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Appalachian Gateway Cover

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Appalachian Gateway

An Anthology of Contemporary Stories and Poetry

George Brosi and Kate Egerton

Featuring the work of twenty-five fiction writers and poets, this anthology is a captivating introduction to the finest of contemporary Appalachian literature. Here are short stories and poems by some of the region’s most dynamic and best-loved authors: Barbara Kingsolver, Ron Rash, Nikki Giovanni, Robert Morgan, Lisa Alther, and Lee Smith among others. In addition to compelling selections from each writer’s work, the book includes illuminating biographical sketches and bibliographies for each author.

These works encompass a variety of themes that, collectively, capture the essence of Appalachia: love of the land, family ties, and the struggle to blend progress with heritage.  Readers will enjoy this book not just for the innate value of good literature but also for the insights it provides into this fascinating area. This book of fiction is an enlightening companion to non-fiction overviews of the region, including the Encyclopedia of Appalachia and A Handbook to Appalachia: An Introduction to the Region, both published by the University of Tennessee Press in 2006. In fact the five sections of this book are the same as those of the Encyclopedia.

Educators and students will find this book especially appropriate for courses in creative writing, Appalachian studies and Appalachian literature. Editor George Brosi’s foreword presents an historical overview of Appalachian Literature, while Kate Egerton and Morgan Cottrell’s afterword offers a helpful guide for studying Appalachian literature in a classroom setting.

George Brosi is the editor of Appalachian Heritage, a literary quarterly, and, along with his wife, Connie, runs a retail book business specializing in books from and about the Appalachian region. He has taught creative writing, Appalachian studies and Appalachian literature.

Kate Egerton is an associate professor of English at Berea College. She has taught Appalachian literature and published scholarship in that field as well as in modern drama.

Samantha Cole majored in Appalachian Studies and worked for Appalachian Heritage while a student at Berea College. Morgan Cottrell is a West Virginia native who took Kate Egerton's Appalachian literature class at Berea College.

 Cover
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Appalachian Heritage

Vol. 1 (1973) through current issue (with gaps in vols. 3 and 27)

Appalachian Heritage is a leading literary magazine of the Southern Appalachia Region, published by Berea College. Founded in 1973, Appalachian Heritage keeps readers abreast of the visual and literary arts in the region. The mix of fiction, non-fiction, and poetry by both well-established writers and new writers keeps each issue fresh and entertaining for readers.

Published by: Berea College
Distributed by: University of North Carolina Press

Appetite Cover

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Appetite

Aaron Smith

Appetite is a book of poems that explores our American Mythologies, particularly masculinity and film. Smith investigates our fascinations with the body, gender, and entertainment in poems that are critically observant, darkly funny, darkly angry, and, sometimes, heartbreaking. Whether he is cataloging shirtless men in films and bad television, lyricizing the anxieties of childhood, or redrawing the lines of cultural membership, Appetite attacks its subjects with wit, candor, and compassionate intensity. These poems announce their presence with a style that is as beautifully wrought as it is provocative. In the America of Appetite, the usual hierarchies are obliterated: the disposable is as valuable as the traditional, pop culture is on the same level as the sacred, and the pleasurable simultaneity of past and present are found in high art and the tabloid. Smith’s work engages our contemporary moment and how we want to think of ourselves, while nodding to rich poetic, cultural, and personal histories.

Appetite Cover

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Appetite

JEAN-MARK SENS

Appetite is a collection of poetry by Jean-Mark Sens.

Apples from Shinar Cover

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Apples from Shinar

Hyam Plutzik

Apples from Shinar was Hyam Plutzik's second complete collection. Originally published in 1959 as a part of Wesleyan University Press's newly minted poetry series, the collection includes "The Shepherd"--a section of the book-length poem "Horatio," which earned Plutzik a finalist position for the Pulitzer Prize. "The love and the words and the simplicity," that mark Plutzik's poetry, writes Philip Booth, "are all here [in Apples from Shinar], and the poems come peacefully, and wonderfully, alive." With a previously unpublished foreword by Hyam Plutzik and a new afterword by David Scott Kastan, this edition marks the centenary of Plutzik's birth and will introduce a new generation of readers to the work of one of the best mid-century American poets.

An Arab's Journey to Colonial Spanish America Cover

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An Arab's Journey to Colonial Spanish America

The Travels of Elias al-Mûsili in the Seventeenth Century

Caesar E. Farah is professor of Middle Eastern and Islamic history at the University of Minnesota. He is the author of numerous books including Islam, The Sultan's Yemen: Nineteenth Century Challenges to Ottoman Rule, and Arab and Ottoman: A Checkered Rel

In 1905, the Jesuit scholar Antûn Rabbât discovered the writings of Elias-al- Mûsili in a Jacobite diocese in Aleppo, Syria. al- Mûsili, a seventeenth century Arab and priest of the Chaldean Church, traveled widely across colonial Spanish America becoming the first person to visit the Americas from Baghdad. Rabbât transcribed into Arabic and published those portions relating to al-Mûsili’s travels and Middle Eastern historian Caesar Farah is the first to make these writings available in English translation.

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The Araucaniad

Alonso de Ercilla Y Zuniga

Now back in print! The first English translation of this epic masterpiece of Chilean poetry.

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Arc and the Sediment

a Novel

Christine Allen-Yazzie

Gretta Bitsilly, a gin-steeped mother of two and self-proclaimed expert at standing just outside the margins of ethnicity and peering in, has been all but eclipsed by the world that eludes her—as a wife, as a writer, as a skeptic in "the other land of Zion," Utah. Gretta has set off to Fort Defiance, Arizona, where she hopes to convince her Navajo husband, who has escaped not from his family but from alcoholism, to come home. Over a sputtering two-steps-forward, one-step-back desert journey, Gretta is diverted by chance, by seizures, an inconstant memory, and the disjointed character of her irresolute quest. She is fueled by a volatile mix of rage and curiosity and is rendered careless by ambivalence toward her marriage—she knows a welcome mat will not be waiting for her, "that white girl" who can't seem to get anything right. On route Gretta fi nds herself lost in the landscape, in strange company, or in her own convolution of language and inner space. With a dictionary and a laptop she attempts to write herself into a better existence—a hopeful existence—and to connect points of intellectual, physical, even spiritual reference.

This tale, though dark and difficult, is infused with tart, twisted humor. Confused, disheveled, self-deprecating, and self-destructive, Gretta is also sharp and funny. Here, first-time novelist Christine Allen-Yazzie breaks apart her own narrative arc but with gritty reality seals it near-shut again, if in rearrangement, drawing us into Gretta's wrestling match with herself, her husband, her addiction, and the road.

The Arc and the Sediment received an honorable mention from the James Jones First Novel Competition, and it won the Utah Arts Council Annual Writing Competiton Publishing Prize.

ARCHEOLOGY OF DESIRE Cover

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ARCHEOLOGY OF DESIRE

MIRIAM SAGAN

“Sagan’s richly sensual writing blends elements of mature insight with deeply felt experience. These are poems of an examined life with moments of Zen clarity throughout. It is, in fact, the clarity that drives these poems. The language is careful but deliberate, exquisitely crafted and emotionally moving. One gets the sense that her desire to write poetry comes from the desire to give permanent voice to something in the experience of life – to find ourselves spoken for in art gives dignity to our pain, our anger, our lust, and our losses. This is what poetry is about. When Miriam Sagan casts her imaginative eye on something, it stares back.” —Jeanie C. Williams

Ark Cover

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Ark

John Isles's Ark is about the people and events that pass through a life, leaving a void; about finding a presence in that absence and waking up to the realities of the present moment. It is concerned, at its watery heart, with discovery and confrontation, uncovering and witnessing, whether it be the new world, “the world behind every blouse,” or the tender mysteries that can only be seen through the eyes of belief: that which “starts the wild grasses trembling.”

With its deft maneuvers through both a historical and an emotional landscape, Ark speaks to us with a truly contemporary voice of authoritative vulnerability while never faltering into sentimental digressions. This uncanny authority at the helm of our ark continually surprises us, unfolding its lyrical gems and treasures culled along the journey, letting us in on the inscrutable facts of this life.

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