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The World War II Photographs of Captain Charlotte T. McGraw
The photographs taken by Charlotte T. McGraw, the official Women’s Army Corps photographer during World War II, offer the single most comprehensive visual record of the approximately 140,000 women who served in the U.S. Army during the war. This collection of 150 of McGraw’s photos includes pictures made in Africa, in England at the headquarters of the European Theater of Operations, in Asia and the Pacific, and in military hospitals in the United States.
Serving from July 1942 to August 1946, Captain McGraw provided more than 73,000 photographs to the War Department Bureau of Public Affairs. Her photographs were published in the New York Times, New York Herald Tribune, and used by the Associated Press and the United Press, as well as in recruiting posters, handouts and informational pamphlets, and in the most popular magazines of the era such as Time, Colliers, Women’s Home Companion, Parade, Saturday Evening Post, and Mademoiselle.
Building Blocks to Cool Our Planet
The Carbon Efficient City shows how regional economies can be aligned with practices that drive carbon efficiency. It details ten strategies for reducing carbon emissions in our cities: standardized measurement, frameworks that support innovation, regulatory alignment, reducing consumption, reuse and restoration, focus on neighborhoods, providing spaces for nature, use of on-site life cycles for water and energy, coordination of regional transportation, and emphasis on solutions that delight people.
The Artistry of Early New England Gravestones
Gravestones are colonial America's earliest sculpture and they provide a unique physical link to the European people who settled here. Carved in Stone book is an elegant collection of over 80 fine duotone photographs, each a personal meditation on an old stone carving, and on New England's past, where these stones tell stories about death at sea, epidemics such as small pox, the loss of children, and a grim view of the afterlife. The essay is a graceful narrative that explores a long personal involvement with the stones and their placement in New England landscape, and attempts to trace the curious and imperfectly documented story of carvers. Brief quotes from early New England writers accompany the images, and captions provide basic information about each stone. These meditative portraits present an intimate view of figures from New England graveyards and will be enjoyed by anyone with an interest in early Americana and fine art photography.
Confronting Modernity Through the Lens of Tradition
Chaim Potok was a world-class writer and scholar, a Conservative Jew who wrote from and about his tradition and his conflicts between observance and acculturation. With a plain, straightforward style, his novels were set against the moral, spiritual and intellectual currents of the twentieth century. The aim of the collection is to widen further the lens through which we read Chaim Potok, to establish him as an authentic American writer, one who has created unforgettable characters forging for themselves American identities while also retaining their Jewish nature. These essays illuminate the central struggle in Potok’s novels, the struggle resulting from a profound desire to reconcile the appeal of modernity with the pull of traditional Judaism. The volume concludes with a memoir by Adena Potok and Chaim Potok’s “My Life as a Writer,” a speech the author gave at Penn State in 1982. Aside from the editor, the contributors are Victoria Aarons, Nathan Devir, Jane Eisner, Susanne Klingenstein, Lillian Kremer, Jessica Lang, Sanford Marovitz, Kathryn McClymond, Hugh Nissenson, Adena Potok, Chaim Potok, and Jonathan Rosen.
Vol. 1 (2011) through current issue
Change Over Time is a new, semiannual journal focused on publishing original, peer-reviewed research papers and review articles on the history, theory, and praxis of conservation and the built environment. Each issue is dedicated to a particular theme as a method to promote critical discourse on contemporary conservation issues from multiple perspectives both within the field and across disciplines. Themes will be examined at all scales, from the global and regional to the microscopic and material.
A Pleasure Garden
Chanticleer, a forty-eight-acre garden on Philadelphia's historic Main Line, is many things simultaneously: a lush display of verdant intensity and variety, an irreverent and informal setting for inventive plant combinations, a homage to the native trees and horticultural heritage of the mid-Atlantic, a testament to one man's devotion to his family's estate and legacy, and a good spot for a stroll and picnic amid the blooms. In Chanticleer: A Pleasure Garden, Adrian Higgins and photographer Rob Cardillo chronicle the garden's many charms over the course of two growing cycles.
Built on the grounds of the Rosengarten estate in Wayne, Pennsylvania, Chanticleer retains a domestic scale, resulting in an intimate, welcoming atmosphere. The structure of the estate has been thoughtfully incorporated into the garden's overall design, such that small gardens created in the footprint of the old tennis court and on the foundation of one of the family homes share space with more traditional landscapes woven around streams and an orchard.
Through conversations and rambles with Chanticleer's team of gardeners and artisans, Higgins follows the garden's development and reinvention as it changes from season to season, rejoicing in the hundred thousand daffodils blooming on the Orchard Lawn in spring and marveling at the Serpentine's late summer crop of cotton, planted as a reminder of Pennsylvania's agrarian past. Cardillo's photographs reveal further nuances in Chanticleer's landscape: a rare and venerable black walnut tree near the entrance, pairs of gaily painted chairs along the paths, a backlit arbor draped in mounds of fragrant wisteria. Chanticleer fuses a strenuous devotion to the beauty and health of its plantings with a constant dedication to the mutability and natural energy of a living space. And within the garden, Higgins notes, there is a thread of perfection entwined with whimsy and continuous renewal.
The early 1980s saw a revolution in mainstream comics--in subject matter, artistic integrity, and creators' rights--as new methods of publishing and distribution broadened the possibilities. Among those artists utilizing these new methods, Chester Brown (b. 1960) quickly developed a cult following due to the undeniable quality and originality of his Yummy Fur (1983-1994).
Chester Brown: Conversations collects interviews covering all facets of the cartoonist's long career and includes several pieces from now-defunct periodicals and fanzines. Brown was among a new generation of artists whose work dealt with decidedly nonmainstream subjects. By the 1980s comics were, to quote a by-now well-worn phrase, "not just for kids anymore," and subsequent censorious attacks by parents concerned about the more salacious material being published by the major publishers--subjects that routinely included adult language, realistic violence, drug use, and sexual content--began to roil the industry. Yummy Fur came of age during this storm and its often-offensive content, including dismembered, talking penises, led to controversy and censorship.
With Brown's highly unconventional adaptations of the Gospels, and such comics memoirs as The Playboy (1991/1992) and I Never Liked You (1991-1994), Brown gradually moved away from the surrealistic, humor oriented strips toward autobiographical material far more restrained and elegiac in tone than his earlier strips. This work was followed by Louis Riel (1999-2003), Brown's critically acclaimed comic book biography of the controversial nineteenth-century Canadian revolutionary, and Paying for It (2011), his best-selling memoir on the life of a john.
For more than a century, Chicago's skyline has included some of the world's most distinctive and inspiring buildings. This history of the Windy City's skyscrapers begins in the key period of reconstruction after the Great Fire of 1871 and concludes in 1934 with the onset of the Great Depression, which brought architectural progress to a standstill. During this time, such iconic landmarks as the Chicago Tribune Tower, the Wrigley Building, the Marshall Field and Company Building, the Chicago Stock Exchange, the Palmolive Building, and many others rose to impressive new heights, thanks to innovations in building methods and materials. Solid, earthbound edifices of iron, brick, and stone made way for towers of steel and plate glass, imparting a striking new look to Chicago's growing urban landscape. Thomas Leslie reveals the daily struggles, technical breakthroughs, and negotiations that produced these magnificent buildings. The book includes detailed analyses of how foundation materials, framing structures, and electric lighting developed throughout the years, showing how the skeletal frames of the Rookery, Ludington, and Leiter Buildings led to the braced frames of the Masonic Temple and Schiller Building and eventually to the concealed frames of the City Opera, Merchandise Mart, and other Chicago landmarks. Leslie also considers how the city's infamous political climate contributed to its architecture, as building and zoning codes were often disputed by shifting networks of rivals, labor unions, professional organizations, and municipal bodies. Featuring more than a hundred photographs and illustrations of the city's physically impressive and beautifully diverse architecture, Chicago Skyscrapers, 1871 - 1934 shows how during these decades, Chicago's architects, engineers, and builders learned from one another's successes and failures to create an exceptionally dynamic, energetic period of architectural progress.