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Wesleyan University Press has made a significant commitment to the publication of the work of Samuel R. Delany, including this recent fiction, now available in paperback. The three long stories collected in Atlantis: three tales -- "Atlantis: Model 1924," "Erik, Gwen, and D. H. Lawrence's Aesthetic of Unrectified Feeling," and "Citre et Trans" -- explore problems of memory, history, and transgression.
Winner of both the Hugo and Nebula awards, and Guest of Honor at the 1995 World Science Fiction Convention in Glasgow, Delany was won a broad audience among fans of postmodern fiction with his theoretically sophisticated science fiction and fantasy. The stories of Atlantis: three tales are not SF, yet Locus, the trade publication of the science fiction field, notes that the title story "has an odd, unsettling power not usually associated with mainstream fiction."
A writer whose audience extends across and beyond science fiction, black, gay, postmodern, and academic constituencies, Delany is finally beginning to achieve the broader recognition he deserves.
This collection of short stories about the fictional quiltmaker Aunt Jane Parish was originally published in 1907 by Caroline Obenchain (who published under the name of Eliza Calvert Hall). Known for her gentle folk wisdom, Aunt Jane vividly describes a picturesque way of life in the rural South of the nineteenth century.
This unique work lifts the African question out of the dust. Against the backdrop of prison life, it explores the complex reality of being an African in today's world. Through the tight sensitivity and illuminating knowledge of its two principal characters, themselves victims of misplaced justice, greed and lust, it captures the pain and sadness that almost always comes in the wake of betrayal and egotism. The work's message is strong, and is delivered with equal strength by characters whose individual convictions also sway us to their side. We have here a new, powerful shaft of light on the landscape of recent African writing.
The Brion Gysin Reader
Brion Gysin (1916–1986) was a visual artist, historian, novelist, and an experimental poet credited with the discovery of the ‘cut-up’ technique -- a collage of texts, not pictures -- which his longtime collaborator William S. Burroughs put to more extensive use. He is also considered one of the early innovators of sound poetry, which he defines as ‘getting poetry back off the page and into performance.’ Back in No Time gathers materials from the entire Gysin oeuvre: scholarly historical study, baroque fiction, permutated and cut-up poetry, unsettling memoir, selections from The Process and The Last Museum, and his unproduced screenplay of Burroughs’ novel Naked Lunch. In addition, the Reader contains complete texts of several Gysin pieces that are difficult to find, including “Poem of Poems,” “The Pipes of Pan,” and “A Quick Trip to Alamut.”
An Ozark Chronicle
Paddy McGann, Sharp Snaffles, and Bill Bauldy
The twelfth volume in the ongoing Arkansas Edition of the works of William Gilmore Simms, Backwoods Tales brings together three of the best examples of his comic writing. All were written during the last decade of Simms’s life, when he had become a master of his craft. These three tales belong in the tradition of southern backwoods humor, a genre that flourished before the Civil War and produced classic tales by such authors as George Washington Harris, Johnson Jones Hooper, and Thomas Bangs Thorpe. Paddy McGann, “Sharp Snaffles,” and “Bill Bauldy” are all frame tales, told by rustic narrators in authentic dialect, with frequent pauses for libation and comment. These three pieces of writing, never before published together, stand among the best examples of American humor of the nineteenth century.
The Bad Samaritan is set in a kleptomaniac and highly corrupt imaginary African country called Ewawa. Due to mismanagement, financial institutions collapse. Salaries are slashed and there is unprecedented unemployment leading to country exodus. Professor Esole and his wife are not only aggrieved by the salary slashes, but also by the dubious closure of the Post Office Savings Bank with their savings. Desperate for money, they resort to borrowing from private sources at exorbitant interest rates. Esole toddles into politics with the aim of righting things. Will his naÔve approach to politics make or mar?
Incredible Tales of a Modern Bulgarian
Open this book and you are in Door County, Wisconsin, strolling down Coot Lake Road—a one-lane, dead-end gravel track just a few miles from Baileys Harbor and the Lake Michigan shore. Along the way you meet George and Helen O’Malley, who are growing old gracefully. Russell, their brave and empathetic golden retriever, wags hello and offers you a paw to shake.
The Olsons and the Berges live just down the road. Bump Olson is the local septic tank pumper and birdwatcher extraordinaire, and Hans Berge, MD, PhD, was at one time the only Norwegian psychiatrist in Chicago—or so he says. In a cottage out by the highway, you may spot Lloyd Barnes, ex–Tennessee state trooper, hound fancier, and local man of mystery. Uncle Petter Sorenson, visiting from Grand Forks, takes the polar bear plunge at Jacksonport. Around the neighborhood you’ll meet Deputy Doug, the flirtatious cellist Debbie Dombrowski, and Italian import Rosa Zamboni.
Dave Crehore’s sketches of life on the Door peninsula also expound on:
• the delights of codfish pizza
• how to insult Canadians
• what to expect at your fiftieth high school reunion
• how to lose a school board election
• the prevention of creeping old-fogyism
• Marilyn, a buxom eight-pound smallmouth bass
• and what goes on in the winter, when no one is there.