Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
George Whitefield and the Creation of America
Patriots. Founding Fathers. Revolutionaries. For many Americans, the colonial heroes deserve special celebratory reverence. Yet while Washington's leadership, Franklin's writings, and Revere's ride captivate us, the inspiration and influence George Whitefield instilled within the revolutionary spirits of early Americans is regrettably unknown.
In this refreshing biography, Jerome Dean Mahaffey deftly moves beyond Whitefield's colonial celebrity to show how his rhetoric and ministry worked for freedom, situating Whitefield alongside the most revolutionary founders. As this Anglican revivalist traveled among the colonies, he delivered exhilarating sermons deeply saturated with political implications—freedom from oppression, civil justice, communal cooperation. Whitefield helped to encourage in his listeners a longing for a new, uniquely American nationalism.
The Accidental Revolutionary tells the story of this forgotten founder, who may not have realized the repercussions of his words as he spoke them. Now, Mahaffey delicately shows that Whitefield converted colonists not just to Christianity but to a renewed sense of unification that ultimately made possible the American Revolution.
Accounted For is a collection of lyrical poems voiced by a multi-faceted persona negotiating the transience of self and the social and psychological illusions of time. Other selves are encountered—mirrored, intimated, drawn, or fully detailed, each opening a view to the fractures of psyche. Prayers, dreams, invocations, and meditations suggest a relationship with the Unseen that can breach the natural world with the power of image. Endless contingency and depth of vision characterize these poems, open wholly to the mysteries of life and death.
The Cultural Politics of Modern Chinese Fiction and Film
Contemporary Chinese films are popular with audiences worldwide, but a key reason for their success has gone unnoticed: many of the films are adapted from brilliant literary works. This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Contemporary Chinese films are popular with audiences worldwide, but a key reason for their success has gone unnoticed: many of the films are adapted from brilliant literary works. This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. With her sophisticated blend of stylistic and historical analyses, Deppman brings much-needed nuance to current conversations about the politics of gender, class, and race in the work of the most celebrated Chinese writers and directors. Her pioneering study will appeal to all readers, general and academic, who have an interest in Chinese literature, cinema, and culture.
Address draws us into visible and invisible architectures, into acts of intimate and public address. These poems are concentrated, polyvocal, and sharply attentive to acts of representation; they take personally their politics and in the process reveal something about the way civic structures inhabit the imagination. Poisonous plants, witches, anthems, bees--beneath their surface, we glimpse the fragility of our founding, republican aspirations and witness a disintegrating landscape artfully transformed. If a poem can serve as a kind of astrolabe, measuring distances both cosmic and immediate, temporal and physical, it does so by imaginative, nonlinear means. Here, past and present engage in acts of mutual interrogation and critique, and within this dynamic Willis's poetry is at once complexly authoritative and searching: "so begins our legislation."
The Adventures of Ibn Opcit is a two-volume work by John Barr, first president of The Poetry Foundation. Grace, the first volume of this mock epic, is the master song of Ibn Opcit, a Caribbean gardener/poet condemned to die by torture. In a series of jailhouse monologues we hear him descant on justice, on creation, on America, on death and on life after death. In volume two, Opcit at Large, the poet pushes back on his oppressors in three adventures
This is the definitive scholarly edition of Tobias Smollett’s first novel, widely regarded as one of his two masterpieces, the other being The Expedition of Humphry Clinker. Roderick Random was also, in its time, the chief rival to Henry Fielding’s comic novel Tom Jones.
Surging with verbal, sexual, and martial energy, The Adventures of Roderick Random opens a window on life, love, and war in the eighteenth century. The hero battles his way from poverty and neglect to make his mark as a doctor, writer, fighter, and lover. His adventures take us across the world, from England and France to the Caribbean, Africa, and Latin America. One of the first truly global novels, it casts light on nearly every aspect of its time—imperialism, gender relations, slavery, urban life, colonial warfare, commerce, politics, the professions, high society, and the Hogarthian underworld.
Complete with illustrations and comprehensive annotations, this is the first edition to include Smollett’s long-forgotten antiwar pamphlet, An Account of the Expedition against Carthagene in the West Indies, which was drawn from his own war experience and on which key sections of the novel are based. The editors also provide a detailed biographical and historical introduction, based on the most recent scholarship, mapping the novel’s enormous impact in its own time and its influence on the history of literature over the centuries since.
The Tragedy of Immigration
African Drama and Performance is a collection of innovative and wide-ranging essays that bring conceptually fresh perspectives, from both renowned and emerging voices, to the study of drama, theatre, and performance in Africa. Topics range from studies of major dramatic authors and formal literary dramas to improvisational theatre and popular video films. South Africa's Truth and Reconciliation Commissions are analyzed as a kind of social performance, and aspects of African performance in the diaspora are also considered. This dynamic volume underscores theatre's role in postcolonial society and politics and reexamines performance as a form of high art and everyday social ritual.
Contributors are Akin Adesokan, Daniel Avorgbedor, Karin Barber, Nicholas Brown, Catherine Cole, John Conteh-Morgan, Johannes Fabian, Joachim Fiebach, Marie-José Hourantier, Loren Kruger, Pius Ngandu Nkashama, Isidore Okpewho, Tejumola Olaniyan, Ato Quayson, Sandra L. Richards, Wole Soyinka, Dominic Thomas, and Bob W. White.