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The Agriculture Hall of Fame Cover

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The Agriculture Hall of Fame

Stories

Andrew Malan Milward

These powerful stories limn the complexities and dilemmas of life in Kansas, a state at “the center of the center of America,” as a billboard in one story announces. Andrew Malan Milward explores the less visible aspects of the Kansas experience—where its agrarian past comes into conflict with the harsh present reality of drugs, fundamentalism, and corporatism, relegating its agrarian identity to museums and amusement parks. Presented in a triptych, the stories in Milward’s debut collection range across a varied terrain, from tumbledown rural barns to modern urban hospitals, revealing the secrets contained therein.

Ainu Spirits Singing Cover

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Ainu Spirits Singing

The Living World of Chiri Yukie’s Ainu Shin’yōshū

Sarah M. Strong

Indigenous peoples throughout the globe are custodians of a unique, priceless, and increasingly imperiled legacy of oral lore. Among them the Ainu, a people native to northeastern Asia, stand out for the exceptional scope and richness of their oral performance traditions. Yet despite this cultural wealth, nothing has appeared in English on the subject in over thirty years. Sarah Strong’s Ainu Spirits Singing breaks this decades-long silence with a nuanced study and English translation of Chiri Yukie’s Ainu Shin’yoshu, the first written transcription of Ainu oral narratives by an ethnic Ainu.

The thirteen narratives in Chiri’s collection belong to the genre known as kamui yukar, said to be the most ancient performance form in the vast Ainu repertoire. In it, animals (and sometimes plants or other natural phenomena)—all regarded as spiritual beings (kamui) within the animate Ainu world—assume the role of narrator and tell stories about themselves. The first-person speakers include imposing animals such as the revered orca, the Hokkaido wolf, and Blakiston’s fish owl, as well as the more “humble” Hokkaido brown frog, snowshoe hare, and pearl mussel. Each has its own story and own signature refrain.

Strong provides readers with an intimate and perceptive view of this extraordinary text. Along with critical contextual information about traditional Ainu society and its cultural assumptions, she brings forward pertinent information on the geography and natural history of the coastal southwestern Hokkaido region where the stories were originally performed. The result is a rich fusion of knowledge that allows the reader to feel at home within the animistic frame of reference of the narratives.

Strong’s study also offers the first extended biography of Chiri Yukie (1903-1922) in English. The story of her life, and her untimely death at age nineteen, makes clear the harsh consequences for Chiri and her fellow Ainu of the Japanese colonization of Hokkaido and the Meiji and Taisho governments’ policies of assimilation. Chiri’s receipt of the narratives in the Horobetsu dialect from her grandmother and aunt (both traditional performers) and the fact that no native speakers of that dialect survive today make her work all the more significant. The book concludes with a full, integral translation of the text.

Air Kissing on Mars Cover

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Air Kissing on Mars

Kim Dower

Kim Dower’s poems are sensual and rhapsodic journeys through emotional landscapes sweeping everyday life. Playful, intelligent, funny, edgy, engaging—sometimes biting, ironic and dark, sometimes dreamy and surreal, full of poignancy and arresting metaphors, the daily, simple occurrences in Air Kissing On Mars startle and provoke, while stirring up the fairy dust and turbulent weight of memory; evoking the possibilities and gorgeous chaos of life. Open and inviting, these poems draw the reader into a world seen upside down, inside out, a sideways bird reporting on a universe filled with mystery and passion. Joan Didion meets Tinkerbell, Kim Dower’s poems are as whimsical and light as they are rich and intense. Simultaneously humorous and profound these passionate and personal poems, relatable to all, are drenched with vivid imagery, and sparkle with surprise. Lost languages, disappearing mailboxes, locomotives pummeling through dreams, taxi drivers thrown by the earth’s rotation, shadows in closets, vanishing carrots, men who exfoliate—all manner of haunting evocations come together in this opus of shining and startling wisdom.

The Akroma File Cover

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The Akroma File

Faced with debts at home and threatened by poverty, Akroma a brilliant and well-educated Ghanaian, using unorthodox means, successfully gets into Cameroon. He is bent on making a fortune. Drawing on his tremendous presence of mind and, capitalising on the early discovery that in Cameroon there is no conscience that money cannot buy, this illegal alien, travelling under three criminal identities, builds up a great amount of wealth. But he cannot buy the entire police force. One police man, Inspector Kum Dangobert, will get even with him, even if it means death. The rest of this very readable novel is about what happens when the Ghanaian evil genius is pitted against the best Cameroonian police superintendent. It is the clash of giants that ends in a cataclysm.

Alabama Afternoons Cover

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Alabama Afternoons

Profiles and Conversations

Roy Hoffman

Alabama Afternoons is a collection of portraits of many remarkable Alabamians, famous and obscure, profiled by award-winning journalist and novelist Roy Hoffman. Written as Sunday feature stories for the Mobile Press-Register with additional pieces from the New York Times, Preservation, and Garden & Gun, these profiles preserve the individual stories—and the individual voices within the stories—that help to define one of the most distinctive states in the union.
 
Hoffman recounts his personal visits with writer Mary Ward Brown in her library in Hamburg, with photographer William Christenberry in a field in Newbern, and with storyteller Kathryn Tucker Windham and folk artist Charlie “Tin Man” Lucas at their neighboring houses in Selma. Also highlighted are the lives of numerous alumni of The University of Alabama—among them Mel Allen, the “Voice of the Yankees” from 1939 to 1964; Forrest Gump author Winston Groom; and Vivian Malone and James Hood, the two students who entered the schoolhouse door in 1963. Hoffman profiles distinguished Auburn University alumni as well, including Eugene Sledge, renowned World War II veteran and memoirist, and Neil Davis, the outspoken, nationally visible editor of the Lee County Bulletin.
 
Hoffman also profiles major and minor players in the civil rights movement, from Johnnie Carr, raised in segregated Montgomery and later president of the Montgomery Improvement Association; and George Wallace Jr., son of the four-time governor; to Teresa Burroughs, a Greensboro beautician trampled in the march over the Edmund Pettus Bridge; and Diane McWhorter, whose award- winning book explores the trouble- filled Birmingham civil rights experience. Juxtaposed with these are accounts of lesser-known individuals, such as Sarah Hamm, who attempts to preserve the fading Jewish culture in Eufaula; Edward Carl, who was butler and chauffeur to Bellingrath Gardens founder Walter Bellingrath in Theodore; and cousins William Bolton and Herbert Henson, caretakers of the coon dog cemetery in Russellville.
 
Hoffman’s compilation of life stories creates an engaging and compelling look into what it means to be from, and shaped by, Alabama. “Alabama Afternoons,” he writes in the introduction, “is a small part of the even bigger question of what it means to be an American.”

Read an article about domestic lives by Roy Hoffman in the New York Times here: http://www.nytimes.com/2010/11/25/garden/25Domestic.html

 

ALARMING BEAUTY OF THE SKY, THE Cover

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ALARMING BEAUTY OF THE SKY, THE

LESLIE MONSOUR

"The astonishingly high level of performance throughout this collection of poems would take almost any reader by surprise." - Anthony Hecht

Alcools Cover

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Alcools

Poems

Guillaume Apollinaire

Alcools, first published in 1913 and one of the few indispensable books of twentieth- century poetry, provides a key to the century's history and consciousness. Champion of "cubism", Guillaume Apollinaire (1880-1918) fashions in verse the sonic equivalent of what Picasso accomplishes in his cubist works: simultaneity. Apollinaire has been so influential that without him there would have been no New York School of poetry and no Beat Movement. This new translation reveals his complex, beautiful, and wholly contemporary poetry. Printed with the original French on facing pages, this is the only version of this seminal work of French Modernism currently available in the United States.

Alexander Pope and the Traditions of Formal Verse Satire Cover

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Alexander Pope and the Traditions of Formal Verse Satire

Howard D. Weinbrot

Ranging over the tradition of verse satire from the Roman poets to their seventeenth- and eighteenth-century imitators in England and France, Howard D. Weinbrot challenges the common view of Alexander Pope as a Horatian satirist in a Horatian age.

Originally published in 1982.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Alive Together Cover

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Alive Together

New and Selected Poems

Lisel Mueller

All about Skin Cover

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All about Skin

Short Fiction by Women of Color

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