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The Legacy of the Public Works Administration
Robert D. Leighninger, Jr., believes there may be a model for municipal building projects everywhere in the ambitious and artful structures erected in Louisiana by the Public Works Administration. In the 1930s, the PWA built a tremendous amount of infrastructure in a very short time. Most of the edifices are still in use, yet few people recognize how these schools, courthouses, and other great structures came about. Building Louisiana documents the projects one New Deal agency erected in one southern state and places these in social and political context. Based on extensive research in the National Archives and substantial field work within the state, Leighninger has gathered the story of the establishment of the PWA and the feverish building activity that ensued. He also recounts early tussles with Huey Long and the scandals involving public works discovered during the late New Deal. The book includes looks at individual projects of particular interest--"Big Charity" hospital, the Carville leprosy center, the Shreveport incinerator, and the LSU sugar plant. A concluding chapter draws lessons from the PWA's history that might be applied to current political concerns. Also included is an annotated inventory of every PWA project in the state. Finally, this composite picture honors those workers and policymakers who, in a time of despair, expressed hope for the future with this enduring investment. Robert D. Leighninger, Jr., is faculty associate in the School of Social Work at Arizona State University. He is the author of Long Range Public Investment: The Forgotten Legacy of the New Deal.
A Handbook for Small and Midsize Organizations
Perhaps your museum’s archives have run out of space, or its public programs have outgrown their facility. Perhaps a generous donor or an energetic campaign has provided the funding for a renovation, a new wing, or a new building. Whatever the circumstances, small and midsized museums can find themselves taking on a construction project. But those responsible for seeing that it’s done right—board members, museum professionals, and skilled museum volunteers—are seldom experienced in the high-stakes world of construction management. This handbook outlines the processes and explains the complexities of renovating and building facilities. It highlights what issues to consider and what questions to ask; it outlines steps from needs assessment and project planning to design development, budgeting, construction, and, finally, settling into the new space; it provides the vocabulary and framework for the specific challenges of museum construction. Written by staff members at the Minnesota Historical Society who have consulted on scores of building projects, this volume helps museum professionals and volunteers understand the construction process to achieve their goals in a time of tight budgets.
The Architecture of Gridley J.F. Bryant
Much of Boston's rich heritage of Victorian buildings dates from the mid-nineteenth century when Gridley James Fox Bryant (1816–1899) dominated the profession of architecture in the city. At that time, Boston was undergoing a transformation from a quaint post-colonial town to a rapidly expanding Victorian metropolis. Bryant led this transformation, providing an important link between the earlier architecture of Charles Bulfinch and Alexander Parris and the later work of such practitioners as H. H. Richardson and Peabody & Stearns. In Building Victorian Boston, Roger Reed focuses on representative projects by Bryant, presenting them in a chronological narrative that both illuminates the trajectory of his career and creates a portrait of the profession of architecture during a defining period of New England history. Bryant designed more major buildings in Boston from 1840 to 1880 than any other architect. He also undertook commissions throughout New England, especially in towns linked to Boston by newly constructed railroad lines. In many ways, his practice presaged aspects of modern architectural firms. His ability to work with a variety of designers, his expertise in construction management, and his exceptional talent for self-promotion all contributed to his success. Although by the time of his death his work was no longer fashionable, newspaper accounts noted the passing of the "Famed Bostonian" and "Great Builder" whose career had had such a dramatic impact on the face of the city. For this volume, Reed has tracked down hundreds of Bryant's drawings as well as specifications, letters, newspaper articles, published renderings, and historical photographs. These materials are amply represented in this book, the definitive study of a quintessential Victorian architect.
Vol. 14 (2007) through current issue
Buildings & Landscapes examines the built world-houses and cities, farmsteads and alleys—churches and courthouses, subdivisions and shopping malls—that make up the spaces that most people experience every day. Strongly based on fieldwork and archival work that views buildings as windows into human life and culture, articles are written by historians, preservationists, architects, cultural and urban geographers, cultural anthropologists, and others whose work involves the documentation, analysis and interpretation of the built world. Formerly titled Perspectives in Vernacular Architecture, Buildings & Landscapes is presently an annual publication that will begin publishing two issues a year beginning in 2009.
A Year in the Highlands of Ecuador
Once isolated from the modern world in the heights of the Andean mountains, the indigenous communities of Ecuador now send migrants to New York City as readily as they celebrate festivals whose roots reach back to the pre-Columbian past. Fascinated by this blending of old and new and eager to make a record of traditional customs and rituals before they disappear entirely, photographer-journalist Judy Blankenship spent several years in Cañar, Ecuador, photographing the local people in their daily lives and conducting photography workshops to enable them to preserve their own visions of their culture. In this engaging book, Blankenship combines her sensitively observed photographs with an inviting text to tell the story of the most recent year she and her husband Michael spent living and working among the people of Cañar. Very much a personal account of a community undergoing change, Cañar documents such activities as plantings and harvests, religious processions, a traditional wedding, healing ceremonies, a death and funeral, and a home birth with a native midwife. Along the way, Blankenship describes how she and Michael went from being outsiders only warily accepted in the community to becoming neighbors and even godparents to some of the local children. She also explains how outside forces, from Ecuador’s failing economy to globalization, are disrupting the traditional lifeways of the Cañari as economic migration virtually empties highland communities of young people. Blankenship’s words and photographs create a moving, intimate portrait of a people trying to balance the demands of the twenty-first century with the traditions that have formed their identity for centuries.
A Handbook for Photographic Investigation
In Camera Clues , Joe Nickell shares his methods of identifying and dating old photos and demonstrates how to distinguish originals from copies and fakes. Particularly intriguing are his discussions of camera tricks, darkroom manipulations, retouching techniques, and uses of computer technology to deceive the eye. Camera Clues concludes with a look at allegedly "paranormal" photography, from nineteenth-century "spirit photographs" to UFO snapshots.
Detroit’s unique and partly abandoned cityscape has scarred its image around the world for decades. But in the last several years journalists have begun to view the city through a different lens, focusing on the wide range of contemporary artists finding inspiration amid the emptiness and adding a more complex chapter to the story of a city long labeled as a haunting symbol of U.S. economic decline. In Canvas Detroit, Julie Pincus and Nichole Christian combine vibrant full-color photography of the city’s much-buzzed-about art scene with thoughtful narrative that explores the art and artists that are re-creating Detroit. Canvas Detroit captures hundreds of pieces of artwork in many forms—including large-scale and small-scale murals, sculptures, portraits, light projections, wearable art, and installations (made with wood, glass, living plants, fiber, and fabric). Works are situated in both obvious and more hidden spaces, including on and in houses, garages, factories, alleyways, doors, and walls, while some structures have been entirely transformed into art. Pincus and Christian profile creators working in Detroit, including internationally known figures like Banksy, Matthew Barney, and Tyree Guyton; prominent Detroit artists such as Scott Hocking, Jerome Ferretti, and Robert Sestock; and collectives like Power House Productions, Hygenic Dress League, the Empowerment Plan, and Theatre Bizarre. Canvas Detroit also includes an introductory essay by Mame Jackson, and contributions by John Gallagher, Michael Hodges, Rebecca Hart, and Linda Yablonsky that contextualize the current artistic moment in the city. This beautifully designed and informative volume showcases the stunning breadth and depth of artwork currently being done in Detroit. It will be essential reading for anyone interested in arts and culture in the city.
The World War II Photographs of Captain Charlotte T. McGraw
The photographs taken by Charlotte T. McGraw, the official Women’s Army Corps photographer during World War II, offer the single most comprehensive visual record of the approximately 140,000 women who served in the U.S. Army during the war. This collection of 150 of McGraw’s photos includes pictures made in Africa, in England at the headquarters of the European Theater of Operations, in Asia and the Pacific, and in military hospitals in the United States.
Serving from July 1942 to August 1946, Captain McGraw provided more than 73,000 photographs to the War Department Bureau of Public Affairs. Her photographs were published in the New York Times, New York Herald Tribune, and used by the Associated Press and the United Press, as well as in recruiting posters, handouts and informational pamphlets, and in the most popular magazines of the era such as Time, Colliers, Women’s Home Companion, Parade, Saturday Evening Post, and Mademoiselle.
Building Blocks to Cool Our Planet
The Carbon Efficient City shows how regional economies can be aligned with practices that drive carbon efficiency. It details ten strategies for reducing carbon emissions in our cities: standardized measurement, frameworks that support innovation, regulatory alignment, reducing consumption, reuse and restoration, focus on neighborhoods, providing spaces for nature, use of on-site life cycles for water and energy, coordination of regional transportation, and emphasis on solutions that delight people.