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The themes cover a wide range - from the tenacity with which old demagogues hold on to political power, to teenage love and infactuation in the village setting; family life with its challenge and inexorable attraction of married men to their extra-marital satisfaction.
Classical Arabic Poetry
Abundance from the Desert provides a comprehensive introduction to classical Arabic poetry, one of the richest of poetic traditions. Covering the period roughly of 500–1250 c.e., it features original translations and illuminating discussions of a number of major classical Arabic poems from a variety of genres. The poems are presented chronologically, each situated within a specific historical and literary context. Together, the selected poems suggest the range and depth of classical Arabic poetic expression; read in sequence, they suggest the gradual evolution of a tradition.
Bruce Weigl’s previous collections include After the Others (1999), Sweet Lorain (1996), and What Saves Us (1992), all published by TriQuarterly Books/Northwestern University Press. His poetry, essays, articles, and reviews have appeared in such magazines and journals as The Nation, The New Yorker, The Paris Review, and Harper’s.
Acacia is a strong and independent woman whose heart and heritage lie rooted in Africa, while her reality in contemporary America finds itself in a very different time and place. In living her life, she must breach the distance between her current space and the ties that bind her. Straddling two sometimes opposing worlds of medicine and dance, Dr Acacia Graeme must find the balance between feeding her mind through work and study, and nourishing her soul and spirit through dance. And what happened when the music stops? Because it does, often. How will she get through the silence of her every day? This is the story of a flawed heroine whose intentions are pure, her truth perhaps less so. Torn between the enduring innocence of her first love and the life-long search that is her longing for one true love, she is compelled to come to terms with her own free nature and independent spirit and, in so doing, turn tragedy to triumph. - See more at: http://www.africanbookscollective.com/books/acacia#sthash.BuYmFTFv.dpuf
George Whitefield and the Creation of America
Patriots. Founding Fathers. Revolutionaries. For many Americans, the colonial heroes deserve special celebratory reverence. Yet while Washington's leadership, Franklin's writings, and Revere's ride captivate us, the inspiration and influence George Whitefield instilled within the revolutionary spirits of early Americans is regrettably unknown.
In this refreshing biography, Jerome Dean Mahaffey deftly moves beyond Whitefield's colonial celebrity to show how his rhetoric and ministry worked for freedom, situating Whitefield alongside the most revolutionary founders. As this Anglican revivalist traveled among the colonies, he delivered exhilarating sermons deeply saturated with political implications—freedom from oppression, civil justice, communal cooperation. Whitefield helped to encourage in his listeners a longing for a new, uniquely American nationalism.
The Accidental Revolutionary tells the story of this forgotten founder, who may not have realized the repercussions of his words as he spoke them. Now, Mahaffey delicately shows that Whitefield converted colonists not just to Christianity but to a renewed sense of unification that ultimately made possible the American Revolution.
Accounted For is a collection of lyrical poems voiced by a multi-faceted persona negotiating the transience of self and the social and psychological illusions of time. Other selves are encountered—mirrored, intimated, drawn, or fully detailed, each opening a view to the fractures of psyche. Prayers, dreams, invocations, and meditations suggest a relationship with the Unseen that can breach the natural world with the power of image. Endless contingency and depth of vision characterize these poems, open wholly to the mysteries of life and death.
The Cultural Politics of Modern Chinese Fiction and Film
Contemporary Chinese films are popular with audiences worldwide, but a key reason for their success has gone unnoticed: many of the films are adapted from brilliant literary works. This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Contemporary Chinese films are popular with audiences worldwide, but a key reason for their success has gone unnoticed: many of the films are adapted from brilliant literary works. This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. With her sophisticated blend of stylistic and historical analyses, Deppman brings much-needed nuance to current conversations about the politics of gender, class, and race in the work of the most celebrated Chinese writers and directors. Her pioneering study will appeal to all readers, general and academic, who have an interest in Chinese literature, cinema, and culture.
Address draws us into visible and invisible architectures, into acts of intimate and public address. These poems are concentrated, polyvocal, and sharply attentive to acts of representation; they take personally their politics and in the process reveal something about the way civic structures inhabit the imagination. Poisonous plants, witches, anthems, bees--beneath their surface, we glimpse the fragility of our founding, republican aspirations and witness a disintegrating landscape artfully transformed. If a poem can serve as a kind of astrolabe, measuring distances both cosmic and immediate, temporal and physical, it does so by imaginative, nonlinear means. Here, past and present engage in acts of mutual interrogation and critique, and within this dynamic Willis's poetry is at once complexly authoritative and searching: "so begins our legislation."
First published in 1753, Ferdinand Count Fathom is an experimental work that explores the relations between history and fiction and introduces, for the first time in the English novel, episodes of Gothic melodrama. Too long neglected and never before available in a carefully prepared scholarly edition, Ferdinand Count Fathom may now be read, understood, and appreciated against the literary and historical background of the eighteenth-century world.