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The Answer/La Respuesta Cover

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The Answer/La Respuesta

Sor Juana Ines de la Cruz

A feminist classic, The Answer/La Respuesta is the letter by 17th century Mexican nun Sor Juana Inés de la Cruz to a priest who hoped to silence her and all women. Known as the first feminist of the Americas, Sor Juana was a brilliant scholar and poet and an outspoken defender of women's rights. Her works shows a keen awareness of gender. This volume also reveals the remarkable scholarship, subversiveness, and humor she used in defense of her cause.

Anteaters Don't Dream and Other Stories Cover

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Anteaters Don't Dream and Other Stories

Louise Hawes

In Anteaters Don't Dream and Other Stories, Louise Hawes deftly portrays lovers at the end of their patience, marriages on the verge of decline, children reeling from abuse, and parents devastated by loss.

But many of these stories have a sardonic, humorous edge as well: in the title story, a jaded architect learns to take his dream life more seriously when a female co-worker threatens his career. In "Mr. Mix Up," a mother becomes infatuated with the clown at her son's birthday party. In "My Last Indian," a menopausal woman goes native. And in "Salinger's Mistress," a young woman lies about having an affair with J. D. Salinger. . . until Salinger himself calls her on the phone!

Whether Hawes's protagonists are rich or poor, male or female, young or old, their voices are convincing, varied, and human. With equal portions of wit and pathos, Anteaters Don't Dream and Other Stories is a versatile collection by a remarkable prose stylist.

Louise Hawes is a writer and teacher based in Pittsboro, North Carolina. She is the author of The Vanishing Point, Rosey in the Present Tense, and other novels.

Anteparadise, A Bilingual edition Cover

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Anteparadise, A Bilingual edition

Raul Zurita

Here is a major work by a Chilean poet thought by many to be the most brilliant and important new voice in the Spanish language. In its first American edition, this poetry is presented in Spanish and Enlgish, so that readers of both languages may listed to Zurita's voice.

Anteparadise can be read as a creative response, an act of resistance by a young artist to the violence and suffering during and after the 1973 coup that toppled the democratically elected Allende government. Zurita thus follows the example of several Latin American pets such as the Peruvian César Vallejo and Chilean Nobel laureate Pablo Neruda, sharing their passion and urgency, but his voice is unique.

An Anthology of Croatian Literature Cover

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An Anthology of Croatian Literature

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Antidote Cover

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Antidote

In Corey Van Landingham’s Antidote, love equates with disease, valediction is a contact sport, the moon is a lunatic, and someone is always watching. Here the uncanny coexists with the personal, so that each poem undergoes making and unmaking, is birthed and bound in an acute strangeness. Elegy is made new by a speaker both heartbreaking and transgressive. Van Landingham reveals the instability of self and perception in states of grief; she is not afraid to tip the world upside down and shake it out, gather the lint and change from its pockets and say, “I can make something with this.” Wild and surreal, driven by loss, Antidote invites both the beautiful and the brutal into its arms, allowing for shocking declarations about love: that it is like hibernation, a car crash, or a parasite. Time, geography, and landscape are called into question as backdrops for various forms of valediction. It soon becomes clear that there is no antidote one can take for grief or heartbreak; that love can, at times, feel like violence; and that one may never get better at saying goodbye.

Antigone Cover

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Antigone

Sophocles; A verse translation by David Mulroy, with introduction and notes

Sophocles’ Antigone ranks with his Oedipus Rex as one of world literature’s most compelling dramas. The action is taut, and the characters embody universal tensions: the conflict of youth with age, male with female, the state with the family. Plot and character come wrapped in exquisite language. Antagonists trade polished speeches, sardonic jibes and epigrammatic truisms and break into song at the height of passion.
    David Mulroy’s translation of Antigone faithfully reproduces the literal meaning of Sophocles’ words while also reflecting his verbal pyrotechnics. Using fluid iambic pentameters for the spoken passages and rhyming stanzas for the songs, it is true to the letter and the spirit of the great Greek original.

Anxiety in Mosaic Cover

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Anxiety in Mosaic

Anxiety In Mosaic is a sum up of a manís fears and hopes into a volume of poetry; anxieties that span a cross section of the human phenomena of greed (in ramifications) and the resultant socio-political, economic and environmental consequences; the repercussions of worsted governance, feminist, ecological, emigrational and imperialist concerns, presented from the perspective of a philosophical questioning. The charm of these thoroughly vocal, finely-crafted poems not only lie in the quasi-compendious multiplicity of subject matter but also in their creative and innovative re-chartings.

Apalachee Cover

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Apalachee

Joyce Rockwood Hudson

This powerful novel tells the story of Hinachuba Lucia, a Native American wise woman caught in the rapidly changing world of the early colonial South. With compelling drama and historical accuracy, Apalachee portrays the decimation of the Indian mission culture of Spanish Florida by English Carolina during Queen Anne's war at the beginning of the eighteenth century and also portrays the little-known institution of Indian slavery in colonial America. The novel recounts the beginnings of the colony of South Carolina and the struggle between the colonists and the Indians, who were at first trading partners—bartering deerskins and Indian slaves for guns and cloth—and then enemies in the Yamasee War of 1715.

When the novel opens, Spanish missionaries have settled in the Apalachee homeland on what is now the eastern Florida panhandle, ravaging the native population with disease and altering its culture with Christianity. Despite these changes, the Apalachees maintain an uneasy coexistence with the friars.

Everything changes when English soldiers and their Indian allies from the colony of Carolina invade Spanish Florida. After being driven from her Apalachee homeland by the English, Lucia is captured by Creek Indians and sold into slavery in Carolina, where she becomes a house slave at Fairmeadow, a turpentine plantation near Charles Town. Her beloved husband, Carlos, is left behind, free but helpless to get Lucia back.

Swept by intricate and inexorable currents, Lucia's fate is interwoven with those of Juan de Villalva, a Spanish mission priest, and Isaac Bull, an Englishman in search of fortune in the New World. As the three lives unfold, the reader is drawn into a morally complex world where cultures meet and often clash.

Both major and minor characters come alive in Hudson's hands, but none so memorably as the wise woman Lucia—beautiful, aristocratic, and strong. Informed by the author's extensive research, Apalachee is an ambitious, compelling novel that tells us as much about the ethnic and social diversity of the southern colonies as it does about the human heart.

Apocalypse Hotel Cover

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Apocalypse Hotel

A Novel

Ho Anh Thai; adapted and introduced by Wayne Karlin

Three violent deaths occur within days among a group of young nouveaux-riche beachgoers of Hanoi—but neither the victims nor the circumstances are as they seem. Is fate responsible? Or a woman of extreme beauty and mystery?When Danang Publishing House risked bringing out Ho Anh Thai’s controversial novel Cõi ngu?i rung chuông t?n th? (The Apocalypse Bell Tolls in the Human World) in 2002 after numerous others had refused it, Vietnam was a nation still struggling to find its identity decades after being torn apart by war. Ho Anh Thai’s previous stories and novels had already seized the imagination of a young postwar generation. He had become a literary sensation even as a teenager, his fresh, fluid, luminous style capturing the essence of their modern Vietnam. The book was a sensation in its author’s home country: to date it has sold more than 50,000 copies in ten printings and has been received enthusiastically by both public and critics as a work of creativity and disturbing truth.Now, as Apocalypse Hotel, Ho Anh Thai’s dark fable draws English-language readers into the divided society of 1990s Vietnam, to an underground economy in which anything may be bought and sold, youth seek speed, sex, and thrills, and past crimes still haunt the pure and the guilty alike. In this riveting, fast-paced cautionary tale, citizens of all ages and situations must come to grips with the sordid, unforeseen consequences of a war once meant to liberate them.

Appalachian Elegy Cover

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Appalachian Elegy

Poetry and Place

bell hooks

Author, activist, feminist, teacher, and artist bell hooks is celebrated as one of the nation's leading intellectuals. Born in Hopkinsville, Kentucky, hooks drew her unique pseudonym from the name of her grandmother, an intelligent and strong-willed African American woman who inspired her to stand up against a dominating and repressive society. Her poetry, novels, memoirs, and children's books reflect her Appalachian upbringing and feature her struggles with racially integrated schools and unwelcome authority figures. One of Utne Reader's "100 Visionaries Who Can Change Your Life," hooks has won wide acclaim from critics and readers alike. In Appalachian Elegy, bell hooks continues her work as an imagist of life's harsh realities in a collection of poems inspired by her childhood in the isolated hills and hidden hollows of Kentucky. At once meditative, confessional, and political, this poignant volume draws the reader deep into the experience of living in Appalachia. Touching on such topics as the marginalization of its people and the environmental degradation it has suffered over the years, hooks's poetry quietly elegizes the slow loss of an identity while also celebrating that which is constant, firmly rooted in a place that is no longer whole.

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