lost

Mindele Anne Treip

Literary allegory has deep roots in early reading and interpretation of Scripture and classical epic and myth. In this substantial study, Mindele Treip presents an overview of the history and theory of allegorical exegesis upon Scripture, poetry, and especially the epic from antiquity to the seventeenth and early eighteenth centuries, with close focus on the Renaissance and on the triangular literary relationship of Tasso, Spenser, and Milton.

Exploring the different ways in which the term allegory has been understood, Treip finds significant continuities-within-differences in a wide range of critical writings, including texts of postclassical, patristic and rabbinical writers, medieval writers, notably Dante, Renaissance theorists such as Coluccio Salutati, Bacon, Sidney, John Harrington and rhetoricians and mythographers, and the neoclassical critics of Italy, England and France, including Le Bossu.

In particular, she traces the evolving theories on allegory and the epic of Torquato Tasso through a wide spectrum of his major discourses, shorter tracts and letters, giving full translations. Treip argues that Milton wrote, as in part did Spenser, within the definitive framework of the mixed historical-allegorical epic erected by Tasso, and she shows Spenser's and Milton's epics as significantly shaped by Tasso's formulations, as well as by his allegorical structures and images in the Gerusalemme liberata.

In the last part of her study Treip addresses the complex problematics of reading Paradise Lost as both a consciously Reformation poem and one written within the older epic allegorical tradition, and she also illustrates Milton's innovative use of biblical "Accommodation" theory so as to create a variety of radical allegorical metaphors in his poem.

This study brings together a wide range of critical issues -- the Homeric-Virgilian tradition of allegorical reading of epic; early Renaissance theory of all poetry as "translation" or allegorical metaphor; midrashic linguistic techniques in the representation of the Word; Milton's God; neoclassical strictures on Milton's allegory and allegory in general -- all of these are brought together in new and comprehensive perspective.

Alligators May Be Present Cover

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Alligators May Be Present

A Novel

Andrew Furman

While many Jews have picked Florida as the perfect place to retire, Matt Glassman has chosen it as the place to begin his adulthood. Perhaps that's because the pressures of life have always reminded him about his grandfather who mysteriously disappeared from the family twenty years ago. Now, while he tries to begin a family of his own, he also builds a relationship with the one person who might know the truth about his grandfather?s disappearance: his grandmother. She's remained stubbornly reticent on the topic all these years, but when a familiar old man shows up at Glassman's office he thinks he may finally get some answers.

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Alluvial Cities

Christopher M. Hannan

The poems in Alluvial Cities are drawn from this layered landscape's geology and history, its people and language, and the kindred ties between earth and water, flesh and blood.

DEUCALIONIDS
The waters broke from the void before first light,
a divinity ripping through the trembling flesh
of marshes and the levees’ old clay thighs,
covering every mile of St. Bernard Parish.
 
Houses with their cement slabs have floated
light as the rinds of watermelons you ate as a boy
and chucked into Lake Catherine, swelled to overflowing
by the god that surged into the Rigolets estuary
 
and left an afterbirth of sweet crude leaked
from foundered tanks.  Cars hang like carrion
birds on the highest branches and torn roofs.  Leached
of mud and flood waters, the houses we pass cry out
 
broken window panes, duct-taped fridges, and a stillness
that leaves us on the dead grass of this
woman’s home, like so many thrown bones.

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