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My Life, My Work, My Art
Bringing Aztlan to Mexican Chicago is the autobiography of Jose Gamaliel Gonzalez, an impassioned artist willing to risk all for the empowerment of his marginalized and oppressed community. Through recollections emerging in a series of interviews conducted over a period of six years by his friend Marc Zimmerman, Gonzalez looks back on his life and his role in developing Mexican, Chicano, and Latino art as a fundamental dimension of the city he came to call home._x000B__x000B_Born near Monterrey, Mexico, and raised in a steel mill town in northwest Indiana, Gonzalez studied art at the School of the Art Institute of Chicago and the University of Notre Dame. Settling in Chicago, he founded two major art groups: El Movimiento ArtÃstico Chicano (MARCH) in the 1970s and Mi Raza Arts Consortium (MIRA) in the 1980s. _x000B__x000B_With numerous illustrations, this book portrays Gonzalez's all-but-forgotten community advocacy, his commitments and conflicts, and his long struggle to bring quality arts programming to the city. By turns dramatic and humorous, his narrative also covers his bouts of illness, his relationships with other artists and arts promoters, and his place within city and barrio politics.
Rolling hills, rich forests, and beautiful vistas have made Brown County, Indiana, a favorite haunt of painters and ordinary tourists. In this gorgeous collection, landscape photographer Gary Moore reveals the spirit of the place in the morning hours as it awakens to the new day. Complementing Moore’s wonderful photographs is a text by James P. Eagleman, one of the area’s lifelong naturalists, which showcases the county’s unique flora and fauna. Included with more than 100 color landscape photographs are Moore’s tips on composition, atmosphere, and lighting, encouraging readers to test their creativity with whatever equipment they possess. A book to treasure, Brown County Mornings beckons visitors to enjoy this magical place at any time of day or year.
The promotion of classicism in the visual arts in late eighteenth and nineteenth-century Latin America and the need to “revive” buen gusto (good taste) are the themes of this collection of essays. The contributors provide new insights into neoclassicism and buen gusto as cultural, not just visual, phenomena in the late colonial and early national periods and promote new approaches to the study of Latin American art history and visual culture.
The essays examine neoclassical visual culture from assorted perspectives. They consider how classicism was imposed, promoted, adapted, negotiated, and contested in myriad social, political, economic, cultural, and temporal situations. Case studies show such motivations as the desire to impose imperial authority, to fashion the nationalist self, and to form and maintain new social and cultural ideologies. The adaptation of classicism and buen gusto in the Americas was further shaped by local factors, including the realities of place and the influence of established visual and material traditions.
This book examines in detail the external walls of buildings in Hong Kong. It is organized into two parts. The first part of the book presents readers with various factors such as technology and sustainability that affect the design of external walls. The twenty case studies in the second part illustrate a range of external wall designs in current trends that take account of both environmental and aesthetic issues.
The Legacy of the Public Works Administration
Robert D. Leighninger, Jr., believes there may be a model for municipal building projects everywhere in the ambitious and artful structures erected in Louisiana by the Public Works Administration. In the 1930s, the PWA built a tremendous amount of infrastructure in a very short time. Most of the edifices are still in use, yet few people recognize how these schools, courthouses, and other great structures came about. Building Louisiana documents the projects one New Deal agency erected in one southern state and places these in social and political context. Based on extensive research in the National Archives and substantial field work within the state, Leighninger has gathered the story of the establishment of the PWA and the feverish building activity that ensued. He also recounts early tussles with Huey Long and the scandals involving public works discovered during the late New Deal. The book includes looks at individual projects of particular interest--"Big Charity" hospital, the Carville leprosy center, the Shreveport incinerator, and the LSU sugar plant. A concluding chapter draws lessons from the PWA's history that might be applied to current political concerns. Also included is an annotated inventory of every PWA project in the state. Finally, this composite picture honors those workers and policymakers who, in a time of despair, expressed hope for the future with this enduring investment. Robert D. Leighninger, Jr., is faculty associate in the School of Social Work at Arizona State University. He is the author of Long Range Public Investment: The Forgotten Legacy of the New Deal.
A Handbook for Small and Midsize Organizations
Perhaps your museum’s archives have run out of space, or its public programs have outgrown their facility. Perhaps a generous donor or an energetic campaign has provided the funding for a renovation, a new wing, or a new building. Whatever the circumstances, small and midsized museums can find themselves taking on a construction project. But those responsible for seeing that it’s done right—board members, museum professionals, and skilled museum volunteers—are seldom experienced in the high-stakes world of construction management. This handbook outlines the processes and explains the complexities of renovating and building facilities. It highlights what issues to consider and what questions to ask; it outlines steps from needs assessment and project planning to design development, budgeting, construction, and, finally, settling into the new space; it provides the vocabulary and framework for the specific challenges of museum construction. Written by staff members at the Minnesota Historical Society who have consulted on scores of building projects, this volume helps museum professionals and volunteers understand the construction process to achieve their goals in a time of tight budgets.
The Architecture of Gridley J.F. Bryant
Much of Boston's rich heritage of Victorian buildings dates from the mid-nineteenth century when Gridley James Fox Bryant (1816–1899) dominated the profession of architecture in the city. At that time, Boston was undergoing a transformation from a quaint post-colonial town to a rapidly expanding Victorian metropolis. Bryant led this transformation, providing an important link between the earlier architecture of Charles Bulfinch and Alexander Parris and the later work of such practitioners as H. H. Richardson and Peabody & Stearns. In Building Victorian Boston, Roger Reed focuses on representative projects by Bryant, presenting them in a chronological narrative that both illuminates the trajectory of his career and creates a portrait of the profession of architecture during a defining period of New England history. Bryant designed more major buildings in Boston from 1840 to 1880 than any other architect. He also undertook commissions throughout New England, especially in towns linked to Boston by newly constructed railroad lines. In many ways, his practice presaged aspects of modern architectural firms. His ability to work with a variety of designers, his expertise in construction management, and his exceptional talent for self-promotion all contributed to his success. Although by the time of his death his work was no longer fashionable, newspaper accounts noted the passing of the "Famed Bostonian" and "Great Builder" whose career had had such a dramatic impact on the face of the city. For this volume, Reed has tracked down hundreds of Bryant's drawings as well as specifications, letters, newspaper articles, published renderings, and historical photographs. These materials are amply represented in this book, the definitive study of a quintessential Victorian architect.