Ploughshares, a journal of new writing, is guest-edited serially by prominent writers who explore different and personal visions, aesthetics, and literary circles.

Prairie Schooner, an international literary quarterly published with the support of the University of Nebraska-Lincoln and the University of Nebraska Press, is home to the best fiction, poetry, essays, translations, and reviews being published today by beginning, mid-career, and established writers. In its seventy-six-year history, the magazine has presented work by Pulitzer Prize winners, Nobel laureates, National Endowment for the Arts recipients, and MacArthur and Guggenheim Fellows.

Red Cedar Review, the longest running undergraduate-run publication in the United States, is published annually in collaboration with Michigan State University Press. Celebrating its 40th year of publication in 2005, Red Cedar Review proudly features new and emerging writers as well as established authors, including Margaret Atwood, William Stafford, Pablo Neruda, W.S. Merwin, Diane Wakoski, Charles Baxter, and Stuart Dybek.

River Teeth is committed to exploring human experience in all its variety by combining the best of creative nonfiction, including narrative reportage, essay, and memoir, with critical essays that examine and illuminate this emerging genre. River Teeth is dedicated to the simple premise that good writing counts and that facts matter. The editors believe that the ability to muster the evocative detail, to probe the workings of minds, to gain access to scenes, and to name names is a necessary but never innocent enterprise in nonfiction. River Teeth is dedicated to the idea that the questions one asks about these true stories are the ones that help us understand their significance for our lives.

Having never missed an issue in 115 years, the Sewanee Review is the oldest continuously published literary quarterly in the country. Begun in 1892 at the University of the South, it has stood as guardian and steward for the enduring voices of American, British, and Irish literature. Published quarterly (winter, spring, summer, fall), the Review is unique in the field of letters for its rich tradition of literary excellence in general nonfiction, poetry, and fiction, and for its dedication to unvarnished no-nonsense literary criticism. Each volume is a mix of short reviews, omnibus reviews, memoirs, essays in reminiscence and criticism, poetry, and fiction. Each issue coheres around a broad theme, such as Irish literature, southern letters, the literature of war, the modern Catholic novel, autobiography, and many other engaging topics. In this venerable journal you have the direct literary line to Flannery O'Connor, Robert Penn Warren, Hart Crane, Anne Sexton, Harry Crews, and Fred Chappell—not to mention, Andre Dubus and Cormac McCarthy, whose first stories were published in the Sewanee Review. Each issue is a brilliant seminar, an unforgettable dinner party, an all-night swap of stories and passionate stances. We invite you to subscribe to the Sewanee Review and explore the content that makes this magazine the most highly regarded of any literary quarterly in the world.

Published biannually in March and October, Sirena is an international and multilingual journal of poety and art, publishing the original work of poets and artists from around the globe. In the case of poetry, each work appears in its original language as well as in translation into Spanish and English, and it includes works by well established poets. The journal also publishes critical essays on poetry, art, and translation studies, as well as reviews of books.

The Southern Review is one of the nation’s premiere literary journals. Hailed by Time as "superior to any other journal in the English language," we have made literary history since our founding in 1935. We publish a diverse array of fiction, nonfiction, and poetry by the country’s—and the world’s—most respected contemporary writers.