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Leonard Bi Tirga, son of a poor peasant, is a studious pupil. Due to shortage of finances, he has to leave school to make ends meet and pursue his studies. Leonard becomes a sweatshop labourer. As a young labourer, his life like that of his peers is hard. The pay rate is low and the work is hard. With his friends, they engage in trade union activism. A series of complicated and trying events reinforces their conviction to militate. Thus, Leonard and his friend Camille become Union leaders. Leonardís character trait and uprightness explains the book title, Bi Tirga. In the Moore language, this means a well educated, honest, hardworking, courageous and well-behaved youth.
A Novel of Antarctica
Through quirky plots, one-of-kind characters, and more than a few twists, the stories in Big Bend examine gentle-hearted men and their relationships. From made-in-heaven meetings to troublesome liaisons, Roorbach's characters experience romance in unexpected, sometimes disastrous ways.
In "Fog," a teenage boy learns hard lessons about canoes, the Gulf of Maine, sex, and love. A struggling young artist goes home for the holidays in search of succor for the stomach—and heart—with poor results in "Thanksgiving." Other stories recount the ultimately disastrous reunion of estranged friends, an unemployed architect's foolish courting with bad company, and a middle-aged rock star's struggle with the urge to settle down. In the tiitle story, "Big Bend," a grieving widower, troubled by his own waning years, is tempted by a seductively attentive birdwatcher no older than his daughter.
Poignant tales of hauntingly familiar situations, Bill Roorbach's stories are full of heart, romance, edgy humor, and the frequently concealed vulnerability of men.
In prose highlighted by both satire and poignant observation, Ostlund offers characters that represent a different sort of everyman—men and women who poke fun at ideological rigidity while holding fast to good grammar and manners, people seeking connections in a world that seems increasingly foreign. In Upon Completion of Baldness” a young woman shaves her head for a part in a movie in Hong Kong that will help her escape life with her lover in Albuquerque. The precocious narrator of All Boy” finds comfort when he is locked in a closet by a babysitter. In Dr. Deneau's Punishment” a math teacher leaving New York for Minnesota as a means of punishing himself engages in an unsettling method of discipline. A lesbian couple whose relationship is disintegrating flees to the Moroccan desert in The Children beneath the Seat.” And in Idyllic Little Bali” a group of Americans gathers around a pool in Java to discuss their brushes with fame and ends up witnessing a man's fatal flight from his wife.
In the eleven stories in The Bigness of the World we see that wherever you are in the world, where you came from is never far away.
& Other Stories
Welcome to the peculiar and headlong world of Brian Doyle's fiction, where the odd is happening all the time, reported upon by characters of every sort and stripe. Swirling voices and skeins of story, laughter and rage, ferocious attention to detail and sweeping nuttiness, tears and chortling—these stories will remind readers of the late giant David Foster Wallace, in their straightforward accounts of anything-but-straightforward events; of modern short story pioneer Raymond Carver, a bit, in their blunt, unadorned dialogue; and of Julia Whitty, a bit, in their willingness to believe what is happening, even if it absolutely shouldn't be. Funny, piercing, unique, memorable, this is a collection of stories readers will find nearly impossible to forget.
The thirteen stories in Birds of Paradise Lost shimmer with humor and pathos as they chronicle the anguish and joy and bravery of America's newest Americans, the troubled lives of those who fled Vietnam and remade themselves in the San Francisco Bay Area. The past--memories of war and its aftermath, of murder, arrest, re-education camps and new economic zones, of escape and shipwreck and atrocity--is ever present in these wise and compassionate stories.
"When BooBoo stabs Morris Boyle I am reading a news magazine that someone has smuggled into the wing."
Thus, the protagonist of this novella introduces us to prison, one of the several worlds he inhabits, worlds most of us would rather ignore but which inexorably, through what we see and hear and read and live on uncountable American streets, has become the one world we can no longer avoid. It seduces us with the voice of drugs and violence. Of the disenfranchised. Of those both at once outside and standing within the center of what no longer holds. It informs us of who we are today.
In the title story, an aging black singer who performs only Elvis songs despite his classic bluesman looks has his regular spot at the local blues jam threatened by a newly arrived Asian American with the unlikely name Robert Johnson. In Man Under,” two friends struggling to be rock musicians in Reagan-era Brooklyn find that their front door has been removed by their landlord. An aspiring writer discovers the afterlife consists of being the stand-in for a famous author on an endless book tour in Another Coyote Story.” Lonely and adrift in Florence, Italy, a young man poses as a tour guide with an art history degree in Know Your Saints.” And in This Is Not a Bar,” a simple night on the town for a middle-aged guitar student and jazz buff turns into a confrontation with his past and an exploration of what is or is not real.
In his depictions of struggling performers, artists, expectant parents, travelers, con-men, temporarily employed academics, and even the recently deceased, Becker asks the question, Which are more important: the stories we tell other people or the ones we tell ourselves?