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Labrador – Photographies de Bob Mesher Le Labrador est l’une des dernières terres mystérieuses et pratiquement inaccessibles du Nord – du moins, comme l’écrit en introduction Danielle Schaub, c’est ainsi que l’ont représenté les explorateurs européens et américains au cours des siècles. Dans ce livre, le premier album de photographies publié par un Inuit du Nunavik, Bob Mesher offre une vision « de l’intérieur » de ce fascinant territoire où il est né, à la suite du périple que sa famille avait entrepris du nord du Québec à Paradise River. Revenu depuis à Kuujjuaq, diplômé universitaire et éditeur de Makivik Magazine, Bob Mesher s’est engagé à documenter par des centaines de milliers de photographies le Nord du Québec et le Labrador. Le lecteur découvrira ici son regard exceptionnel, à travers les choix de la photographe Danielle Schaub et les légendes – souvent étonnantes – de Bob Mesher. Labrador – Photographs by Bob Mesher Labrador is one of the last mysterious and virtually inaccessible territories of the North—or so have the European and American explorers claimed over the centuries, as Danielle Schaub writes in the introduction. In this book, the first album of photographs published by an Inuit from Nunavik, Bob Mesher offers an “insider’s” vision of the fascinating land where he was born, following the journey that his family had begun from Northern Quebec to Paradise River. Having returned to Kuujjuaq, as a university graduate and the publisher of Makivik Magazine, Bob Mesher is committed to documenting Northern Quebec and Labrador through thousands of photographs. The reader will discover his exceptional perspective, through the choices of photographer Danielle Schaub and through the often surprising captions given by Bob Mesher.
The Sacred Geography of Tibet and the Himalaya
The landscapes of Tibet, Nepal, and Bhutan are filled with holy places. Some are of natural origin -- summits, rivers and lakes, caves, or forest sanctuaries. Others are consecrated by religious practice -- shrines, temples, monasteries, or burial grounds. The holy sites of the Himalaya unite faith and geography to produce some of the most sublime places on Earth.
In Land of Pure Vision, David Zurick draws from his thirty-five years of experience as a geographer, photographer, and explorer of the Himalaya, combining scholarship and art to capture divine landscapes undergoing profound change. The stunning photographs featured in this volume cover the full geographical reach of the region, from the high plateaus of the western Himalaya to the rugged gorges of Tibet's eastern borderlands, from the icy summits of the north to the subtropical southern foothills. Some sites exist in isolation, with intact natural environments and cultural monuments. Others display the tension between the ancient, sacred character of a place and the indifferent course of the modern world.
Land of Pure Vision explores how the religious practices of Tibetan Buddhism, Hinduism, and shamanism interweave holy sites into a cohesive landscape of transcendent beauty and inspiration. It portrays a world of mystery, magic, and beauty, where the human spirit is in synchronicity with natural forces. Beyond elegy, this beautifully illustrated book is a visual ethnography of people and place.
Photography and Southern Literature in the 1930s and After
The Language of Vision celebrates and interprets the complementary expressions of photography and literature in the South. Southern imagery and text affect one another, explains Joseph R. Millichap, as intertextual languages and influential visions. Focusing on the 1930s, and including significant works both before and after this preeminent decade, Millichap uncovers fascinating convergences between mediums, particularly in the interplay of documentary realism and subjective modernism.
Millichap's subjects range from William Faulkner's fiction, perhaps the best representation of literary and graphic tensions of the period, and the work of other major figures like Robert Penn Warren and Eudora Welty to specific novels, including Ralph Ellison's Invisible Man and James Agee's Let Us Now Praise Famous Men. Fleshing out historical and cultural background as well as critical and theoretical context, Millichap shows how these texts echo and inform the visual medium to reveal personal insights and cultural meanings. Warren's fictions and poems, Millichap argues, redefine literary and graphic tensions throughout the late twentieth century; Welty's narratives and photographs reinterpret gender, race, and class; and Ellison's analysis of race in segregated America draws from contemporary photography. Millichap also traces these themes and visions in Natasha Trethewey's contemporary poetry and prose, revealing how the resonances of these artistic and historical developments extend into the new century. This groundbreaking study reads southern literature across time through the prism of photography, offering a brilliant formulation of the dialectic art forms.
Exploring Iconic Photographs of the Civil War
Doris Ulmann (1882-1934) was one of the foremost photographers of the twentieth century, yet until now there has never been a biography of this fascinating, gifted artist. Born into a New York Jewish family with a tradition of service, Ulmann sought to portray and document individuals from various groups that she feared would vanish from American life. In the last eighteen years of her life, Ulmann created over 10,000 photographs and illustrated five books, including Roll, Jordan, Roll and Handicrafts of the Southern Highlands.
Inspired by the paintings of the European old masters and by the photographs of Hill and Adamson and Clarence White, Ulmann produced unique and substantial portrait studies. Working in her Park Avenue studio and traveling throughout the east coast, Appalachia, and the deep South, she carefully studied and photographed the faces of urban intellectuals as well as rural peoples. Her subjects included Albert Einstein, Robert Frost, African American basket weavers from South Carolina, and Kentucky mountain musicians. Relying on newly discovered letters, documents, and photographs -- many published here for the first time -- Philip Jacobs's richly illustrated biography secures Ulmann's rightful place in the history of American photography.
The railroad’s arrival in the 1870s tranformed the formerly sleepy Little Traverse Bay region into a tourist mecca. Victorian resort communities and the growing towns of Harbor Springs and Petoskey provided lodging, dining, entertainment, and supplies to an influx of settlers, speculators, and tourists who visited in the summer or stayed year-round. Over the decades, cars have replaced trains and steamships and many structures have been preserved, altered, or demolished, but Little Traverse Bay, Past and Present shows that the area’s history is still very much a part of the present day. Featuring contemporary images by Rebecca Zeiss, over three hundred historic (most never before published) photos, and historical narrative by Michael R. Federspiel, this volume documents both the development of the tourist economy and also serves as a snapshot of the region today. Little Traverse Bay, Past and Present is divided into chapters by place and topic. Federspiel and Zeiss look at the cities of Petoskey and Harbor Springs; the resort associations of Bay View, Wequetoning, and Harbor Point; and railroads, steamships, and excursions. Along the way, they visit historic hotels, public buildings, residences, commercial districts, and waterfront areas. At many sites, Zeiss’s beautiful and precise photos show that the historic views are still as they were; at others, they are hidden behind facades or structural alterations. Sometimes the historic sites are simply gone, replaced by something totally new or an empty lot. Federspiel also includes an introduction on the making of modern Little Traverse Bay and introduces the leaders and businessmen behind it. Popular tourist regions often boast beautiful souvenir photo books or history books addressing their past. Little Traverse Bay, Past and Present is both, making it of interest to visitors and local residents alike who want to learn more about the area’s nineteenth-century history as well as those interested in its appearance today.
An Ethnocentric Tour by Wing Young Huie
“Looking for Asian America shows real people engaged in the full range of human activity. This is no small accomplishment for the photographer or his subjects. For Asian Americans it is extraordinary to be merely ordinary. To others, even if not to themselves, Asian Americans appear to be contradictions of identity—a Chinese-Yankee is a knockoff.” —Frank H. Wu, from the Foreword
In search of contemporary Asian America, celebrated photographer Wing Young Huie—the only member of his family not born in China—traveled with his wife Tara through nearly forty states to explore and document the funny, touching, and sometimes strange intersection of Asian American and American cultures. Looking for Asian America illustrates their rich and surprising journey across the United States.
Through Huie’s eyes, keenly aware of his own Midwestern roots and perspective, we witness such images as a Vietnamese Elvis, Miss Congeniality on her cell phone in San Francisco’s Chinatown, a Hmong street sign in rural North Carolina, a meditating Falun Gong protestor in Washington, D.C., a bubble tea Valley Girl, and a Chinese theme park in Orlando. Huie’s camera captures ABCs (American-born Chinese), FOAs (Fresh Off the Airplane), and a self-described “redneck” Chinese restaurant owner near the Okefenokee Swamp. Taken together the photographs reveal a complex portrait of the U.S. cultural landscape, and their dignified elegance invites a closer, deeper look.
Accompanied by the personal reflections of both Wing and Tara Huie, the nearly one hundred spectacular photos tell a story that both mirrors and contradicts stereotypes of Asian Americans, ultimately questioning what it means to be ethnic and American in the twenty-first century.
Wing Young Huie has received widespread acclaim for his works, including Lake Street USA, documenting the cultural landscape of his native Minnesota. He is a recipient of a Bush Artist Fellowship and two-time recipient of the McKnight Photography Fellowship. He lives in Minneapolis.
Frank H. Wu is dean of Wayne State University Law School and the author of Yellow: Race in America Beyond Black and White.
Anita Gonzalez teaches in the Master of Liberal Studies Program at the University of Minnesota.
A Viewer's History from the Civil War to the Great Depression
Photography became a dominant medium in mass culture starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and citizenship. Cara A. Finnegan analyzes a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Lincoln to images of child laborers and Depression-era hardship, Finnegan treats the photograph as a locus for viewer engagement and constructs a history of photography's viewers that shows how Americans used words about images to participate in the politics of their day. As she shows, encounters with photography helped viewers negotiate the emergent anxieties and crises of U.S. public life through not only persuasion but action, as well.
Aerial Views of Big Bend Country
Take an unforgettable sky excursion over Big Bend with photographer Paul Chaplo as he captures the shapes, textures, and colors of the craggy, weathered landforms people usually see only from the ground—and some places no photographer has gone before. Flying from Marfa, and hanging precariously from the open door of an aircraft, Chaplo shares a hawk's eye view of a fiercely beautiful region, revealing the stark and magnificent landscapes carved by the force of eons of wind and water on the arid, mountainous country along the Rio Grande.