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Ashuntantang is an extraordinary weaver of words who showcases vivid pictures that compete with 3D simulation. Her greatest asset is her use of the beautiful traditional Cameroonian anchor that evokes folk tales with its moonlight romance and glory. You feel, laugh, weep, shiver, wonder, and hail the triumphant spirit of the persona as it navigates African postcolonial and global experiences with the melancholy of an exile who is purposeful, strategic, and a lot of fun.
Bold, original and stimulating in its inspirational insights, A Basket of Kola Nuts explores Cameroonís cultures as remarkable pivots of moral rectitude and such sickening vicious-circles as bribery and corruption. Ethnically grass-rooted and globalizing rather than alarmingly exotic and exclusive, this poetic diction of form-content aims at revitalizing its material contents to sever it from extinction and revamp cultural values that break the patience of silence to question deviation rather than the concrete interface of cultural identities and differences. Uprightly appealing, this poetry gathers kola seeds that fall apart in crisis to invite readers world-wide to taste its kolaly aroma.
Beasts and Violins is a collection of American narrative poetry addressing themes of life and work in the western United States. The poems read like broken country songs sung from a paved farm: dead deer and train trips, a dog at the edge of the fire. Beasts and Violins begins with a dark birth and finishes at peace on the water, with the necessary stops in between.
The Beautiful Lesson of the I is a collection of finely made poems by an accomplished poet. It will reward the scholar and the student of poetry, as well as the reader looking for the simple pleasures of poetic insight authentically felt. Winner of the Swenson Poetry Award 2005. Now in paperback.
The world that Donald Revell ponders in these poems replete with contrarieties. The same verbal playfulness and prophetic lyricism that made Revell a 1992 Guggenheim Fellow in Poetry and a winner of National Poetry Series, Pushcart, and PEN Center USA West awards are in full force in Beautiful Shirt. Here he traverses the rocky terrain of innocence, memory, disillusion, and salvation in a voice at once haunted and elliptical: "This is the world as I have known it./ It has a soft outline and is easily victimized."
Juxtaposed within a trio of long, introspective poems are shorter lyrics that push the limits of poetic syntaxes and dictions. In all, Beautiful Shirt searches for the true nature of the self through language unfettered by narrative constraints and conventional conceptual identities.
There are worlds within our own in which even the smallest victories are hard won, the tender moment is almost unbearable, and the understated rings like a bell. Belonging, a new collection by British poet Dick Davis, is an extended visit to these worlds. Deepened by his dry wit and the formal rigor of his verse, the poems of Belonging negotiate their way among personal and political dividesâ€”generations in a family, man and woman, and the tentative present and our inherited pasts. But behind much of the writing there is also a desire for a kind of idealized belongingâ€”to a clerisy of civilized and humane decency which can be found intermittently in all cultures and is the monopoly of none. Davisâ€™s own cosmopolitan background provides the context for many of the poems, yet he is concerned always to Wnd the humanly universal within the local and anecdotalâ€”a hope realized in these careful and incandescent poems. â€œReading this book in manuscript, I began by jotting down the titles of the best poems, but gave that up when it seemed I might choose them all.â€?â€”Richard Wilbur Dick Davis is an Englishman who has lived for most of his adult life outside his own countryâ€”in Greece, Italy, Iran, and the United States. He is currently a professor of Persian at Ohio State University in Columbus and the author of several books of poetry and translations, including Touchwood and Borrowed Ware. What others say about this book: In Top 10 Poetry Selections for 2002! â€œHis poems are full of fine emotion, intelligence, wit, and multinational culture. He lithely celebrates the legendary rake Casanova; poignantly conjures â€œKiplingâ€™s Kim, Thirty Years Onâ€?; economically reports a fatherâ€™s aching futility in comforting his child (â€œA Bit of Paternityâ€?); deftly valorizes the power of art (â€œJust Soâ€?); and often muses on the shortness of life and the limitations of being human, so cogently that a single quatrain can take oneâ€™s breath away.â€?â€”The Booklist A Book of the Year 2002! â€œA British poet married to an Iranian, Dick Davis teaches Persian literature in the United States. The cultural diversity of his life is reflected in the variety of his poems â€”in their skillfully handled formal range, in the scope of their subject-matter and in their commitment to an ideal of civilized life shared by many cultures. Belonging is a profound and beautiful collection, which stimulates, dazzles, surprises and delights.â€?â€”The Economist â€œI want to go through Belonging quoting handfuls, learning poem after poem by heart. . . . To read Dick Davis is to be reminded of what poetry used to be, and can still become.â€? â€”X. J. Kennedy
An Anthology of African Love Poetry
From the ancient Egyptian inventors of the love lyric to contemporary poets, Bending the Bow: An Anthology of African Love Poetry gathers together both written and sung love poetry from Africa.
This anthology is a work of literary archaeology that lays bare a genre of African poetry that has been overshadowed by political poetry. Frank Chipasula has assembled a historically and geographically comprehensive wealth of African love poetry that spans more than three thousand years. By collecting a continent’s celebrations and explorations of the nature of love, he expands African literature into the sublime territory of the heart.
Bending the Bow traces the development of African love poetry from antiquity to modernity while establishing a cross-millennial dialogue. The anonymously written love poems from Pharaonic Egypt that open the anthology both predate Biblical love poetry and reveal the longevity of written love poetry in Africa. The middle section is devoted to sung love poetry from all regions of the continent. These great works serve as the foundation for modern poetry and testify to love poetry’s omnipresence in Africa. The final section, showcasing forty-eight modern African poets, celebrates the genre’s continuing vitality. Among those represented are Muyaka bin Hajji and Shaaban Robert, two major Swahili poets; Gabriel Okara, the innovative though underrated Nigerian poet; Léopold Sédar Senghor, the first president of Senegal and a founder of the Negritude Movement in francophone African literature; Rashidah Ismaili from Benin; Flavien Ranaivo from Madagascar; and Gabeba Baderoon from South Africa.
Ranging from the subtly suggestive to the openly erotic, this collection highlights love’s endurance in a world too often riven by contention. Bending the Bow bears testimony to poetry’s role as conciliator while opening up a new area of study for scholars and students.
The first published collection of poems by Ron Egatz presents a host of narrators describing encounters with characters ranging from washed-up rock musicians to former lovers, airline stowaways to family members. A poet for 25 years to the month of publication of this book, Egatz explores the limits of the lyric narrative poem with subject matter spanning historical events to family snapshots. This collection is a rallying cry for poetry unafraid of being understood, yet not sacrificing lyric quality, music, or emotional depth.
Beso the Donkey is a poetry cycle about a wounded, neglected, and abandoned jackass. In sparklingly clear and luminous poems, Richard Jarrette tells the story of Beso and of his caregiver's attempts to understand and heal him — an endeavor that teaches the man much about the meaning of life, death, peace, and acceptance. With undertones of Buddhist, Christian, Taoist, and Islamic faiths, Beso the Donkey incorporates elements of philosophy, ethics, religion, and morality.
As the book progresses, we sense the poet’s growing acceptance of life’s passing. Along with the author, we feel a deeper peace blossoming as Beso’s life is ending (which is itself a beginning). This is a lyrical story of loss and acceptance.
"The poems in Elise Paschen's Bestiary explore domestic preoccupations set against the backdrop of the wild-heartedness, real and imagined, of the animal world," praises the poet Jason Shinder. In this modern-day Bestiary, or "Book of Beasts," the line between animal and human is thinly-drawn. The daughter of a Celtic king, through love, is transformed from beast to human; lovers take flight as moon and owl; manatees transform, before the explorers' eyes, into mermaids. This dynamic runs throughout the collection: taking flight, hovering between air and earth, plunging, and then resurfacing from water. The poems create a constant engagement between what tethers us to our daily lives—marriage, motherhood, raising a family, the loss of parents in old age—and the desire for other worlds. Exploring notions of transformation, these poems cross thresholds between animal and human, between death and life. Award-winning poet, Elise Paschen, creates in her third and most complex poetry collection, work which is elegant and passionate, preternaturally still and reckless all at once. Paschen displays a variety of form and nuance from ghazals to long-lined free verse poems. Writing out of a distinct Western literary tradition, but tapping into her Native American (Osage) roots, Paschen celebrates the mythic, the unusual, the magical glimpsed in the everyday.