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While reluctantly accompanying her husband and daughter to freshman orientation at Indiana University, Nora Quillen hears someone call her name, a name she has not heard in more than 25 years. Not even her husband knows that back in the '60s she was Jane Barth, a student deeply involved in the antiwar movement. An American Tune moves back and forth in time, telling the story of Jane, a girl from a working-class family who fled town after she was complicit in a deadly bombing, and Nora, the woman she became, a wife and mother living a quiet life in northern Michigan. An achingly poignant account of a family crushed under the weight of suppressed truths, An American Tune illuminates the irrevocability of our choices and how those choices come to compose the tune of our lives.
The Collected Letters
From the end of the 1950s through the middle of the 1960s, Amiri Baraka (b. 1934) and Edward Dorn (1929–99), two self-consciously avant-garde poets, fostered an intense friendship primarily through correspondence. The early 1960s found both poets just beginning to publish and becoming public figures. Bonding around their commitment to new and radical forms of poetry and culture, Dorn and Baraka created an interracial friendship at precisely the moment when the Civil Rights Movement was becoming a powerful force in national politics. The major premise of the Dorn-Jones friendship as developed through their letters was artistic, but the range of subjects in the correspondence shows an incredible intersection between the personal and the public, providing a schematic map of what was so vital in postwar American culture to those living through it.
Their letters offer a vivid picture of American lives connecting around poetry during a tumultuous time of change and immense creativity. Reading through these correspondences allows access into personal biographies, and through these biographies, profound moments in American cultural history open themselves to us in a way not easily found in official channels of historical narrative and memory.
In two intertwined songs, a feminist epic poem and a dreamlike opera libretto, Among the Goddesses traces one woman’s harrowing mythological journey of discovery. Tutored by encounters with seven Goddesses, both frightening and nurturing, Marie/Lily is tested by loss, rape, and abortion as she finds her community and her spiritual strength. This magical book embodies the goddesses in every woman and gives voice to the power of the feminist spirituality movement.
Charles Harper Webb’s eccentric and distinct writing style makes this collection of poetry a funny and charmingly memorable read. A melting pot of pop culture, historical references, and everyday life, Webb’s poems are refreshingly candid and straightforward.
New York City-January 1998
"That government is best which governs not at all; and when men are prepared for it, that will be the kind of government which they will have." This quote from Henry David Thoreau's Essay on Civil Disobedience is one of thirty quotations from which John Cage created Anarchy, a book-length lecture comprising twenty mesostic poems. Composed with the aid of a computer program to simulate the coin toss of the I Ching, Anarchy draws on the writings of many serious anarchists including Emma Goldman, Peter Kropotkin, and Mario Malatesta, not so much making arguments for anarchism as "brushing information against information," giving the very words new combinations that de-familiarize and re-energize them. Now widely available of the first time, Anarchy marks the culmination of Cage's work as a poet, composer and as a thinker about contemporary society.
Ancient Greek Lyrics collects Willis Barnstone's elegant translations of Greek lyric poetry -- including the most complete Sappho in English, newly translated. This volume includes a representative sampling of all the significant poets, from Archilochos, in the 7th century BCE, through Pindar and the other great singers of the classical age, down to the Hellenistic, Roman, and Byzantine periods. William E. McCulloh's introduction illuminates the forms and development of the Greek lyric while Barnstone provides a brief biographical and literary sketch for each poet and adds a substantial introduction to Sappho -- revised for this edition -- complete with notes and sources. A glossary and updated bibliography are included.
An Anthology of Deaf Characters in Literature
Dickens, Welty, and Turgenev are only three of the master storytellers in Angels and Outcasts. This remarkable collection of 14 short stories offers insights into what it means to be deaf in a hearing world. The book is divided into three parts: the first section explores works by nineteenth-century authors; the second section concentrates on stories by twentieth-century authors; and the final section focuses on stories by authors who are themselves deaf. Each section begins with an introduction by the editors, and each story is preceded by a preface. Angels and Outcasts concludes with an annotated bibliography of other prose works about the deaf experience. In addition to fascinating reading, it provides valuable insights into the world of the deaf.
Angola to Zydeco: Louisiana Lives is a collection of creative nonfiction pieces about the lively personalities who call south Louisiana home. Originally published in newspapers based in Lafayette-Times of Acadiana and Independent Weekly-the twenty-five profiles and features provide intriguing glimpses into the lives of well-known Louisianans such as James Lee Burke, Ernest J. Gaines, Elemore Morgan Jr., Buckwheat Zydeco, Marc Savoy, Boozoo Chavis, Calvin Borel, Santy Runyon, and Eddie Shuler. Author R. Reese Fuller also details the sometimes zany and sometimes tragic subjects that populate the cultural landscape of south Louisiana, from Tabasco peppers to Angola prison to cockfighting.
Fuller brings years of experience in the newspaper industry to bear on this collection, offering behind-the-scenes access not available elsewhere. Of particular note are his interviews with musicians and local celebrities, who reveal how their love of the region has influenced their work. Fuller's natural approach to storytelling creates a book that is a joy to read and truly represents the people of south Louisiana.
“Paisley Rekdal’s quiet virtuosity with rhyme and cadence, her syntactic fidelity to thought and sensation, her analytical intelligence that keeps homing in and in, her ambitious sentences and larger formal structures that try to embody with absolute accuracy the difference between what we ought to feel and what we really do feel—all these make her unique in her generation: no one sounds like she does, and her concern about the ‘post’ in postconfessional is as much a sign of her earnest desire to honor every aspect of her art, as it is an anxiety that spurs her restless investigations of family, selfhood, racial identity, and erotic life.” —Tom Sleigh