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This study of Baudelaire and English modernism observes his protean influence on poets from Swinburne, who wrote the first English review of Les Fleurs du Mai, to T. S. Eliot. Documenting Baudelaire's impact on Swinburne, Pater, Wilde, Arthur Symons, Aldous Huxley, Edith and Osbert Sitwell, D. H. Lawrence, the Imagists, John Middleton Murry, Eliot, and others, Patricia Clements describes the Baudelaire who is the creation of the English poets and identifies some major lines in the development of modernism in English literature.
Originally published in 1986.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The War at Sugar Point
Beasts and Violins is a collection of American narrative poetry addressing themes of life and work in the western United States. The poems read like broken country songs sung from a paved farm: dead deer and train trips, a dog at the edge of the fire. Beasts and Violins begins with a dark birth and finishes at peace on the water, with the necessary stops in between.
The Beautiful Lesson of the I is a collection of finely made poems by an accomplished poet. It will reward the scholar and the student of poetry, as well as the reader looking for the simple pleasures of poetic insight authentically felt. Winner of the Swenson Poetry Award 2005. Now in paperback.
The world that Donald Revell ponders in these poems replete with contrarieties. The same verbal playfulness and prophetic lyricism that made Revell a 1992 Guggenheim Fellow in Poetry and a winner of National Poetry Series, Pushcart, and PEN Center USA West awards are in full force in Beautiful Shirt. Here he traverses the rocky terrain of innocence, memory, disillusion, and salvation in a voice at once haunted and elliptical: "This is the world as I have known it./ It has a soft outline and is easily victimized."
Juxtaposed within a trio of long, introspective poems are shorter lyrics that push the limits of poetic syntaxes and dictions. In all, Beautiful Shirt searches for the true nature of the self through language unfettered by narrative constraints and conventional conceptual identities.
In her first collection of poems, Kansas native Amy Fleury captures images of dragging clotheslines, baked lawns, and sweet potato babies, inserting them with an earnest dignity into her stories of midwestern life. Beautiful Trouble explores the subtleties of landscape, place, families, girlhood, womanhood, and everyday existence on the prairie. Fleury writes of the Midwest with authenticity, speaks of romance with delicate allure, and recalls the heartbreak of childhood without self-pity. In meditations on resilience and life’s contradictions, Fleury engages her characters fully and paints their souls and sensations evenly in language both rare and beautiful. She is a poet in love with sound and its power to summon majesty from quotidian scenes. Her poems are brief and striking, depending on exquisite word choice and balance to achieve a simple order on the page.
Recapturing the celebratory voice of Africa in poems that are both contemporary and traditional, Liberian-born Patricia Jabbeh Wesley weaves lyrical storytelling with oral history and images of Africa and America, revealing powerful insights about the relationship between strength and tragedy—and finding reason to celebrate even in the presence of war, difficulties, and death. Rooted in myths that can be traced to the Grebo tradition, Becoming Ebony portrays Liberian-born Wesley’s experiences of village talk and civil war as well as her experiences of the pain of her mother’s death and the difficulties of rearing a family away from home in the United States, and explores the questions of living in the African Diaspora. Turning on the African proverb of “the wandering child” and the metaphor of the ebony tree—which is beautiful in life and death— these poems delve into issues of human suffering and survival, plainly and beautifully chronicling what happens “after the sap is gone.”
The Making of a Puerto Rican Icon
In the first book-length study written in English, Vanessa Perez-Rosario examines poet and political activist Julia de Burgos's development as a writer, her experience of migration, and her legacy in New York City. Perez-Rosario situates de Burgos as part of a transitional generation that helps to bridge the historical divide between Puerto Rican nationalist writers of the 1930s and the Nuyorican writers of the 1970s. Focusing on the poet's contributions to New York Latino/a literary and visual culture, she moves beyond the tragedy-centered narratives of de Burgos's life to examine her place within a nuanced historical understanding of Puerto Rico's peoples and culture. Perez-Rosario unravels the cultural and political dynamics at work when contemporary Latina/o writers and artists in New York revise, reinvent, and riff off of Julia de Burgos as they imagine new possibilities for themselves and their communities.
Emmanuel Fru Doh, a native of Cameroon, holds a Ph.D. from the University of Ibadan, Ibadan, Nigeria. He taught at the University of Yaounde (E.N.S. Bambili) for almost a decade-the 90s-before leaving for the US. He then had a brief stint as an Adjunct Professor at the University of Minnesota before settling into the Department of English at Century, a College within the Minnesota State Colleges and Universities (MnSCU) System. Poet, novelist, social and literary critic, Emmanuel Fru Doh is the author of Nomads: The Memoir of a Southern Cameroonian.
There are worlds within our own in which even the smallest victories are hard won, the tender moment is almost unbearable, and the understated rings like a bell. Belonging, a new collection by British poet Dick Davis, is an extended visit to these worlds. Deepened by his dry wit and the formal rigor of his verse, the poems of Belonging negotiate their way among personal and political dividesâ€”generations in a family, man and woman, and the tentative present and our inherited pasts. But behind much of the writing there is also a desire for a kind of idealized belongingâ€”to a clerisy of civilized and humane decency which can be found intermittently in all cultures and is the monopoly of none. Davisâ€™s own cosmopolitan background provides the context for many of the poems, yet he is concerned always to Wnd the humanly universal within the local and anecdotalâ€”a hope realized in these careful and incandescent poems. â€œReading this book in manuscript, I began by jotting down the titles of the best poems, but gave that up when it seemed I might choose them all.â€?â€”Richard Wilbur Dick Davis is an Englishman who has lived for most of his adult life outside his own countryâ€”in Greece, Italy, Iran, and the United States. He is currently a professor of Persian at Ohio State University in Columbus and the author of several books of poetry and translations, including Touchwood and Borrowed Ware. What others say about this book: In Top 10 Poetry Selections for 2002! â€œHis poems are full of fine emotion, intelligence, wit, and multinational culture. He lithely celebrates the legendary rake Casanova; poignantly conjures â€œKiplingâ€™s Kim, Thirty Years Onâ€?; economically reports a fatherâ€™s aching futility in comforting his child (â€œA Bit of Paternityâ€?); deftly valorizes the power of art (â€œJust Soâ€?); and often muses on the shortness of life and the limitations of being human, so cogently that a single quatrain can take oneâ€™s breath away.â€?â€”The Booklist A Book of the Year 2002! â€œA British poet married to an Iranian, Dick Davis teaches Persian literature in the United States. The cultural diversity of his life is reflected in the variety of his poems â€”in their skillfully handled formal range, in the scope of their subject-matter and in their commitment to an ideal of civilized life shared by many cultures. Belonging is a profound and beautiful collection, which stimulates, dazzles, surprises and delights.â€?â€”The Economist â€œI want to go through Belonging quoting handfuls, learning poem after poem by heart. . . . To read Dick Davis is to be reminded of what poetry used to be, and can still become.â€? â€”X. J. Kennedy