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Anarchy

New York City–January 1988

John Cage

"That government is best which governs not at all; and when men are prepared for it, that will be the kind of government which they will have." This quote from Henry David Thoreau's Essay on Civil Disobedience is one of thirty quotations from which John Cage created Anarchy, a book-length lecture comprising twenty mesostic poems. Composed with the aid of a computer program to simulate the coin toss of the I Ching, Anarchy draws on the writings of many serious anarchists including Emma Goldman, Peter Kropotkin, and Mario Malatesta, not so much making arguments for anarchism as "brushing information against information," giving the very words new combinations that de-familiarize and re-energize them. Now widely available of the first time, Anarchy marks the culmination of Cage's work as a poet, composer and as a thinker about contemporary society.

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Ancient Greek Lyrics

Translated by Willis Barnstone. William E. McCulloh

Ancient Greek Lyrics collects Willis Barnstone's elegant translations of Greek lyric poetry -- including the most complete Sappho in English, newly translated. This volume includes a representative sampling of all the significant poets, from Archilochos, in the 7th century BCE, through Pindar and the other great singers of the classical age, down to the Hellenistic, Roman, and Byzantine periods. William E. McCulloh's introduction illuminates the forms and development of the Greek lyric while Barnstone provides a brief biographical and literary sketch for each poet and adds a substantial introduction to Sappho -- revised for this edition -- complete with notes and sources. A glossary and updated bibliography are included.

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Ancient Scripts and Modern Experience on the English Stage, 1500-1700

Bruce R. Smith

Unlike the contrast between the sacred and the taboo, the opposition of "comic" and "tragic" is not a way of categorizing experience that we find in cultures all over the world or even at different periods in Western civilization. Though medieval writers and readers distinguished stories with happy endings from stories with unhappy endings, it was not until the sixteenth and seventeenth centuries--fifteen hundred years after Sophocles, Euripides, Plautus, and Terence had last been performed in the theaters of the Roman Empire--that tragedy and comedy regained their ancient importance as ways of giving dramatic coherence to human events. Ancient Scripts and Modern Experience on the English Stage charts that rediscovery, not in the pages of scholars' books, but on the stages of England's schools, colleges, inns of court, and royal court, and finally in the public theaters of sixteenth-and seventeenth-century London.

In bringing to imaginative life the scripts, eyewitness accounts, and financial records of these productions, Bruce Smith turns to the structuralist models that anthropologists have used to explain how human beings as social creatures organize and systematize experience. He sets in place the critical, physical, and social structures in which sixteenth-and seventeenth-century Englishmen watched productions of classical comedy and classical tragedy. Seen in these three contexts, these productions play out a conflict between classical and medieval ways of understanding and experiencing comedy's interplay between satiric and romantic impulses and tragedy's clash between individuals and society.

Originally published in 1988.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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And Her Soul Out Of Nothing

Olena Kalytiak Davis

Both contemporary and other-worldly, Davis's lyrical poetry is a fearless expression of the spirit which defines the very essence of our beings.

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And Here

100 Years of Upper Peninsula Writing, 1917–2017

Upper Peninsula literature has traditionally been suppressed or minimized in Michigan anthologies and Michigan literature as a whole. Even the Upper Peninsula itself has been omitted from maps, creating a people and a place that have become in many ways “ungeographic.” These people and this place are strongly made up of traditionally marginalized groups such as the working class, the rural poor, and Native Americans, which adds even more insult to the exclusion and forced oppressive silence. And Here: 100 Years of Upper Peninsula Writing, 1917–2017, gives voice to Upper Peninsula writers, ensuring that they are included in Michigan’s rich literary history. Ambitiously, And Here includes great U.P. writing from every decade spanning from the 1910s to the 2010s, starting with Lew R. Sarett’s (a.k.a. Lone Caribou) “The Blue Duck: A Chippewa Medicine Dance” and ending with Margaret Noodin’s “Babejianjisemigad” and Sally Brunk’s “KBIC.” Taken as a whole, the anthology forcefully insists on the geographic and literary inclusion of the U.P.—on both the map and the page.

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And the Sparrow Fell

A Novel

Robert J. Mrazek

And the Sparrow Fell is a coming-of-age tale set against the backdrop of the Vietnam War. Former U.S. Congressman Robert J. Mrazek tells the story of a wealthy family on the north shore of Long Island in the spring of 1967. Cornell undergraduate Rick Ledbetter goes through a rocky journey of self-discovery as both his family and his country disintegrate around him. Rick is a young rake in the mold of his father, Travis Ledbetter, a Medal of Honor–winning World War II navy pilot. Rick has been accepted into the swift boat program at Naval Officer Candidate School and will be heading for combat in Vietnam.

Rick’s brother Tom, also a Cornell undergraduate, is a young man of true conscience who, because of his Christian faith, is morally opposed to the war. He has rejected conscientious-objector status. Rick meets and falls in love with Kate Kurshan, who is Tom’s girlfriend. She is also a Cornell student who opposes the war. Their three lives intersect as Rick, who becomes a war hero, discovers the human cost of war, while Tom, who has great moral courage, puts his life on the line in protest of the Vietnam War at a terrible personal cost.

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And the Time Is

Poems, 1958-2013

by Samuel Hazo

In this work, Hazo casts his eye back upon a career devoted to poetry. With works that are arranged loosely under the themes of love, family, and aging, this volume affirms Hazo’s status as one of the most compelling and enduring poets of his generation. Poems appearing in this collection include works which have appeared in the Hudson Review, Prairie Schooner, the New York Times, and the Saturday Review.

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And Yet It Moves

Erin Stalcup

In this exquisite debut short story collection, people with unusual jobs and lives embark on extraordinary journeys. A taboo romance breaks the laws of gravity. Albert Einstein writes letters to the daughter he abandoned. A female physicist meets Stephen Hawking in a bar.... In the closing novella, All Those Stairs, an elevator operator with a genius IQ rides up and down all day enclosed in a metal box. Author Erin Stalcup explores these lives with remarkable compassion, depth, and insight examining loss and longing, and how our bodies and minds can be both weighted and freed. And Yet It Moves is a powerful combination of both absurdist and realist—stories that literally defy gravity.

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Angels and Outcasts

An Anthology of Deaf Characters in Literature

Trent Batson and Eugene Bergman

Dickens, Welty, and Turgenev are only three of the master storytellers in Angels and Outcasts. This remarkable collection of 14 short stories offers insights into what it means to be deaf in a hearing world. The book is divided into three parts: the first section explores works by nineteenth-century authors; the second section concentrates on stories by twentieth-century authors; and the final section focuses on stories by authors who are themselves deaf. Each section begins with an introduction by the editors, and each story is preceded by a preface. Angels and Outcasts concludes with an annotated bibliography of other prose works about the deaf experience. In addition to fascinating reading, it provides valuable insights into the world of the deaf.

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Angelwings

Contemporary Queer Fiction from Taiwan

translated by Fran Martin

Lesbian and gay--or queer--fiction (known in Mandarin as tongzhi wenxue) constitutes a major contribution to Taiwanese literature, as evidenced by the remarkable number of prestigious literary awards won by many of the authors of the short stories presented here. Indeed, the meteoric rise of this new genre was a defining feature of Taiwan's literary scene in the 1990s. Queer fiction was also instrumental in forming self-identifying subcultural gay readerships, thus serving a significant political function. But most strikingly, this fiction has been immensely popular with general readers in Taiwan, Hong Kong, and Singapore, as well as in diasporic Chinese communities worldwide. The startlingly fresh, brave voices that speak through these stories attest to the powerful social ferment of the past ten years in Taiwan, which have witnessed a revolution in discourses on sex and sexuality in the public sphere.

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