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Creative Writing > Drama

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Indigenous North American Drama Cover

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Indigenous North American Drama

Traces the historical dimensions of Native North American drama using a critical perspective.

Interpreting SAMSON AGONISTES Cover

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Interpreting SAMSON AGONISTES

Joseph Anthony Wittreich

Joseph Wittreich reveals Samson to be an intensely political work that reflects the heroic ambitions and failings of the Puritan Revolution and the tragic ambiguities of the era. He sees in the work not the purveyance of Medieval and early Renaissance typological associations but an interrogation of them and a consequent movement away from them.

Originally published in 1986.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Intersecting Boundaries Cover

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Intersecting Boundaries

The Theatre of Adrienne Kennedy

Paul Bryant-Jackson

Although Adrienne Kennedy's plays are highly regarded in the world of American theater, this is the first major critical study of her work. Topics covered encompass all of Kennedy's writing for the theater and explore her innovative dramaturgy in the context of its intersections with African, modern, postmodern, and contemporary drama, African-American consciousness, and feminist theory in theater. In addition to examining the incredible variety of Kennedy's work and suggesting critical strategies that will support fuller study of her dramatic writing, Intersecting Boundaries demonstrates that only through a collage of critical models can the complexity and richness of her postmodern dramaturgy be illumined. Interviews with persons directly involved in the productions of Kennedy's work emphasize the central role theater artists have had in shaping her plays--ultimately suggesting useful approaches for the production of these compelling dramas. Contents Part I: The Life and Work *Adrienne Kennedy: An Interview. Paul K. Bryant-Jackson and Lois More Overbeck *People Who Led to My Plays: Adrienne Kennedy's Autobiography, Werner Sollors *The Life of the Work: A Preliminary Sketch, Lois More Overbeck Part II: Intersecting Dramatic Traditions *Kennedy's Travelers in the American and African Continuum, Paul K. Bryant-Jackson *Diverse Angles of Vision: Two Black Women Playwrights, Margaret B. Wilkerson *Adrienne Kennedy and the First Avant-Garde *Adrienne Kennedy Through the Lens of German Expressionism, William R. Elwood *Surrealism as Mimesis: A Doctor's Guide to Adrienne Kennedy's Funnyhouse of a Negro, Robert Scanlan Part III: Changing Boundaries: Interpretive Approaches *Locating Adrienne Kennedy: Prefacing the Subject, Kimberly W. Benston *Mimesis in Syncopated Time: Reading Adrienne Kennedy, Elin Diamond *(Hetero) Sexual Terrors in Adrienne Kennedy's Early Plays, Rosemary Curb *Kennedy's Body Politic: The Mulatta, Menses, and the Medusa, Jeanie Forte *"A Spectator Watching My Life": Adrienne Kennedy's A Movie Star Has to Star in Black and White, Deborah R. Geis *Critical Reflections: Adrienne Kennedy, the Writer, the Work, bell hooks Part IV: Performance as a Collaborative Art *An Interview with Michael Kahn, Howard Stein *An Interview with Gaby Rodgers, Howard Stein *An Interview with Gerald Freedman, Paul K. Bryant-Jackson *An Interview with Billie Allen, Paul K. Bryant-Jackson and Lois More Overbeck *Developing a Concert for the Spoken Voice: Solo Voyages, and an Interview with Robbie McCauley, David Willinger

Irish Theater in America Cover

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Irish Theater in America

Essays on Irish Theatrical Diaspora

edited by John P. Harrington

For more than 150 years, Irish playwrights, beginning with Dion Boucicault, have been celebrated by American audiences. However, Irish theater as represented on the American stage is merely a sampling of the national drama, and the underlying causes of Irish dramatic success in America illuminate the cultural state of both countries at specific historical moments. Irish Theater in America is the first book devoted entirely to the long history of this transatlantic exchange. Born out of the Irish Theatrical Diaspora project, this collection brings together leading American and Irish scholars with established theater critics. The contributors explore the history of Irish theater in America, from Harrigan and Hart to the recent productions of senior Irish playwrights such as Brian Friel and younger writers such as Martin McDonagh and Conor McPherson. Examining the complexity of the relationship between Irish theater and American audiences, this volume goes beyond analyses of plays to include examinations of company dynamics, tours of companies and actors, audience reception, and the production history of individual works.

Irish Women Dramatists Cover

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Irish Women Dramatists

1908-2001

edited by Eileen Kearney and Charlotte Headrick

Irish women dramatists have long faced an uphill challenge in getting the recognition and audience of their male counterparts. There are more female playwrights now than ever before, but they are often ignored by mainstream theatres. Kearney and Headrick strive to shift the spotlight with Irish Women Dramatists. The plays collected in this volume represent a cross-section of the excellent dramatic output of Irish women writing in the twentieth century. In addition to the scripts and biographical introductions, the anthology includes a detailed, critical, annotated essay addressing the development of the Irish theatre throughout this time period, and the place women have artistically carved out for themselves in a traditionally male-dominated theatre industry and dramatic canon. One of the few collections of plays by Irish women, this volume contextualizes the political and sociological climate in which these playwrights developed. As theatre practitioners—actors and directors—as well as scholars, Kearney and Headrick have devoted years of research to discovering and rediscovering the contributions these women have made—and continue to make—in the Irish and world theatre scenes.

Jonson and the Psychology of Public Theater Cover

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Jonson and the Psychology of Public Theater

To Coin the Spirit, Spend the Soul

John Gordon Sweeney

This book is a study of Ben Jonson's relationship with his audience in the public theater, as the relationship changed in the course of his career from the comical satires to Bartholomew Fair

Originally published in 1984.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Last Hope Cover

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The Last Hope

This play was written as part of an evaluation of Africaís oldest and most diverse rainforest conservation initiative in the Korup area, with the aim of highlighting and sharing some lessons learnt from the creation of the Korup National Park, through a period of full activity, to when activities were considerably reduced. It is a fine blend of the results of the evaluation and some carefully developed fictional, artistic materials for the achievement of an overall dramatic effect. Ekpe Inyang gives an informed artistic touch to achieve dramatic effects, succinctly relating the story of Cameroonís first rainforest national park, Korup.

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Latin American Melodrama

Passion, Pathos, and Entertainment

Darlene J. Sadlier

Like their Hollywood counterparts, Latin American film and TV melodramas have always been popular and highly profitable. The first of its kind, this anthology engages in a serious study of the aesthetics and cultural implications of Latin American melodramas. Written by some of the major figures in Latin American film scholarship, the studies range across seventy years of movies and television within a transnational context, focusing specifically on the period known as the "Golden Age" of melodrama, the impact of classic melodrama on later forms, and more contemporary forms of melodrama. An introductory essay examines current critical and theoretical debates on melodrama and places the essays within the context of Latin American film and media scholarship._x000B__x000B_Contributors are Luisela Alvaray, Mariana Baltar, Catherine L. Benamou, Marvin D'Lugo, Paula Felix-Didier, Andres Levinson, Gilberto Perez, Darlene J. Sadlier, Cid Vasconcelos, and Ismail Xavier.

Leopard Watch Cover

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Leopard Watch

In beautifully constructed verse, JK Bannavti's Leopard Watch tells the story of a Fon who out of greed and veiled impiety devastates the land over which he rules. The Fon, The King of Bamkov is in a perpetual state of slumber while an illusive beast drives terror into the heart of the kingdom, killing children as well as cattle. Neither the cries of the people nor pressure from the notables seems to have any effect on him. The population of the clan diminishes daily while the Fon sleeps, snores, and drools in the day, and growls, chews, and laps in the night. When finally the notables join the youth vigilante group to hunt down the beast, they come face to face with the devourer who narrowly escapes. A day later, one of the notables, Gwei, in a drunken state encounters and kills the leopard at night as he returns from the market. Amidst jubilation and in honor of Gwei the Fon collapses off his horse and dies. His carcass lies in the same state as that of the dead leopard.

Life's a Dream  Cover

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Life's a Dream

(La Vida es Sueño)

By Pedro Calderón de la Barca, Translated by Michael Kidd

Co-Winner of the 2004 Colorado Endowment for the Humanities Publication Prize

"A snappy, playable though poetic prose translation by Michael Kidd (Carleton College) of Calderón's famous La vida es sueño. That is arguably the best of the 500 plays that survive from this dramatist's alleged 2000 efforts. Moreover, the translation comes with excellent critical introduction, supporting materials, and a glossary. Life's a Dream . . . is the best choice for any university or other theater group that wants to stage this play. The fact that modern English prose cannot capture the florid fol-de-rol of early seventeenth-century Spanish is actually an advantage. The love story and the political implications emerge unscathed."—Chronique, Biliothèque d'Humanisme et Renaissance

"An excellent and reliable English edition of one of the Spanish Golden Age's more fascinating plays."—Frederick A. de Armas, University of Chicago

”This is a faithful, accurate, and eminently actable poetic prose translation of Calderón's masterpiece, which ingeniously resolves its many intricate linguistic and semantic puzzles."—José María Ruano de la Haza, University of Ottawa

"A first-class version of one of the all-time classics of world literature."—Julio Baena, University of Colorado at Boulder

A beautiful and haunting tale of love, betrayal, knowledge, and power, Life's a Dream (La vida es sueño, 1636) is the best known and most widely admired play of Catholic Europe's greatest dramatist, Pedro Calderón de la Barca (1600-1681). Calderón's long life witnessed both the pinnacle and collapse of Spanish political power as well as the great flowering of Spanish classical literature. Michael Kidd's new prose translation renders Calderón's masterpiece into a transparent, modern American idiom that preserves the beauty and complexity of Calderón's Baroque Spanish. The result is a highly readable and adaptable text that is enhanced by a generous selection of supporting materials, including a thorough critical introduction and glossary.

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