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Land of Pure Vision Cover

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Land of Pure Vision

The Sacred Geography of Tibet and the Himalaya

David Zurick. foreword by Eric Valli

The landscapes of Tibet, Nepal, and Bhutan are filled with holy places. Some are of natural origin -- summits, rivers and lakes, caves, or forest sanctuaries. Others are consecrated by religious practice -- shrines, temples, monasteries, or burial grounds. The holy sites of the Himalaya unite faith and geography to produce some of the most sublime places on Earth.

In Land of Pure Vision, David Zurick draws from his thirty-five years of experience as a geographer, photographer, and explorer of the Himalaya, combining scholarship and art to capture divine landscapes undergoing profound change. The stunning photographs featured in this volume cover the full geographical reach of the region, from the high plateaus of the western Himalaya to the rugged gorges of Tibet's eastern borderlands, from the icy summits of the north to the subtropical southern foothills. Some sites exist in isolation, with intact natural environments and cultural monuments. Others display the tension between the ancient, sacred character of a place and the indifferent course of the modern world.

Land of Pure Vision explores how the religious practices of Tibetan Buddhism, Hinduism, and shamanism interweave holy sites into a cohesive landscape of transcendent beauty and inspiration. It portrays a world of mystery, magic, and beauty, where the human spirit is in synchronicity with natural forces. Beyond elegy, this beautifully illustrated book is a visual ethnography of people and place.

Lens of War Cover

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Lens of War

Exploring Iconic Photographs of the Civil War

J. Matthew Gallman

Lens of War grew out of an invitation to leading historians of the Civil War to select and reflect upon a single photograph. Each could choose any image and interpret it in personal and scholarly terms. The result is a remarkable set of essays by twenty-seven scholars whose numerous volumes on the Civil War have explored military, cultural, political, African American, women’s, and environmental history.

The essays describe a wide array of photographs and present an eclectic approach to the assignment, organized by topic: Leaders, Soldiers, Civilians, Victims, and Places. Readers will rediscover familiar photographs and figures examined in unfamiliar ways, as well as discover little-known photographs that afford intriguing perspectives. All the images are reproduced with exquisite care. Readers fascinated by the Civil War will want this unique book on their shelves, and lovers of photography will value the images and the creative, evocative reflections offered in these essays.

Contributors: Stephen Berry, William A. Blair, Stephen Cushman, Gary W. Gallagher, J. Matthew Gallman, Judith A. Giesberg, Joseph T. Glatthaar, Thavolia Glymph, Earl J. Hess, Harold Holzer, Caroline E. Janney, James Marten, Kathryn Shively Meier, Megan Kate Nelson, Susan Eva O’Donovan, T. Michael Parrish, Ethan S. Rafuse, Carol Reardon, James I. Robertson Jr., Jane E. Schultz, Aaron Sheehan-Dean, Brooks D. Simpson, Daniel E. Sutherland, Emory M. Thomas, Elizabeth R. Varon, Joan Waugh, Steven E. Woodworth.

Lens on the Texas Frontier Cover

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Lens on the Texas Frontier

Lawrence T. Jones

Photographs of Texas’ frontier past are valuable as both art and artifact. Recording not only the lives and surroundings of days gone by, but also the artistry of those who captured the people and their times on camera, the rare images in Lens on the Texas Frontier offer a documentary record that is usually available to only a few dedicated collectors.
In this book, prominent collector Lawrence T. Jones III showcases some of the most interesting and historically important glimpses of Texas history included among the five thousand photographs in the collection that bears his name at the DeGolyer Library of Southern Methodist University. One of the nation’s most comprehensive and valuable Texas-related photography collections, the Lawrence T. Jones III Collection documents all aspects of Texas photography from the years 1846–1945, including rare examples of the various techniques practiced from its earliest days in the state: daguerreotypes, ambrotypes, tintypes, and paper print photographs in various formats.
The selections in the book feature cartes de visite, cabinet cards, oversized photographs, stereographs, and more. The subjects of the photos include Confederate and Union soldiers and officers in the Civil War; Mexicans, including ranking military officials from the Mexican Revolution; and a wide spectrum of Texan citizens, including African American, Native American, Hispanic, and Caucasian women, men, and children.

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Little Traverse Bay, Past and Present

Michael R. Federspiel With contemporary photographs by Rebecca Zeiss

The railroad’s arrival in the 1870s tranformed the formerly sleepy Little Traverse Bay region into a tourist mecca. Victorian resort communities and the growing towns of Harbor Springs and Petoskey provided lodging, dining, entertainment, and supplies to an influx of settlers, speculators, and tourists who visited in the summer or stayed year-round. Over the decades, cars have replaced trains and steamships and many structures have been preserved, altered, or demolished, but Little Traverse Bay, Past and Present shows that the area’s history is still very much a part of the present day. Featuring contemporary images by Rebecca Zeiss, over three hundred historic (most never before published) photos, and historical narrative by Michael R. Federspiel, this volume documents both the development of the tourist economy and also serves as a snapshot of the region today. Little Traverse Bay, Past and Present is divided into chapters by place and topic. Federspiel and Zeiss look at the cities of Petoskey and Harbor Springs; the resort associations of Bay View, Wequetoning, and Harbor Point; and railroads, steamships, and excursions. Along the way, they visit historic hotels, public buildings, residences, commercial districts, and waterfront areas. At many sites, Zeiss’s beautiful and precise photos show that the historic views are still as they were; at others, they are hidden behind facades or structural alterations. Sometimes the historic sites are simply gone, replaced by something totally new or an empty lot. Federspiel also includes an introduction on the making of modern Little Traverse Bay and introduces the leaders and businessmen behind it. Popular tourist regions often boast beautiful souvenir photo books or history books addressing their past. Little Traverse Bay, Past and Present is both, making it of interest to visitors and local residents alike who want to learn more about the area’s nineteenth-century history as well as those interested in its appearance today.

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Looking for Asian America

An Ethnocentric Tour by Wing Young Huie

Wing Young Huie

“Looking for Asian America shows real people engaged in the full range of human activity. This is no small accomplishment for the photographer or his subjects. For Asian Americans it is extraordinary to be merely ordinary. To others, even if not to themselves, Asian Americans appear to be contradictions of identity—a Chinese-Yankee is a knockoff.” —Frank H. Wu, from the Foreword

 

In search of contemporary Asian America, celebrated photographer Wing Young Huie—the only member of his family not born in China—traveled with his wife Tara through nearly forty states to explore and document the funny, touching, and sometimes strange intersection of Asian American and American cultures. Looking for Asian America illustrates their rich and surprising journey across the United States.

 

Through Huie’s eyes, keenly aware of his own Midwestern roots and perspective, we witness such images as a Vietnamese Elvis, Miss Congeniality on her cell phone in San Francisco’s Chinatown, a Hmong street sign in rural North Carolina, a meditating Falun Gong protestor in Washington, D.C., a bubble tea Valley Girl, and a Chinese theme park in Orlando. Huie’s camera captures ABCs (American-born Chinese), FOAs (Fresh Off the Airplane), and a self-described “redneck” Chinese restaurant owner near the Okefenokee Swamp. Taken together the photographs reveal a complex portrait of the U.S. cultural landscape, and their dignified elegance invites a closer, deeper look.

 

Accompanied by the personal reflections of both Wing and Tara Huie, the nearly one hundred spectacular photos tell a story that both mirrors and contradicts stereotypes of Asian Americans, ultimately questioning what it means to be ethnic and American in the twenty-first century.

 

Wing Young Huie has received widespread acclaim for his works, including Lake Street USA, documenting the cultural landscape of his native Minnesota. He is a recipient of a Bush Artist Fellowship and two-time recipient of the McKnight Photography Fellowship. He lives in Minneapolis.

 

Frank H. Wu is dean of Wayne State University Law School and the author of Yellow: Race in America Beyond Black and White.

Anita Gonzalez teaches in the Master of Liberal Studies Program at the University of Minnesota.

Making Photography Matter Cover

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Making Photography Matter

A Viewer's History from the Civil War to the Great Depression

Cara A. Finnegan

Photography became a dominant medium in mass culture starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and citizenship. Cara A. Finnegan analyzes a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Lincoln to images of child laborers and Depression-era hardship, Finnegan treats the photograph as a locus for viewer engagement and constructs a history of photography's viewers that shows how Americans used words about images to participate in the politics of their day. As she shows, encounters with photography helped viewers negotiate the emergent anxieties and crises of U.S. public life through not only persuasion but action, as well.

Marfa Flights Cover

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Marfa Flights

Aerial Views of Big Bend Country

T. Lindsay Baker

Take an unforgettable sky excursion over Big Bend with photographer Paul Chaplo as he captures the shapes, textures, and colors of the craggy, weathered landforms people usually see only from the ground—and some places no photographer has gone before. Flying from Marfa, and hanging precariously from the open door of an aircraft, Chaplo shares a hawk's eye view of a fiercely beautiful region, revealing the stark and magnificent landscapes carved by the force of eons of wind and water on the arid, mountainous country along the Rio Grande.

Mathematicians Cover

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Mathematicians

An Outer View of the Inner World

Mariana Cook

Mathematicians is a remarkable collection of ninety-two photographic portraits, featuring some of the most amazing mathematicians of our time. Acclaimed photographer Mariana Cook captures the exuberant and colorful personalities of these brilliant thinkers and the superb images are accompanied by brief autobiographical texts written by each mathematician. Together, the photographs and words illuminate a diverse group of men and women dedicated to the absorbing pursuit of mathematics.

The compelling black-and-white portraits introduce readers to mathematicians who are young and old, fathers and daughters, and husbands and wives. They include Fields Medal winners, those at the beginning of major careers, and those who are long-established celebrities in the discipline. Their candid personal essays reveal unique and wide-ranging thoughts, opinions, and humor, as the mathematicians discuss how they became interested in mathematics, why they love the subject, how they remain motivated in the face of mathematical challenges, and how their greatest contributions have paved new directions for future generations. Mathematicians in the book include David Blackwell, Henri Cartan, John Conway, Pierre Deligne, Timothy Gowers, Frances Kirwan, Peter Lax, William Massey, John Milnor, Cathleen Morawetz, John Nash, Karen Uhlenbeck, and many others.

Conveying the beauty and joy of mathematics to those both within and outside the field, this photographic collection is an inspirational tribute to mathematicians everywhere.

Maya Yucatán Cover

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Maya Yucatán

An Artist's Journey

Phillip Hofstetter

Phillip Hofstetter first visited Yucatán in 1987 and was entranced, as much by the sheer physical beauty of the region as by the enduring character of the Maya people still inhabiting the region. For more than twenty years he has been documenting his travels in Yucatán and his professional collaboration with archaeological excavation projects there. His reflections on the Maya culture emphasize survival and adaptation, while images of ancient sites, the churches of the Franciscan mission period, and the ruined haciendas of the henequen period serve as physical reminders of the enduring ways in which the Maya have shaped the landscape of Yucatán over millennia.

Meaningful Places Cover

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Meaningful Places

Landscape Photographers in the Nineteenth-Century American West

Rachel McLean Sailor

The early history of photography in America coincided with the Euro-American settlement of the West. This thoughtful book argues that the rich history of western photography cannot be understood by focusing solely on the handful of well-known photographers whose work has come to define the era. Art historian Rachel Sailor points out that most photographers in the West were engaged in producing images for their local communities. These pictures didn’t just entertain the settlers but gave them a way to understand their new home. Photographs could help the settlers adjust to their new circumstances by recording the development of a place—revealing domestication, alteration, and improvement.

The book explores the cultural complexity of regional landscape photography, western places, and local sociopolitical concerns. Photographic imagery, like western paintings from the same era, enabled Euro-Americans to see the new landscape through their own cultural lenses, shaping the idea of the frontier for the people who lived there.

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