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ARCHEOLOGY OF DESIRE Cover

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ARCHEOLOGY OF DESIRE

MIRIAM SAGAN

“Sagan’s richly sensual writing blends elements of mature insight with deeply felt experience. These are poems of an examined life with moments of Zen clarity throughout. It is, in fact, the clarity that drives these poems. The language is careful but deliberate, exquisitely crafted and emotionally moving. One gets the sense that her desire to write poetry comes from the desire to give permanent voice to something in the experience of life – to find ourselves spoken for in art gives dignity to our pain, our anger, our lust, and our losses. This is what poetry is about. When Miriam Sagan casts her imaginative eye on something, it stares back.” —Jeanie C. Williams

Ariosto's Bitter Harmony Cover

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Ariosto's Bitter Harmony

Crisis and Evasion in the Italian Renaissance

Albert Russell Ascoli

Focusing on the fundamental Ariostan pairing of education and madness, with all its implications for poetry, Professor Ascoli generates a global reading of the greatest literary work of the Italian Renaissance

Originally published in 1987.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Ark Cover

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Ark

John Isles's Ark is about the people and events that pass through a life, leaving a void; about finding a presence in that absence and waking up to the realities of the present moment. It is concerned, at its watery heart, with discovery and confrontation, uncovering and witnessing, whether it be the new world, “the world behind every blouse,” or the tender mysteries that can only be seen through the eyes of belief: that which “starts the wild grasses trembling.”

With its deft maneuvers through both a historical and an emotional landscape, Ark speaks to us with a truly contemporary voice of authoritative vulnerability while never faltering into sentimental digressions. This uncanny authority at the helm of our ark continually surprises us, unfolding its lyrical gems and treasures culled along the journey, letting us in on the inscrutable facts of this life.

The Army of Truth Cover

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The Army of Truth

Selected Poems

Henrik Wergeland

One of Norway’s most celebrated literary figures of the nineteenth century, Henrik Wergeland worked tirelessly for the civil rights of Jews in Norway. He used the words and structure of his poetry to enliven the ideals of truth, freedom, and equality. This translated volume, containing several of Wergeland’s most prominent poems, beautifully encapsulates the compelling force of his message, allowing its enduring influence to benefit a wider contemporary audience.

Art and Politics/Politics and Art Cover

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Art and Politics/Politics and Art

D.H. Melhem

Probing, wide-ranging, brimming with passion and outrage, Melhem’s eighth collection of poems grips the reader with accounts of individual triumphs and the ongoing catastrophic conflicts of our world. The author draws on her years as a painter and sculptor to bring a distinct visual and tactile quality to her poetry. In this volume, Melhem proceeds from robust individual portraits through observable terrains to traumatic visions of war. "Certain Personae" ranges from black writers to Abraham Lincoln, from a portrait of the suffragist Elizabeth Cady Stanton to the poetry of John Updike, and finishes with paintings of Hannibal crossing the Alps. In "Mostly Political," the poems traverse the local and the universal: melting polar ice caps, capitalism, a painting by Max Ernst interpreted in antithetical ways, and a poem surveying Manhattan’s Upper West Side in the context of international events. "Wars," the third and last section, gives intimate and searing glimpses of the Trojan War, World War I, the Gulf War, the Iraq war, and the conflict over Palestine.

The Art of Gravity Cover

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The Art of Gravity

Poems

Jay Rogoff

George Balanchine, one of the twentieth century's foremost choreographers, strove to make music visible through dance. In The Art of Gravity, Jay Rogoff extends this alchemy into poetry, discovering in dancing -- from visionary ballets to Lindy-hopping at a drunken party -- the secret rhythms of our imaginations and the patterns of our lives.

The poems unfold in a rich variety of forms, both traditional and experimental. Some focus on how Edgar Degas's paintings expose the artifice and artistic self-consciousness of ballet while, paradoxically, illuminating how it creates rapture. Others investigate dance's translation of physical gesture into allegorical mystery, especially in Balanchine's matchless works. Rogoff pays tribute to superb dancers who grant audiences seductive glimpses of the sublime and to all of us who find in dance a redemptive image of ourselves.

The poet reveals dance as an "art of gravity" in the illusory weightlessness of a "dance that ends in mid-air," in the clumsiness of a Latin dance class's members "trip- / ping over each other in the high school / gym," and in the exploration of ultimate Gravity -- a sonnet sequence titled "Danses Macabres." Ultimately, Rogoff confronts with unflinching precision the dark consummation of all our dancing.

The Art of Poetry Cover

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The Art of Poetry

Paul Valéry

All of the major meditations on the theory and practice of poetry by one of the greatest poets of our time--and perhaps the one who has most scrupulously analyzed his art--are included in The Art of Poetry.

Originally published in 1985.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Arts of a Cold Sun Cover

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Arts of a Cold Sun

Poems

In these poems, G. E. Murray blends the colors of the soul with those of the world it brushes up against, exploring the ways in which art, both as possession and possessor, informs perception._x000B_Viewing his subjects sometimes from airplane altitude, sometimes from the intimacy of a shared restaurant table, Murray crafts true stories about color,? narratives of dislocation and belonging that invite readers to question their own relationship to art._x000B_Included in this volume is a long sequential poem titled The Seconds,? which Murray composed across the second days of thirteen months. The rhythms of this diary-as-poem seize the tensions of shifting times and locales, capturing the essences of moments that are at once chosen and arbitrary._x000B_Codes toward an Incidental City,? the sequence that closes the book, is a confederacy of forty poems that delve into the concrete familiarities and mythologies of urban landscapes, illuminating the ecstasies of city life._x000B_

Ascending Order Cover

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Ascending Order

By William Greenway

Ascending Order is the work of a poet in midcareer who has thought hard about the circumstances of his past and present, and found an attitude, part concerned and part amused, that serves him well in both his life and his art. The poems in William Greenway’s new book range widely, from memories of childhood and family through meditations on works of art, from humourous topics such as the cars in Hell’s garage or a dead celebrity golf tournament to deep-felt contemplations of cultures American and otherwise or the ailments of middle age and the shadows of mortality. But whether the subjects are serious or playful, the rich vision and inventive language displayed in these poems are Greenway’s alone.

Ascension Theory Cover

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Ascension Theory

Christopher Bolin

“This meditation,” writes Christopher Bolin in Ascension Theory,“is about appearing without motes between us: / it is practice for presenting oneself to God.” Bolin’s stark and masterful debut collection records a deeply moving attempt to restore poetry to the possibilities of redemptive action. The physical and emotional landscapes of these poems, rendered with clear-eyed precision, are beyond the reaches of protection and consolation: tundra, frozen sea, barren woodlands, skies littered with satellite trash, fields marked by abandoned, makeshift shrines, sick rooms, vacant reaches that provide “nodes / in every direction // for sensing // the second coming.”

Bolin’s eye and mind are acutely tuned to the edges of broken objects and vistas, to the mysterious remnants out of which meaningful speech might be reconstituted. These poems unfold in a world of beautiful, crystalline absence, one that is nearly depopulated, as though encountered in the aftermath of an unnamed violence to the land and to the soul.

In poems of prodigious elegance and anxious control, Bolin evokes influences as various as Robert Frost, James Wright, Robert Hass, George Oppen, and Robert Creeley, while fashioning his own original and urgent idiom, one that both theorizes and tests the prospects of imaginative ascension, and finds “new locutions for referencing / sky.”

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