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Aggregate of Disturbances

In Aggregate of Disturbances, Michele Glazer confronts the slipperiness of language and perception as she probes natural processes—the lives of insects, the uncertainty of love, and the deaths of human beings. Nature’s beauty interests Glazer less than the fact that it is chaotic, amoral, redundant, charming, and indifferent to human concern—qualities that are, in these poems, turned into another kind of beauty. “The stalk was knocked flat &the allium’s great lavender sphere / kissed the dirt &in the aftermath the pendulous blossomed / tip bobbed like a wand madly attempting to enchant-enchant-enchant. / / I wanted to believe that it happened to amuse me.”

These taut lyrical poems negotiate between desire for something irrefutable and an uneasy bedrock of paradox. In the interstices, Aggregate of Disturbances breaks open language and experience to offer a glimpse of “the eye on the other side.”

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Air Kissing on Mars

Kim Dower

Kim Dower’s poems are sensual and rhapsodic journeys through emotional landscapes sweeping everyday life. Playful, intelligent, funny, edgy, engaging—sometimes biting, ironic and dark, sometimes dreamy and surreal, full of poignancy and arresting metaphors, the daily, simple occurrences in Air Kissing On Mars startle and provoke, while stirring up the fairy dust and turbulent weight of memory; evoking the possibilities and gorgeous chaos of life. Open and inviting, these poems draw the reader into a world seen upside down, inside out, a sideways bird reporting on a universe filled with mystery and passion. Joan Didion meets Tinkerbell, Kim Dower’s poems are as whimsical and light as they are rich and intense. Simultaneously humorous and profound these passionate and personal poems, relatable to all, are drenched with vivid imagery, and sparkle with surprise. Lost languages, disappearing mailboxes, locomotives pummeling through dreams, taxi drivers thrown by the earth’s rotation, shadows in closets, vanishing carrots, men who exfoliate—all manner of haunting evocations come together in this opus of shining and startling wisdom.

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ALARMING BEAUTY OF THE SKY, THE

LESLIE MONSOUR

"The astonishingly high level of performance throughout this collection of poems would take almost any reader by surprise." - Anthony Hecht

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Alcools

Poems

Guillaume Apollinaire

Alcools, first published in 1913 and one of the few indispensable books of twentieth- century poetry, provides a key to the century's history and consciousness. Champion of "cubism", Guillaume Apollinaire (1880-1918) fashions in verse the sonic equivalent of what Picasso accomplishes in his cubist works: simultaneity. Apollinaire has been so influential that without him there would have been no New York School of poetry and no Beat Movement. This new translation reveals his complex, beautiful, and wholly contemporary poetry. Printed with the original French on facing pages, this is the only version of this seminal work of French Modernism currently available in the United States.

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Alexander Pope and the Traditions of Formal Verse Satire

Howard D. Weinbrot

Ranging over the tradition of verse satire from the Roman poets to their seventeenth- and eighteenth-century imitators in England and France, Howard D. Weinbrot challenges the common view of Alexander Pope as a Horatian satirist in a Horatian age.

Originally published in 1982.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Alexander Pope: The Poet in Poems

Dustin H. Griffin

What is the precise relation between the "Pope" of the poems and the Pope of history? Seeking to clarify the nature of the intimate link between the historical self and the idealized self of the poetry, Dustin Griffin examines the various ways in which Pope's poems may be said to be self-expressive. He brings a sensitive critical reading of the texts and an impressive knowledge of the poet's life and writings to his discussion of poems from the entire range of the poet's career.

The author argues that Pope is present in his poems as a private person whose special imaginative and psychological concerns emerge because they are expressed publicly. In some poems, Pope confronts quite openly his fervent moral idealism with his powerful aggressive feelings, and he explores his conflicting impulses toward retirement and engagement. In others, he reveals impulses and attractions that he would not admit to full consciousness in his letters. Pope is also present as poet-protagonist, self-consciously attempting to present and master a body of poetic material. Professor Griffin's study recovers some of the personal energy that invigorates Pope's greatest poems and makes them strikingly self-expressive products of an imagination intrigued and often at odds with itself and, yet more sharply, with the world.

Originally published in 1979.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Alive Together

New and Selected Poems

Lisel Mueller

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All Faces but Mine

The Poetry of Samih Al-Qasim

translated by Abdulwahid Lu'lu'a

All Faces but Mine gathers selected poems from the acclaimed Palestinian poet Samih Al-Qasim (1934–2014). A contemporary of Mahmoud Darwish, Al-Qasim was a celebrated resistance poet whose passionate call for independence inspired a generation of poets. In this award-winning volume, poems are drawn from fourteen of the poet’s collections published over the last twenty years in addition to some of his final works. Lu’lu’a’s fluid translation captures both Al-Qasim’s innovative style and the emotional tenor of his poetry.

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All-Night Lingo Tango

Barbara Hamby

This collection is a love letter to language with poems that are drunk and filled with references to the hyperkinetic world of the twenty-first century. Yet Zeus and Hera tangle with Leda on the interstate; Ava Gardner becomes a Hindu princess; and Shiva, the Destroyer, reigns over all. English is the primary god here, with its huge vocabulary and omnivorous gluttony for new words, yet the mystery of the alphabet is behind everything, a funky puppet master who can make a new world out of nothing.

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All of You on the Good Earth

Ernest Hilbert

These poems contain fasts and feasts, laments and love songs, histories, fantasies, and elegies, the amusing and heartbreaking debris of life on this world, all the while recalling Seneca's dictum, non est ad astra mollis e terris via ("the road from the earth to the stars is not easy").

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