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99 Fables Cover

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99 Fables

“March has picked up where Aesop and Don Marquis left off, prick- ing vanities and exposing antics of chronic phonies. . . . Here are damning truths about the Noblest Animal, here is vitriol without venom. richard Brough catches the full flavor in his illustrations.” —New York Times Book Review

A: a Novel Cover

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A: a Novel

ALAN LINDSAY

A: a Novel is a novel by Alan Lindsay.

About Face Cover

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About Face

CECILE ROSSANT

About Face is a collection of short stories by Cecile Rossant.

About Writing Cover

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About Writing

Seven Essays, Four Letters, & Five Interviews

Samuel R. Delany

Award-winning novelist Samuel R. Delany has written a book for creative writers to place alongside E. M. Forster's Aspects of the Novel and Lajos Egri's Art of Dramatic Writing. Taking up specifics (When do flashbacks work, and when should you avoid them? How do you make characters both vivid and sympathetic?) and generalities (How are novels structured? How do writers establish serious literary reputations today?), Delany also examines the condition of the contemporary creative writer and how it differs from that of the writer in the years of Hemingway, Fitzgerald, and the high Modernists. Like a private writing tutorial, About Writing treats each topic with clarity and insight. Here is an indispensable companion for serious writers everywhere.

Absent. The English Teacher Cover

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Absent. The English Teacher

The English Teacher

When Mr George loses his job teaching English at a private secondary school in Bulawayo, ëhis pension payout, after forty years of full-time service, bought him two jam doughnuts and a soft tomato.í When he backs his uninsured white Ford Escort into a brand new Mercedes Benz, the out-of-court settlement sees him giving up his house to the complainant, Beauticious Nyamayakanuna, and becoming her domestic servant. Through the prism of this engaging post-colonial role reversal, and spiced with Georgeís lessons on Shakespeare, John Eppel draws down the curtain on one particular white man in Africa. But before itís time to go, George will delight us with the antics of his literature classes; his various arrests ñ all timed to coincide with the police chiefís need for help with essays on Hamlet and A Grain of Wheat; his keen eye for flora and fauna; and the long trek back through the hundred years of his familyís Zimbabwean past, as he returns an abandoned child to her home. Eppel has satirized the racial politics of southern Africa in many of his previous novels. In Absent: The English Teacher he turns his gaze inwards for a generous and richly rewarding parody of the land of his birth.

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Absolute Power and other stories

The themes cover a wide range - from the tenacity with which old demagogues hold on to political power, to teenage love and infactuation in the village setting; family life with its challenge and inexorable attraction of married men to their extra-marital satisfaction.

Acacia Cover

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Acacia

Acacia

Acacia is a strong and independent woman whose heart and heritage lie rooted in Africa, while her reality in contemporary America finds itself in a very different time and place. In living her life, she must breach the distance between her current space and the ties that bind her. Straddling two sometimes opposing worlds of medicine and dance, Dr Acacia Graeme must find the balance between feeding her mind through work and study, and nourishing her soul and spirit through dance. And what happened when the music stops? Because it does, often. How will she get through the silence of her every day? This is the story of a flawed heroine whose intentions are pure, her truth perhaps less so. Torn between the enduring innocence of her first love and the life-long search that is her longing for one true love, she is compelled to come to terms with her own free nature and independent spirit and, in so doing, turn tragedy to triumph. - See more at: http://www.africanbookscollective.com/books/acacia#sthash.BuYmFTFv.dpuf

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The Accidental Revolutionary

George Whitefield and the Creation of America

Jerome Dean Mahaffey

Patriots. Founding Fathers. Revolutionaries. For many Americans, the colonial heroes deserve special celebratory reverence. Yet while Washington's leadership, Franklin's writings, and Revere's ride captivate us, the inspiration and influence George Whitefield instilled within the revolutionary spirits of early Americans is regrettably unknown.

In this refreshing biography, Jerome Dean Mahaffey deftly moves beyond Whitefield's colonial celebrity to show how his rhetoric and ministry worked for freedom, situating Whitefield alongside the most revolutionary founders. As this Anglican revivalist traveled among the colonies, he delivered exhilarating sermons deeply saturated with political implications—freedom from oppression, civil justice, communal cooperation. Whitefield helped to encourage in his listeners a longing for a new, uniquely American nationalism.

The Accidental Revolutionary tells the story of this forgotten founder, who may not have realized the repercussions of his words as he spoke them. Now, Mahaffey delicately shows that Whitefield converted colonists not just to Christianity but to a renewed sense of unification that ultimately made possible the American Revolution.

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Adventures of Gil Blas of Santillane

Alain Rene Le Sage Jr.

 

Tobias Smollett, in the preface to his first novel, The Adventures of Roderick Random (1748), acknowledges the influence of Alain René Le Sage’s L’Histoire de Gil Blas de Santillane (1715–35 in four volumes) on his work. By far the most successful of “useful and entertaining” romances, Smollett writes, Gil Blas describes “the knavery and foibles of life, with infinite humour and sagacity.” “The following sheets,” he adds significantly, “I have modeled on his plan.”
 
Smollett’s translation of Gil Blas appeared nine months after the publication of Roderick Random. This chronicle of a merry, philosophical young man whose adventures lead him into all levels of society from the highest to the lowest, presents special problems for a translator. Smollett, without always adhering to the literal expression of the novel’s language, is true to its style, spirit, and ideas. After two and a half centuries, his remains the finest translation of this humorous, satiric, and classic French novel.
 
In his early years in London, Smollett struggled to find a way to distinguish himself through his medical practice, medical writings, poetry, and plays. None of these attempts, however, allowed him to demonstrate the full range of his personality and talents. Only when he combined his own boundless imagination with the skills he had learned from translating Gil Blas was he able to create energetic narratives filled with vivid and original characters.

 

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The Adventures of Peregrine Pickle

Tobias Smollett

This picaresque tale, first published in 1751, was Tobias Smollett’s second novel. Following the fortunes and misfortunes of the egotistical dandy Peregrine Pickle, the novel is written as a series of brief adventures with every chapter typically describing a new escapade. The novel begins with Peregrine as a young country gentleman. His mother rejects him, as do his aloof father and his dissolute, spiteful brother. Commodore Hawser Trunnion takes Peregrine under his care and raises him. Peregrine’s upbringing, education at Oxford, and journey to France, his debauchery, bankruptcy, jailing, and succession to his father’s fortune, and his final repentance and marriage to his beloved Emilia all provide scope for Smollett’s comic and caustic perspective on the Europe of his times. As John P. Zomchick and George S. Rousseau note in the introduction, “by contrasting the genteel and the common, the sophisticated and the primal, Smollett conveys forcefully the way it felt to be alive in the middle of the eighteenth century.”<br /> <br /> The introduction provides an overview of the composition and publication history of Peregrine Pickle and discusses the novel’s critical reception over time by such figures as Lady Luxborough, Sir Walter Scott, Joseph Conrad, and George Orwell. The text of the novel uses the first edition of 1751 as copy-text while recording the second edition’s substantive variants. Included are illustrations by Thomas Rowlandson, Richard Corbould, and George Cruikshank, as well as frontispieces designed by, and engraved in the style of, Henry Fuseli. A complete textual apparatus concludes the volume.

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