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Human-Animal Relations as Revealed in Real Photo Postcards, 1905–1935
From fairy tales to photography, nowhere is the complexity of human-animal relationships more apparent than in the creative arts. Art illuminates the nature and significance of animals in modern, Western thought, capturing the complicated union that has long existed between the animal kingdom and us. In Beauty and the Beast, authors Arluke and Bogdan explore this relationship through the unique lens of photo postcards. This visual medium offers an enormous and relatively untapped archive to document their subject compellingly.
Becoming Visible brings together scholarly discussions of visibility and illness, photographs of an experience in treatment for Hodgkins lymphoma, and personal testimonial about that time. An artistic and academic contribution to the fields of trauma studies, disability studies and autopathography, this cancer journey reveals how the forces of art and narrative can contribute to social dynamics for change.
A Bibliography and Census. Bibliographie et recensement.
First comprehensive and richly illustrated overview of historical Belgian photographic literature. The development of photography from its roots in 19th-century science gradually transformed book illustration and the dissemination of images. This fully bilingual reference work presents a first comprehensive survey of Belgian photographic literature of the 19th century, both of illustrated books and of technical publications. It makes a major contribution to academic study in the field, with a corpus composed of 681 entries and, for each title, indicates locations of surviving copies in institutional collections in Belgium and elsewhere. An introductory essay plots the development of photographic publishing in Belgium, making full use of primary and secondary sources. An album of over eighty images draws on the rich iconography of early Belgian photographic literature, most reprinted here for the first time.
A Life in the Young Republic
Poet, essayist, chemist, geologist, educator, entrepreneur, publisher--Benjamin Silliman (1779-1864) was one of the virtuosi of the Early Republic and a founder of the American scientific community. This absorbing biography is not only a study of the youth and early career of a complex and remarkable man but also a window on his times. In lively and often moving detail, Chandos Michael Brown opens the broad context of Silliman's life in his native Connecticut. From Silliman's father's disastrous captivity among the British during the Revolution to the intensities of New England religious revivals, from the international celebrity of the Weston Meteor to the economic hazards of introducing artificial mineral waters to the New York market, here is an engaging portrayal of the growth of an American scientist within his rich cultural setting. Brown tells how the young Silliman confronted the declining fortunes of his distinguished family and how he strove to invent a new career worthy of his ambition and social standing. He describes Silliman's education at Yale College and in Philadelphia, his European tour, and his subsequent activities as a professor of chemistry and mineralogy, founder of the Yale Medical School, and editor of the American Journal of Science. Throughout this cultural biography, Silliman appears as the concerned member of an often troubled family--a man who nonetheless managed to achieve that elusive quality, greatly admired by his contemporaries, that of the representative American.
Originally published in 1990.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A Photographic Tour of Early Distilleries
Whiskey making has been an integral part of American history since frontier times. In Kentucky, early settlers brought stills to preserve grain, and they soon found that the limestone-filtered water and the unique climate of the scenic Bluegrass region made it an ideal place for the production of barrel-aged liquor. And so, bourbon whiskey was born.
More than two hundred commercial distilleries were operating in Kentucky before Prohibition, but only sixty-one reopened after its repeal in 1933. As the popularity of America's native spirit increases worldwide, many historic distilleries are being renovated, refurbished, and brought back into operation. Unfortunately, these spaces, with their antique tools and aging architecture, are being dismantled to make way for modern structures and machinery. In The Birth of Bourbon, award-winning photographer Carol Peachee takes readers on an unforgettable tour of lost distilleries as well as facilities undergoing renewal, such as the famous Old Taylor and James E. Pepper distilleries in Lexington, Kentucky. This beautiful book also includes spaces that well-known brands, including Maker's Mark, Woodford Reserve, Four Roses, and Buffalo Trace, have preserved as a homage to their rich histories.
Using a technique known as high-dynamic-range imaging -- a process that produces rich saturation, intensely clarified details, and a full spectrum of light -- Peachee reveals the vibrant life lingering in artifacts from worn cypress fermenting tubs to extravagant copper stills. This lavish celebration of bourbon's heritage will delight whiskey aficionados, history buffs, and art lovers alike.
In a dazzling tribute to the Texas coast, conservationist and lawyer Jim Blackburn has teamed with photographer Jim Olive to give us the most intimate and important portrait yet of Texas bays and of those who work for their wise use and preservation. While giving life and sustenance to plants, animals, and people, the bays and estuaries of Texas have other stories to tell—about freshwater inflows, deep port construction, disappearing oyster beds, beach resorts, industrial pollution, and more. At a certain point, each story brings opposing forces into the courtroom for vigorous debates on the future of some of our most valuable and irreplaceable resources. The Book of Texas Bays is a personal account of legal battles won and lost, but it is also a fine work of natural history by someone who has a deep spiritual connection to the Texas coast and all it has to offer. Jim Olive’s stunning photographs present us with a dramatic perspective of our relationship with the Gulf and remind us of both the grandness and the fragility of our coastal treasures.
Rolling hills, rich forests, and beautiful vistas have made Brown County, Indiana, a favorite haunt of painters and ordinary tourists. In this gorgeous collection, landscape photographer Gary Moore reveals the spirit of the place in the morning hours as it awakens to the new day. Complementing Moore’s wonderful photographs is a text by James P. Eagleman, one of the area’s lifelong naturalists, which showcases the county’s unique flora and fauna. Included with more than 100 color landscape photographs are Moore’s tips on composition, atmosphere, and lighting, encouraging readers to test their creativity with whatever equipment they possess. A book to treasure, Brown County Mornings beckons visitors to enjoy this magical place at any time of day or year.
A Year in the Highlands of Ecuador
Once isolated from the modern world in the heights of the Andean mountains, the indigenous communities of Ecuador now send migrants to New York City as readily as they celebrate festivals whose roots reach back to the pre-Columbian past. Fascinated by this blending of old and new and eager to make a record of traditional customs and rituals before they disappear entirely, photographer-journalist Judy Blankenship spent several years in Cañar, Ecuador, photographing the local people in their daily lives and conducting photography workshops to enable them to preserve their own visions of their culture. In this engaging book, Blankenship combines her sensitively observed photographs with an inviting text to tell the story of the most recent year she and her husband Michael spent living and working among the people of Cañar. Very much a personal account of a community undergoing change, Cañar documents such activities as plantings and harvests, religious processions, a traditional wedding, healing ceremonies, a death and funeral, and a home birth with a native midwife. Along the way, Blankenship describes how she and Michael went from being outsiders only warily accepted in the community to becoming neighbors and even godparents to some of the local children. She also explains how outside forces, from Ecuador’s failing economy to globalization, are disrupting the traditional lifeways of the Cañari as economic migration virtually empties highland communities of young people. Blankenship’s words and photographs create a moving, intimate portrait of a people trying to balance the demands of the twenty-first century with the traditions that have formed their identity for centuries.
Visions of a Southern Cypress Lake
Classified as a Category 1 Habitat for wildlife by the US Fish and Wildlife Service and encompassing a state wildlife management area as well as a state park, Caddo Lake and adjacent areas have also been designated as a Ramsar Site under the international convention to preserve world-class wetlands and their waterfowl. In both words and pictures, writer Thad Sitton and photographer Carolyn Brown have captured the human, animal, and plant life of Caddo, as well as the history of the lake itself, better likened to an ever-changing network of cypress woodlands, bayou-like channels, water-plant meadows, and hardwood bottoms covered more or less by water.
A Handbook for Photographic Investigation
In Camera Clues , Joe Nickell shares his methods of identifying and dating old photos and demonstrates how to distinguish originals from copies and fakes. Particularly intriguing are his discussions of camera tricks, darkroom manipulations, retouching techniques, and uses of computer technology to deceive the eye. Camera Clues concludes with a look at allegedly "paranormal" photography, from nineteenth-century "spirit photographs" to UFO snapshots.