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Creative Writing > Poetry

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At the Bureau of Divine Music Cover

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At the Bureau of Divine Music

Poems By Michael Heffernan

A thoughtful and elegant collection from accomplished poet Michael Heffernan.

Autogeography Cover

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Autogeography

Poems

Reginald Harris

Winner of the Cave Canem Northwestern University Press Poetry Prize


In his second collection of poetry, Reginald Harris traverses real and imagined landscapes, searching for answers to the question “What are you?” From Baltimore to Havana, Atlantic City to Alabama—and from the broad memories of childhood to the very specific moment of Marvin Gaye singing at the 1983 NBA All-Star Game shortly before his death—this is a travel diary of internal and external jour­neys exploring issues of race and sexuality. The poet trav­eler falls into and out of love and lust, sometimes coupled, sometimes alone. Autogeography tracks how who you are changes depending on where you are; how where you are and where you’ve been determine who you are and where you might be headed. 

Azanian Love Song Cover

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Azanian Love Song

Donato Francesco Mattera has been celebrated as a journalist, editor, writer and poet. He is also acknowledged as one of the foremost activists in the struggle for a democratic South Africa, and helped to found both the Union of Black Journalists, the African Writer's Association and the Congress of South African Writers. Born in 1935 in Western Native Township (now Westbury) across the road from Sophiatown, Mattera can lay claim to an intriguingly diverse lineage: his paternal grandfather was Italian, and he has Tswana, Khoi-Khoi and Xhosa blood in his veins.

BARBARIC MERCIES Cover

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BARBARIC MERCIES

GAYLORD BREWER

"Gaylord Brewer’s Barbaric Mercies is a book of extraordinary and delightful individuality. Alternately aggressive, outrageous, whimsical, and heartfelt, the poems are never predictable but always authentic. The author has such a genius for phrasing that there are many lines that make the reader stop and sigh or smile. A dark and delicious volume." —Dana Gioia

Bare and Breaking Cover

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Bare and Breaking

Karin Schimke is a widely published journalist and columnist, and the Cape Times books editor. She also works as a writing tutor and mentor, an author of non-fiction ñ including the best-selling Fabulously Forty and Beyond, co-written with Margie Orford - of childrenís books and of short stories. She edited Open, an anthology of erotic short stories written by some of South Africaís best known women writers. Her poetry has appeared in South Africa Writing, New Contrast, New Coin and Carapace magazines. Bare & Breaking is her first collection of poems.

Barter Cover

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Barter

Poems

Ira Sadoffs new volume of poems opens with a quotation from Rilke: But because truly being here is so much; because everything here / apparently needs us, the fleeting world, which in some strange way / keeps calling us. . . .? The poetry collected here is a response to this call. _x000B_Rooted firmly in the fleeting world,? Sadoffs poems find epiphanies of meaning in unexpected and even unpleasant experiences and emotions. The poems in Barter delve deeply into the past, the personal past of regret, travel, love, divorce, and bereavement, as well as the global past of Beethoven, Vietnam, and the fall of communism. Each poem is offered up by Sadoff as a barter, something to be traded for a little more time, a little more understanding._x000B_The poems in Barter comment on the power of culture to interject itself into our desire for an idealized self, the way our inner and outer lives lack correspondence, harmony, and integration. They also talk about commerce, the trading of bodies, the way we as a nation use? and exchange and appropriate -- and like Tolstoys Ivan Ilyich, try to bargain with and evade the urgency of our time on earth._x000B_In the poem Self-Portrait with a Critic,? Sadoff makes what could be a succinct statement of purpose: And inside, lets not make it pretty, / lets save the off-rhyme and onomatopoeia / / for the concert hall, lets go to the wormy place / where the problematic stirs inside his head.?_x000B_

A Basket of Flaming Ashes Cover

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A Basket of Flaming Ashes

Ashuntantang is an extraordinary weaver of words who showcases vivid pictures that compete with 3D simulation. Her greatest asset is her use of the beautiful traditional Cameroonian anchor that evokes folk tales with its moonlight romance and glory. You feel, laugh, weep, shiver, wonder, and hail the triumphant spirit of the persona as it navigates African postcolonial and global experiences with the melancholy of an exile who is purposeful, strategic, and a lot of fun.

A Basket of Kola Nuts Cover

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A Basket of Kola Nuts

Bold, original and stimulating in its inspirational insights, A Basket of Kola Nuts explores Cameroonís cultures as remarkable pivots of moral rectitude and such sickening vicious-circles as bribery and corruption. Ethnically grass-rooted and globalizing rather than alarmingly exotic and exclusive, this poetic diction of form-content aims at revitalizing its material contents to sever it from extinction and revamp cultural values that break the patience of silence to question deviation rather than the concrete interface of cultural identities and differences. Uprightly appealing, this poetry gathers kola seeds that fall apart in crisis to invite readers world-wide to taste its kolaly aroma.

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Beasts and Violins

Caleb Barber

Beasts and Violins is a collection of American narrative poetry addressing themes of life and work in the western United States. The poems read like broken country songs sung from a paved farm: dead deer and train trips, a dog at the edge of the fire. Beasts and Violins begins with a dark birth and finishes at peace on the water, with the necessary stops in between.

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Beautiful Lesson of the I

poems

Frances Brent

The Beautiful Lesson of the I is a collection of finely made poems by an accomplished poet. It will reward the scholar and the student of poetry, as well as the reader looking for the simple pleasures of poetic insight authentically felt. Winner of the Swenson Poetry Award 2005. Now in paperback.

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