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Little Traverse Bay, Past and Present Cover

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Little Traverse Bay, Past and Present

Michael R. Federspiel With contemporary photographs by Rebecca Zeiss

The railroad’s arrival in the 1870s tranformed the formerly sleepy Little Traverse Bay region into a tourist mecca. Victorian resort communities and the growing towns of Harbor Springs and Petoskey provided lodging, dining, entertainment, and supplies to an influx of settlers, speculators, and tourists who visited in the summer or stayed year-round. Over the decades, cars have replaced trains and steamships and many structures have been preserved, altered, or demolished, but Little Traverse Bay, Past and Present shows that the area’s history is still very much a part of the present day. Featuring contemporary images by Rebecca Zeiss, over three hundred historic (most never before published) photos, and historical narrative by Michael R. Federspiel, this volume documents both the development of the tourist economy and also serves as a snapshot of the region today. Little Traverse Bay, Past and Present is divided into chapters by place and topic. Federspiel and Zeiss look at the cities of Petoskey and Harbor Springs; the resort associations of Bay View, Wequetoning, and Harbor Point; and railroads, steamships, and excursions. Along the way, they visit historic hotels, public buildings, residences, commercial districts, and waterfront areas. At many sites, Zeiss’s beautiful and precise photos show that the historic views are still as they were; at others, they are hidden behind facades or structural alterations. Sometimes the historic sites are simply gone, replaced by something totally new or an empty lot. Federspiel also includes an introduction on the making of modern Little Traverse Bay and introduces the leaders and businessmen behind it. Popular tourist regions often boast beautiful souvenir photo books or history books addressing their past. Little Traverse Bay, Past and Present is both, making it of interest to visitors and local residents alike who want to learn more about the area’s nineteenth-century history as well as those interested in its appearance today.

Looking for Asian America Cover

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Looking for Asian America

An Ethnocentric Tour by Wing Young Huie

Wing Young Huie

“Looking for Asian America shows real people engaged in the full range of human activity. This is no small accomplishment for the photographer or his subjects. For Asian Americans it is extraordinary to be merely ordinary. To others, even if not to themselves, Asian Americans appear to be contradictions of identity—a Chinese-Yankee is a knockoff.” —Frank H. Wu, from the Foreword

 

In search of contemporary Asian America, celebrated photographer Wing Young Huie—the only member of his family not born in China—traveled with his wife Tara through nearly forty states to explore and document the funny, touching, and sometimes strange intersection of Asian American and American cultures. Looking for Asian America illustrates their rich and surprising journey across the United States.

 

Through Huie’s eyes, keenly aware of his own Midwestern roots and perspective, we witness such images as a Vietnamese Elvis, Miss Congeniality on her cell phone in San Francisco’s Chinatown, a Hmong street sign in rural North Carolina, a meditating Falun Gong protestor in Washington, D.C., a bubble tea Valley Girl, and a Chinese theme park in Orlando. Huie’s camera captures ABCs (American-born Chinese), FOAs (Fresh Off the Airplane), and a self-described “redneck” Chinese restaurant owner near the Okefenokee Swamp. Taken together the photographs reveal a complex portrait of the U.S. cultural landscape, and their dignified elegance invites a closer, deeper look.

 

Accompanied by the personal reflections of both Wing and Tara Huie, the nearly one hundred spectacular photos tell a story that both mirrors and contradicts stereotypes of Asian Americans, ultimately questioning what it means to be ethnic and American in the twenty-first century.

 

Wing Young Huie has received widespread acclaim for his works, including Lake Street USA, documenting the cultural landscape of his native Minnesota. He is a recipient of a Bush Artist Fellowship and two-time recipient of the McKnight Photography Fellowship. He lives in Minneapolis.

 

Frank H. Wu is dean of Wayne State University Law School and the author of Yellow: Race in America Beyond Black and White.

Anita Gonzalez teaches in the Master of Liberal Studies Program at the University of Minnesota.

Marfa Flights Cover

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Marfa Flights

Aerial Views of Big Bend Country

T. Lindsay Baker

Take an unforgettable sky excursion over Big Bend with photographer Paul Chaplo as he captures the shapes, textures, and colors of the craggy, weathered landforms people usually see only from the ground—and some places no photographer has gone before. Flying from Marfa, and hanging precariously from the open door of an aircraft, Chaplo shares a hawk's eye view of a fiercely beautiful region, revealing the stark and magnificent landscapes carved by the force of eons of wind and water on the arid, mountainous country along the Rio Grande.

Mathematicians Cover

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Mathematicians

An Outer View of the Inner World

Mariana Cook

Mathematicians is a remarkable collection of ninety-two photographic portraits, featuring some of the most amazing mathematicians of our time. Acclaimed photographer Mariana Cook captures the exuberant and colorful personalities of these brilliant thinkers and the superb images are accompanied by brief autobiographical texts written by each mathematician. Together, the photographs and words illuminate a diverse group of men and women dedicated to the absorbing pursuit of mathematics.

The compelling black-and-white portraits introduce readers to mathematicians who are young and old, fathers and daughters, and husbands and wives. They include Fields Medal winners, those at the beginning of major careers, and those who are long-established celebrities in the discipline. Their candid personal essays reveal unique and wide-ranging thoughts, opinions, and humor, as the mathematicians discuss how they became interested in mathematics, why they love the subject, how they remain motivated in the face of mathematical challenges, and how their greatest contributions have paved new directions for future generations. Mathematicians in the book include David Blackwell, Henri Cartan, John Conway, Pierre Deligne, Timothy Gowers, Frances Kirwan, Peter Lax, William Massey, John Milnor, Cathleen Morawetz, John Nash, Karen Uhlenbeck, and many others.

Conveying the beauty and joy of mathematics to those both within and outside the field, this photographic collection is an inspirational tribute to mathematicians everywhere.

Maya Yucatán Cover

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Maya Yucatán

An Artist's Journey

Phillip Hofstetter

Phillip Hofstetter first visited Yucatán in 1987 and was entranced, as much by the sheer physical beauty of the region as by the enduring character of the Maya people still inhabiting the region. For more than twenty years he has been documenting his travels in Yucatán and his professional collaboration with archaeological excavation projects there. His reflections on the Maya culture emphasize survival and adaptation, while images of ancient sites, the churches of the Franciscan mission period, and the ruined haciendas of the henequen period serve as physical reminders of the enduring ways in which the Maya have shaped the landscape of Yucatán over millennia.

Meaningful Places Cover

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Meaningful Places

Landscape Photographers in the Nineteenth-Century American West

Rachel McLean Sailor

The early history of photography in America coincided with the Euro-American settlement of the West. This thoughtful book argues that the rich history of western photography cannot be understood by focusing solely on the handful of well-known photographers whose work has come to define the era. Art historian Rachel Sailor points out that most photographers in the West were engaged in producing images for their local communities. These pictures didn’t just entertain the settlers but gave them a way to understand their new home. Photographs could help the settlers adjust to their new circumstances by recording the development of a place—revealing domestication, alteration, and improvement.

The book explores the cultural complexity of regional landscape photography, western places, and local sociopolitical concerns. Photographic imagery, like western paintings from the same era, enabled Euro-Americans to see the new landscape through their own cultural lenses, shaping the idea of the frontier for the people who lived there.

Mennonites in Texas Cover

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Mennonites in Texas

The Quiet in the Land

By Laura L. Camden and Susan Gaetz Duarte

With their distinctive head coverings, plain dress, and quiet, unassuming demeanor, the Mennonites are a distinctive presence within the often flamboyant and proud people of Texas. If you have seen them at a gas station, in a grocery store, or even at the Dallas–Fort Worth airport, you have probably taken note and wondered how they came to be there. In this photographic tour of two Texas Mennonite communities, separated by almost 450 miles, Laura L. Camden and Susan Gaetz Duarte introduce you to the Beachy Amish Mennonites of Lott, a small community of approximately 160 people in Central Texas, and the very different Mennonites of Seminole, a West Texas farming community of more than five thousand residents and five separate congregations, several of which still speak the Mennonite Low German. Spending more than a year getting to know the families, participating in day-to-day activities, and photographing the unique culture of the communities, Camden and Gaetz Duarte developed deep insight into not just the religious beliefs but the family relationships, role expectations, and daily routines of these people. Through their camera lenses, they offer others a touchingly intimate view of a unique lifestyle seldom experienced by outsiders. In a foreword, former governor Ann Richards identifies the book as part of both the long photographic tradition in Texas and the tradition of cultural and religious diversity in the state. Mark L. Louden’s introduction provides the historical backgrounds of Mennonites in Europe, their core beliefs, and their development into branches in North America. Dennis Carlyle Darling offers insightful comments on the photography that allows an intimate, respectful view of the people, their lifestyle, and their culture.

Nacho Lopez, Mexican Photographer Cover

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Nacho Lopez, Mexican Photographer

John Mraz

Photographer Nacho López was Mexico’s Eugene Smith, fusing social commitment with searing imagery to dramatize the plight of the helpless, the poor, and the marginalized in the pages of glossy illustrated magazines. Even today, López’s photographs forcefully belie the picturesque exoticism that is invariably presented as the essence of Mexico. In Nacho López, Mexican Photographer, John Mraz offers the first full-length study in English of this influential photojournalist and provides a close visual analysis of more than fifty of López’s most important photographs. Mraz first sets López’s work in the historical and cultural context of the authoritarian presidentialism that characterized Mexican politics in the 1950s, the cult of wealth and celebrity promoted by Mexico’s professional photographers, and the government’s attempts to modernize and industrialize Mexico at almost any cost. Mraz skillfully explores the implications of López's imagery in this setting: the extent to which his photographs might constitute further victimization of his downtrodden subjects, the relationship between them and the middle-class readers of the magazines for which López worked, and the success with which his photographs challenged Mexico's economic and political structures. Mraz contrasts the photos López took with those that were selected by his editors for publication. He also compares López’s images with his theories about documentary photography, and considers López’s photographs alongside the work of Robert Capa, Dorothea Lange, Henri Cartier-Bresson, and Sebastião Salgado. López’s imagery is further analyzed in relation to the Mexican Golden Age cinema inspired by Sergei Eisenstein, the pioneering digital imagery of Pedro Meyer, and the work of Manuel Álvarez Bravo, who Mraz provocatively argues was the first Mexican photographer to take an anti-picturesque stance. The definitive English-language assessment of Nacho López’s career, this volume also explores such broader topics as the nature of the photographic essay and the role of the media in effecting social change.

National Camera Cover

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National Camera

Photography and Mexico’s Image Environment

Roberto Tejada

In National Camera, Roberto Tejada offers a comprehensive study of Mexican photography from the early twentieth century to today, demonstrating how images have shaped identities in Mexico, the United States, and the borderlands where the two nations and cultures intersect—a place Tejada calls the shared image environment. The “problem” of photography in Mexico, Tejada shows, reveals cross-cultural episodes that are rife with contradictions, especially in the complex terms of cultural and sexual difference. Analyzing such topics as territory, sexuality, and social and ethnic relations in image making, Tejada delves into the work of key figures such as Manuel Alvarez Bravo, Edward Weston, Tina Modotti, Marius de Zayas, and Julien Levy, as well as the Agustín Víctor Casasola Archive, the Boystown photographs, and contemporary Mexican and Latina photo-based artists. From the Mexican Revolution of 1910–20 to the U.S.–Mexico borderlands of today, Tejada traces the connective thread that photography has provided between Mexican and U.S. American intellectual and cultural production and, in doing so, defines both nations.

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