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Feminist, Queer, and Post-Masculinist Perspectives
Viewing the work of twelve prominent photographers, including Graciela Iturbide, Pedro Meyer, and Marcos López, this first far-ranging analysis of gendered perspectives in Latin American photography demonstrates the importance of this art form within Latin American cultural production.
The Aries Press was an American private press founded by Spencer Kellogg, Jr. in the 1920s. A second-generation millionaire and patron of the arts, Kellogg was influenced by the Arts and Crafts Movement. Though little known today, the Aries Press produced fine examples of exceptional printing. Richard Kegler, Director of the Book Arts Program at Wells College, documents its history accompanied by fine illustrations and samples from the Press.
Making and Exporting Arpilleras Under Pinochet
This pioneering study of Chilean arpillera folk art and its makers, sellers, and buyers explores the creation of a solidarity art system and shows how art can be a powerful force for opposing dictatorship and empowering oppressed people.
Sixteenth-century wall paintings in a Buddhist temple in the Tibetan cultural zone of northwest India are the focus of this innovative and richly illustrated study. Initially shaped by one set of religious beliefs, the paintings have since been reinterpreted and retraced by a later Buddhist community, subsumed within its religious framework and communal memory. Melissa Kerin traces the devotional, political, and artistic histories that have influenced the paintings' production and reception over the centuries of their use. Her interdisciplinary approach combines art historical methods with inscriptional translation, ethnographic documentation, and theoretical inquiry to understand religious images in context.
The “biennale culture” now determines much of the art world. Literature on the worldwide dissemination of art assumes nationalism and ethnic identity, but rarely analyzes it. At the same time there is extensive theorizing about globalization in political theory, cultural studies, postcolonial theory, political economy, sociology, and anthropology. Art and Globalization brings political and cultural theorists together with writers and historians concerned specifically with the visual arts in order to test the limits of the conceptualization of the global in art.
Among the major writers on contemporary international art represented in this book are Rasheed Araeen, Joaquín Barriendos, Susan Buck-Morss, John Clark, Iftikhar Dadi, T. J. Demos, Néstor García Canclini, Charles Green, Suman Gupta, Harry Harootunian, Michael Ann Holly, Shigemi Inaga, Fredric Jameson, Caroline Jones, Thomas DaCosta Kaufmann, Anthony D. King, Partha Mitter, Keith Moxey, Saskia Sassen, Ming Tiampo, and C. J. W.-L. Wee.
Art and Globalization is the first book in the Stone Art Theory Institutes Series. The five volumes, each on a different theoretical issue in contemporary art, build on conversations held in intensive, weeklong closed meetings. Each volume begins with edited and annotated transcripts of those meetings, followed by assessments written by a wide community of artists, scholars, historians, theorists, and critics. The result is a series of well-informed, contentious, open-ended dialogues about the most difficult theoretical and philosophical problems we face in rethinking the arts today.
Civic Imagination and Cultural Authority in Los Angeles
No longer represented only by Hollywood and the commercial fashion industry, Los Angeles in recent years has received international media attention as one of the world's new art centers. From the appearance of local artists in major European exhibitions to widely reported multimillion-dollar museum endowments, Los Angeles has entered the world cultural stage.
Art and the City: Civic Imagination and Cultural Authority in Los Angeles places this celebrated arrival in the richer context of art controversies and political contests over modern art and art spaces in the twentieth century. The Ferus Gallery's pop-infused "L.A. Look" and "finish-fetish," now synonymous with Los Angeles's postwar modernist aesthetics, emerged from a dispersed art community that struggled in the 1950s to find a toehold in a local scene reeling from the censure of the McCarthy era. The Watts Towers have long faced neglect despite their international fame, while Venice Beach, Barnsdall Park, Griffith Park, and Olvera Street proved highly contentious sites of urban cultural expression.
Challenging historical accounts that situate the city's origins as an art center in the 1960s, Art and the City argues that debates over modernism among artists and civic leaders alike made art a charged political site as early as the 1910s. The legacy of those early battles reverberated throughout the century. Because of a rich tradition of arts education and the presence of Hollywood, Los Angeles historically hosted a talented population of contemporary artists. However, because of the snug relationship between urban aesthetics and capital investment that underscored the booster goals of the civic arts movement, modern artists were pushed out of public exhibition spaces until after World War II. Art and the City uncovers the historic struggles for cultural expression and creative space that are hidden behind the city's booster mythology.
Roger Fry on Commerce in Art, Selected Writings, Edited with an Interpretation
Roger Fry, a core member of the Bloomsbury Group, was involved with all aspects of the art market as artist, critic, curator, historian, journalist, advisor to collectors, and gallery operator. He is especially remembered as the person who introduced postimpressionist art to Britain. Reprinted in this volume are seventeen of Fry's works on commerce in art. Although he had no formal training in economics, Fry addressed the art market as a modern economist might do. It is therefore fitting that his writings receive here an original interpretation from the perspective of a modern economist, Craufurd D. Goodwin. Goodwin explores why Fry's work is both a landmark in the history of cross-disciplinary thought and a source of fresh insights into a wide range of current policy questions. The new writings included contain Fry's most important contributions to theory, history, and debates over policy as he explored the determinants of the supply of art, the demand for art, and the art market institutions that facilitate exchange. His ideas and speculations are as stimulating and provocative today as when they were written. "A fascinating selection of essays by one of the twentieth century's most thoughtful and stimulating critics. Goodwin's introduction sets the stage beautifully, providing useful links to Veblen and Keynes." --D. E. Moggridge, University of Toronto "Art and the Market uncovers new connections between aesthetics and art in the Bloomsbury Group. . . . Goodwin adds significantly to the understanding of cultural economics in the work of Fry himself as well as J. M. Keynes and even Leonard and Virginia Woolf." --S. P. Rosenbaum, University of Toronto "All those interested in the arts and economics, and their connections, will be delighted by this collection, as will be students of Bloomsbury." --Peter Stansky, Stanford University Craufurd D. Goodwin is James B. Duke Professor of Economics, Duke University.